{"id":19418,"date":"2020-05-14T23:24:08","date_gmt":"2020-05-14T21:24:08","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?page_id=19418"},"modified":"2025-05-24T00:23:37","modified_gmt":"2025-05-23T22:23:37","slug":"cedoc-market","status":"publish","type":"page","link":"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/kff-industry\/cedoc-market\/","title":{"rendered":"CEDOC Market"},"content":{"rendered":"\n

29.05, 15.30 – 17.00 CEDOC ROUNDTABLE: MEET THE SCOTS – MOS 3<\/strong><\/p>\n\n\n\n

30.05, 9.45 – 17.00 PRE-ARRANGED ONE-ON-ONE MEETINGS & ROUND TABLES : PRODUCERS AND DECISION MAKERS – MOS 4<\/strong><\/p>\n\n\n\n

Access with passes: Industry, Industry Pro (pre-arranged meetings) <\/p>\n\n\n\n

9.45 – 17.00 ONE-ON-ONE MEETINGS: Producers and Experts
15.30 – 17.00 ROUNDTABLES
<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

CEDOC Market – Central European Documentary Co-Production Market  <\/strong>is an established industry event connecting international documentary filmmakers, with focus on building creative partnerships between East and West, North and South, with a special focus on Central European projects and talents. During two days in the very middle of Europe, in the historical city of Krak\u00f3w we offer you a set of opportunities to develop your projects and build new professional alliances.<\/p>\n\n\n\n

Pre-arranged meetings with international documentary producers and decision makers. Find new partners for your project: producers, sales agents, broadcasters, funds, leading European pitching and training programs.<\/p>\n\n\n\n

*Producers are encouraged to pitch their projects to each other, in order to stimulate bilateral collaborations.<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

PROJECTS SELECTED TO THE CEDOC MARKET 2025:<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
\"\"
533 Days \u2013 Separated by the Bridge<\/figcaption><\/figure>\n\n\n\n
\"\"
Babcia<\/figcaption><\/figure>\n\n\n\n
\"\"
Black Sea, White Noise<\/figcaption><\/figure>\n\n\n\n
\"\"
Beautiful Death<\/figcaption><\/figure>\n\n\n\n
\"\"
Cecilia Project<\/figcaption><\/figure>\n\n\n\n
\"\"
Dust In The Showcase<\/figcaption><\/figure>\n\n\n\n
\"\"
Farewell to the Arctic<\/figcaption><\/figure>\n\n\n\n
\"\"
From Radvanka<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

  • 533 Days – Separated by the Bridge<\/em><\/strong>, dir. Serhii Zeinalov, prod. DIM Filmhouse LLC \/ Ukraine<\/li>
  • Babcia<\/strong>, dir. Wiktor Filip Gacparski prod. Open Matter Studio \/ Germany<\/li>
  • Black Sea, White Noise<\/em><\/strong>, dir. The Black i Forth Collective (Sasha Belinskyi, Taras Osipov, Yulia Kovanova, Kieran Gosney), prod. Bofa Productions \/ Albatros Communicos \/ UK\/ Ukraine<\/li>
  • Beautiful Death<\/em><\/strong>, dir. Andris Gauja, prod. Riverbed \/ Latvia<\/li>
  • Cecilia Project<\/em><\/strong>, dir. Edward Porembny, prod. AMP Polska sp. z o.o. Edward Porembny \/ Poland<\/li>
  • Dust In The Showcase<\/em><\/strong>, dir. Daniel Pavli\u0107, prod. Artizana \/ Croatia<\/li>
  • Farewell to the Arctic<\/em>,<\/strong> dir. Edyta Wr\u00f3blewska, prod. Cool Company Sp. z o.o. \/ Poland<\/li>
  • From Radvanka<\/em><\/strong>, dir. Tomi Hazhlinsky, prod. Contemporary Ukrainian Cinema LLC \/ Ukraine<\/li><\/ul>\n\n\n\n

    <\/p>\n\n\n\n

    \n
    \"\"
    Gaming the System 1989<\/figcaption><\/figure>\n\n\n\n
    \"\"
    Gatsby in Motion<\/figcaption><\/figure>\n\n\n\n
    \"\"
    I’m not scared anymore<\/figcaption><\/figure>\n\n\n\n
    \"\"
    In the Thunder Light <\/figcaption><\/figure>\n\n\n\n
    \"\"
    It Is What It Is<\/figcaption><\/figure>\n\n\n\n
    \"\"
    Intimate Revolutions<\/figcaption><\/figure>\n\n\n\n
    \"\"
    Mater<\/figcaption><\/figure>\n\n\n\n
    \"\"
    My Shining Darkness<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

    <\/p>\n\n\n\n

    • Gaming the System 1989<\/em><\/strong>, dir. Erik Richard H, prod. Enemy Films\/Varda Pictures \/ UK<\/li>
    • Gatsby in Motion<\/em><\/strong>, dir. Bertrand Normand, prod. Les Films du Jour Prochain \/ France<\/li>
    • I’m not scared anymore<\/em><\/strong>, dir. Tanya (Tatsiana) Svirepa, prod. Oraz Myradov \/ Poland, Germany <\/li>
    • In the Thunder Light<\/em><\/strong>, dir. Katarzyna Trzaska, prod. Zygizaga Films \/ Poland<\/li>
    • It Is What It Is<\/em><\/strong>, dir. Gal Rosenbluth, prod. Udivsagi Production ltd. \/ Israel<\/li>
    • Intimate Revolutions<\/em><\/strong>, dir. Julia Maryanska, prod. Speakit Productions \/ USA, UK<\/li>
    • Mater<\/strong>,<\/em> dir. Michael Petrolini, prod. Raw Sight \/ Italy<\/li>
    • My Shining Darkness<\/em><\/strong>, dir. Lia L\u0151rinczy, prod. \u00c9clipse Film Kft. \/ Hungary <\/li><\/ul>\n\n\n\n

      <\/p>\n\n\n\n

      \n
      \n
      \"\"
      Lost in Tehran, Lost in Japan<\/figcaption><\/figure>\n\n\n\n
      \"\"
      Prometea<\/figcaption><\/figure>\n\n\n\n
      \"\"
      RepairMan<\/figcaption><\/figure>\n\n\n\n
      \"\"
      Scars<\/figcaption><\/figure>\n\n\n\n
      \"\"
      Ship of Dreams<\/figcaption><\/figure>\n\n\n\n
      \"\"
      Searching for Thule<\/figcaption><\/figure>\n\n\n\n
      \"\"
      The Hope Will Carry Us<\/figcaption><\/figure>\n\n\n\n
      \"\"
      The Fugitive<\/figcaption><\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n

      <\/p>\n\n\n\n

      • Lost in Tehran, Lost in Japan<\/em>,<\/strong> dir. Jafar NajafiIran, prod. Cinematales \/ Iran<\/li>
      • Prometea<\/em><\/strong>, dir. Michaela Kaliska, prod. Ninja film \/ Slovakia<\/li>
      • RepairMan<\/strong>,<\/em> dir. Marija Stonyte, prod. UKU films \/ Lithuania<\/li>
      • Scars<\/em><\/strong>, dir. Ma\u0142gorzata Imielska, prod. Lumisenta Film Foundation \/ Poland <\/li>
      • Ship of Dreams<\/strong><\/em>, dir. Johan von Sydow, prod. Picky Pictures AB \/ Sweden<\/li>
      • Searching for Thule,<\/em><\/strong> dir. Yannis Karpouzis, prod. Harald House \/ Belgium<\/li>
      • The Hope Will Carry Us<\/strong>,<\/em> dir. Alemdar Faig, prod. Chinar Film \/ Azerbaijan<\/li>
      • The Fugitive<\/em><\/strong>, dir. Michal Varga, prod. Gnomon Production S.R.O. \/ Czechia<\/li><\/ul>\n\n\n\n

        <\/p>\n\n\n\n

        \n
        \"\"
        The Last Daughter<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Through the Eyes of Others<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Tomorrow<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Transparency Booth: Echoes of the Futured<\/figcaption><\/figure>\n\n\n\n
        \"\"
        We Have The Keys<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Witold Giersz 100 years – Frame after Frame<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Yetti on Black Asphalt<\/figcaption><\/figure>\n\n\n\n
        \"\"
        Youth of the North<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

        <\/p>\n\n\n\n

        • The Last Daughter,<\/em><\/strong> dir. Melissa Richer, prod. Sundays.Film GmbH \/ Germany <\/li>
        • Through the Eyes of Others<\/em>,<\/strong> dir. Meagan Adele Lopez, prod. Lady Who Productions \/ USA, France, Spain<\/li>
        • Tomorrow<\/em><\/strong>, dir. Diana Antunes, prod. Omaja, Unipessoal Lda. \/ Portugal<\/li>
        • Transparency Booth: Echoes of the Futured<\/em><\/strong>, dir. Anna Kapustina, Alexander Mihalkovich, prod. Albatros Communicos \/ Ukraine<\/li>
        • We Have The Keys<\/strong>,<\/em> dir. Timo Novotny,  prod. Seehund Media. GmbH \/ Austria, Germany<\/li>
        • Witold Giersz 100 years – Frame after Frame<\/em><\/strong>, dir. Dorota Welchman, prod. Breakthru Productions \/ Poland<\/li>
        • Yetti on Black Asphalt<\/strong>,<\/em> dir. Martin Ry\u0161av\u00fd, prod. D1 Film s.r.o. \/ Czechia <\/li>
        • Youth of the North<\/em><\/strong>, dir. Evgeniia Leushkina, prod.  Voices Films \/ Germany, France<\/li><\/ul>\n\n\n\n

          <\/p>\n\n\n\n

          PRODUCERS EXPERTS:<\/strong><\/p>\n\n\n\n

          Friedemann Hottenbacher \/ inselfilm produktion \/ Germany
          Natalia Imaz \/ parabellum film \/ Germany
          Alex Tondowski \/ Tondowski Films Berlin \/ Germany
          Aleksandra Szcz\u0119sna \/ Hasko Film \/ Poland
          Alex Shiriaieff \/ EuroArctic Media Group \/Sweden
          Marianne M\u00c4kel\u00c4 \/ NAPAFILMS \/ Finland
          Julianna Ugrin \/ Eclipse Films \/ Hungary
          Tracie Holder \/ Means of Production \/ USA
          Monika Lostakova \/ Super Film \/ Slovakia<\/p>\n","protected":false},"excerpt":{"rendered":"

          29.05, 15.30 – 17.00 CEDOC ROUNDTABLE: MEET THE SCOTS – MOS 3 30.05, 9.45 – 17.00 PRE-ARRANGED ONE-ON-ONE MEETINGS & ROUND TABLES : PRODUCERS AND DECISION MAKERS – MOS 4 Access with passes: Industry, Industry Pro (pre-arranged meetings) 9.45 – 17.00 ONE-ON-ONE MEETINGS: Producers and Experts15.30 – 17.00 ROUNDTABLES CEDOC Market – Central European Documentary Co-Production […]<\/p>\n","protected":false},"author":2,"featured_media":50226,"parent":237,"menu_order":43,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"\nCEDOC Market - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/kff-industry\/cedoc-market\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CEDOC Market - 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