{"id":67035,"date":"2025-05-14T22:51:00","date_gmt":"2025-05-14T20:51:00","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?page_id=67035"},"modified":"2025-05-15T10:03:16","modified_gmt":"2025-05-15T08:03:16","slug":"panel-discussion-if-no-one-watches","status":"publish","type":"page","link":"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/kff-industry\/panels-presentattions-2\/panel-discussion-if-no-one-watches\/","title":{"rendered":"Panel: If no one watches?"},"content":{"rendered":"\n<h2>Challenges in documentary film distribution<\/h2>\n\n\n\n<p><strong>29.05, 17.30 \u2013 18.30 ASP 1<\/strong><\/p>\n\n\n\n<p>The myth of a \u2018golden age of documentary\u2019 was burst a few years ago and today we are faced with the uncomfortable question \u2013 why do we keep making docs if no one watches?<\/p>\n\n\n\n<p>With the landscape of independent documentary distribution changing rapidly, it is crucial to rethink our distribution strategies, redefine what success looks like, and cultivate transnational collaborations. Reconnecting with audiences in meaningful, long lasting ways has become more urgent than ever.&nbsp;<\/p>\n\n\n\n<p>We invite you to join us for a discussion with producers and documentary professionals from Poland and Scotland as we explore innovative and radical solutions to these pressing challenges.<\/p>\n\n\n\n<p>Speakers:&nbsp;<strong>Jenny Horwell&nbsp;<\/strong>(Bertha DocHouse) &#8211; tbc,&nbsp;<strong>Graham Fulton&nbsp;<\/strong>(Conic Distribution),&nbsp;<strong>Monika Braid <\/strong>(Braidmade Films) and <strong>Reece Cargan<\/strong> (Randan)<\/p>\n\n\n\n<p>Moderator:&nbsp;<strong>Flore Cosquer<\/strong>&nbsp;(Scottish Documentary Institute)<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"2003\" height=\"2560\" data-id=\"66433\"  src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-scaled.jpg\" alt=\"\" class=\"wp-image-66433\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-scaled.jpg 2003w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-729x932.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-1920x2454.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-1202x1536.jpg 1202w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/flore-cosquer-1602x2048.jpg 1602w\" sizes=\"(max-width: 2003px) 100vw, 2003px\" \/><figcaption>Flore Cosquer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1786\" height=\"2381\" data-id=\"67148\"  src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/m_braid.jpg\" alt=\"\" class=\"wp-image-67148\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/m_braid.jpg 1786w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/m_braid-729x972.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/m_braid-1152x1536.jpg 1152w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/m_braid-1536x2048.jpg 1536w\" sizes=\"(max-width: 1786px) 100vw, 1786px\" \/><figcaption>Monika Braid<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"1707\" height=\"2560\" data-id=\"66431\"  src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-scaled.jpg\" alt=\"\" class=\"wp-image-66431\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-scaled.jpg 1707w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-729x1094.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-1920x2880.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-1024x1536.jpg 1024w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/reece-cargan-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/><figcaption>Reece Cargan<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"800\" height=\"800\" data-id=\"66436\"  src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/graham-fulton.jpeg\" alt=\"\" class=\"wp-image-66436\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/graham-fulton.jpeg 800w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/graham-fulton-729x729.jpeg 729w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption>Graham Fulton<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<ul><li><strong>Reece Cargan |Randan<\/strong><\/li><\/ul>\n\n\n\n<p>Reece is a BAFTA nominated and RTS award winning producer and founder of production companies \u2018Bombito productions\u2019 &amp; \u2018Randan\u2019. Reece has produced numerous award winning work, most recently he co-produced two features with the Netherlands \u2013 with support from Screen Scotland and the Netherlands Film Fund. Randan work across a varied slate of feature projects that span drama, documentary and animation. They have four theatrical release scheduled for 2025\/2026. Reece is a proud alumnus of EAVE Producer\u2019s Workshop, Rotterdam Lab, BFI Insight, ACE EU mentoring and Torino Film Lab. Reece was recently appointed as the EAVE national coordinator for the UK. Reece \u2013 as his slate attests, is passionate about working with and turning up the volume of queer talent, with a focus on intersectional LGBTQIA+ stories &amp; voices.<\/p>\n\n\n\n<ul><li><strong>Graham Fulton | Conic<\/strong><\/li><\/ul>\n\n\n\n<p>Graham is co-founder of Conic, and heads-up distribution and acquisition. Before starting Conic with business partner Jen Davies, Graham was Director of Sales at Park Circus, distributing and selling films directly to cinemas, film festivals and distributors around the world. Representing many of the Hollywood studios, some of the documentaries he helped release internationally include&nbsp;<em>Free Solo<\/em>,&nbsp;<em>Three Identical Strangers<\/em>,&nbsp;<em>Human Flow<\/em>&nbsp;and&nbsp;<em>American Utopia<\/em>.<\/p>\n\n\n\n<p>Conic is a UK \/ Ireland distributor releasing bold and ambitious films. Since launching in October 2022, they have released several award-winning titles, documentaries include BAFTA-nominated ELECTRIC MALADY (Dir. Marie Lid\u00e9n), European Film Award winner SMOKE SAUNA SISTERHOOD (Dir. Anna Hints) and BAFTA nominated IS THERE ANYBODY OUT THERE? (Dir. Ella Glendining), THE TASTE OF MANGO (dir. Chloe Abrahams).<\/p>\n\n\n\n<ul><li><strong>Flore Cosquer | Scottish Documentary Institute<\/strong><\/li><\/ul>\n\n\n\n<p>Bringing a wealth of experience in both narrative and documentary production, Flore became an integral part of the Scottish Documentary Institute in 2010 where she produced several award-winning shorts and feature documentaries for broadcast as well as for international distribution and managed the organisation\u2019s various industry and training programmes. Flore\u2019s deep-rooted passion for talent development and commitment to nurturing non-fiction filmmakers led to her appointment as Managing Director in 2022. Beyond her leadership role, Flore actively advocates for the growth and sustainability of the independent documentary industry by serving as a member of the EURODOC and Documentary Film Council\u2019s boards. At the intersection of art and industry, Scottish Documentary Institute champions the independent documentary field in Scotland and beyond, through the nurturing of filmmakers and audiences.<\/p>\n\n\n\n<ul><li><strong>Monika Braid | Braidmade Films<\/strong><\/li><\/ul>\n\n\n\n<p>Born in Krakow (Poland), where she completed her MA in Film Studies at the Jagiellonian University. She has lived in the UK since 1995. She is EAVE graduate and an expert of the Polish Film Institute. In 2006 she set up her company Braidmade Films in London. Her credits include frequently awarded films such as The Wall of Shadows (2020), K2 \u2013 Touching the Sky (2015), Waking Under Water (2014) and more. Her latest film The Last Expedition was awarded Polish Academy Award OR\u0141Y 2025.<\/p>\n\n\n\n<p>BRAIDMADE FILMS Set up in London in 2006 in order to develop and produce independent films. Based in St Leonards, UK we are keen to work with international talents to produce films of high quality: fiction, documentaries, and experimental. We are interested in films that relate to a universal human experience and appeal to viewers from various cultural backgrounds. In 2012 we opened our outlet in Krakow, Poland. Since its foundation, we produced many successful documentaries winning top international awards.<\/p>\n\n\n\n<p>Panel is a part of <a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/kff-industry\/scottish-delegation-2\/\">DOC IN COMMON &#8211; Scottish UK Delegation <\/a>at Krakow FF \/ KFF Industry<\/p>\n\n\n\n<p>supported by:<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"317\" height=\"190\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/thirdpartybadge_template_screen_stacked_partner_rev-1-2-1.png\" alt=\"\" class=\"wp-image-66072\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/sdi-1.png\" alt=\"\" class=\"wp-image-66532\" width=\"312\" height=\"113\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/sdi-1.png 1678w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/sdi-1-729x264.png 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2025\/05\/sdi-1-1536x557.png 1536w\" sizes=\"(max-width: 312px) 100vw, 312px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Challenges in documentary film distribution 29.05, 17.30 \u2013 18.30 ASP 1 The myth of a \u2018golden age of documentary\u2019 was burst a few years ago and today we are faced with the uncomfortable question \u2013 why do we keep making docs if no one watches? With the landscape of independent documentary distribution changing rapidly, it [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":67188,"parent":29887,"menu_order":39,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Panel: If no one watches? - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/kff-industry\/panels-presentattions-2\/panel-discussion-if-no-one-watches\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Panel: If no one watches? - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"Challenges in documentary film distribution 29.05, 17.30 \u2013 18.30 ASP 1 The myth of a \u2018golden age of documentary\u2019 was burst a few years ago and today we are faced with the uncomfortable question \u2013 why do we keep making docs if no one watches? 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