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Documentary films: a trip to the inside of a family and other extraordinary places<\/strong> The ten short documentaries that havebeen invited to the competition are both intimate portraits of heroesas well as films showing the problems of the modern world. Thefrightening phenomenon, widespread in the environment of computergame lovers, is the topic of “Swatted”, whose heroes sendspecial SWAT units to their friends from the Internet for fun, justso that they can watch a live stream of brutal police operations. Short documents, however, are primarily intimate, family stories. In the film “Dandelion Mum”<\/strong> the director follows the struggle of her mother with cancer, while in the “Greykey”<\/strong> a daughter tries to revive memories of her father – a black participant in the war in Spain who goes to the concentration camp at Mauthausen. The family of Syrian immigrants living in a Dutch town is the hero of the documentary “Like them”<\/strong>, and the film “Milady”<\/strong> presents the experiences of people adopted in their youth by foster families. Norwegian teenagers from the movie “Viva L\u00f8ten!”<\/strong> also have to overcome a difficult past. The complex relationship between two people is shown in the documentary “When the Dragon came”<\/strong>. The heroes got married very young, have eight children and live together, but somehow they are apart. Wiola and Krzysztof from the film “Connected”<\/strong> are the complete opposite -Krzysztof’s illness and their feelings make them almost inseparable. Documentaries at KFF also include discovering the hard-to-reach places. A trip to the mountain cave in the midst of the landscape of the High Tatrasinvites viewers of “The Tough One”<\/strong>, while “Mars, Oman<\/strong> Short feature films: a mix of fiction and reality<\/strong> The feature films in the short film competition are, as usual, a mosaic of themes and genres. \u201cAttrition”<\/strong> takes place on the borderline between the real and supernatural world, in which the hero Edwin who fights during World War I surprises with an unusual skill, while the film “2 or 3 things about Marie Jacobson”<\/strong>, follows a doctor talking to the dead and preparing for her own death. “ This year the features also look into the school walls: in “Safety”<\/strong> the teacher must show courage during Polish feature productions in the international competition are HelenaOborska’s “Bitten”<\/strong>, a mysterious story with the phenomenalMary Komasa in the lead role and “It’s Good Like That”<\/strong> by Marcin Sauter – a contemplative journey of Nikodem, played by AdamWoronowicz, through the Spitsbergen tundra. Animated films: playing with the audience<\/strong> –One of the questions we ask ourselves during the selection is the question about the audience: will viewers open to animated worlds dictated by the subversive anti-logic of sleep, desire, experiment? Our choice is based on the idea of a balance between traditional narrative films, inviting “beginner” viewers of animation to recognize the aesthetics and codes of the medium of Fourteen animations participating in the competition are a mixture of not only The program also includes documentary animations. “Alba\u2019sMemories”<\/strong> is an authentic story about the beginnings of love, told from the perspective of an older woman, supplemented with archival photographs. “Happy Ending”<\/strong> is an animated illustration of the Korean prostitute’s journal, and “One of many”<\/strong> is a love story set against the background of the refugee crisis. There is also no shortage of animated thrillers: “Mum\u2019s the Word” is a story about a boy who discovers his father’s dark business, and”Acid Rain” is a narcotic journey by a motorhome heading for a surprising final. The competition will also feature films that escape easy classifications: “Under the Rib Cage” combines various animation techniques, and “Slug Life” is a kamp story about creating a perfect lover. The prizes awarded in the International Short Competition – Golden Dragon and Silver Dragons – are Academy Award Oscar qualifying awards and the award for the best European film gives the opportunity to apply for a nomination to the European Film Award. Films qualified for the international short film competition<\/strong> SHORT DOCUMENTARY FILMS<\/strong> Ch\u0142opaki z Loten \/ Viva L\u00f8ten!<\/strong>, re\u017c. Teresia Fant, 27\u2019, Norwegia, 2018<\/p>\n\n\n\n Harda \/ The Tough<\/strong>, re\u017c. Marcin Polar, 14\u2019, Polska, 2019<\/p>\n\n\n\n Jak oni \/ Like them<\/strong>, re\u017c. Pau Ortiz, 30\u2019, Holandia, 2018<\/p>\n\n\n\n Kiedy nadszed\u0142 smok<\/strong> \/ When the Dragon Came<\/strong>, re\u017c. Stefan Pavlovic, 21\u2019, Rumunia, Holandia, Serbia, 2018<\/p>\n\n\n\n Klucz do ojca \/ Greykey<\/strong>, re\u017c. Enric Ribes, 29\u2019, Hiszpania, 2018<\/p>\n\n\n\n Mars w Omanie \/ Mars, Oman<\/strong>, re\u017c. Vanessa del Campo, 21\u2019, Belgia, 2018<\/p>\n\n\n\n Milady<\/strong>, re\u017c. Giulia Tivelli, Flavia Scardini, 18\u2019, W\u0142ochy, 2018<\/p>\n\n\n\n O mojej mamie \/ Dandelion Mum<\/strong>, re\u017c. Barbora Hollan, 30\u2019, Norwegia, 2018<\/p>\n\n\n\n Po\u0142\u0105czeni \/ Connected<\/strong>, re\u017c. Aleksandra Maciejczyk, 18\u2019, Polska, 2018<\/p>\n\n\n\n Swatted,<\/strong> re\u017c. Isma\u00ebl Joffroy Chandoutis, 21\u2019, Francja, 2018 KR\u00d3TKOMETRA\u017bOWE FILMY FABULARNE<\/strong> 2 lub 3 rzeczy o Marie Jacobson <\/strong>\/ 2 or 3 Things about Marie Jacobson<\/strong>, re\u017c. Anne Azoulay, 25\u2019, Francja, 2019<\/p>\n\n\n\n Analiza \/ Dissect<\/strong>, re\u017c. Siavash Shahabi, 20\u2019, Iran, 2018<\/p>\n\n\n\n Ashmina<\/strong>, re\u017c. Dekel Berenson, 16\u2019 , Wielka Brytania, Nepal, 2018<\/p>\n\n\n\n Bezpiecze\u0144stwo \/ Safety<\/strong>, re\u017c. Fabrice Joubert, 14\u2019, Francja, Dalekie Wyspy Mniejsze Stan\u00f3w Zjednoczonych, 2018<\/p>\n\n\n\n Bror,<\/strong> re\u017c. Sara Hjort Ditlevsen, 22\u2019, Dania, 2019<\/p>\n\n\n\n Czarny las \/ Black Forest<\/strong>, re\u017c. Jean-marc E Roy, Philippe David Gagn\u00e9, 21\u2019 , Francja, Kanada, 2018<\/p>\n\n\n\n Maras<\/strong>, re\u017c. Salvador Calvo, 24\u2019 , Hiszpania, 2019<\/p>\n\n\n\n Ognisko domowe \/ Hearth<\/strong>, re\u017c. Sophie B. Jacques, 11\u2019 , Kanada, 2019<\/p>\n\n\n\n Pie\u015b\u0144 Ahmeda \/ Ahmed\u2019s Song<\/strong>, re\u017c. Foued Mansour, 30\u2019 , Francja, 2018<\/p>\n\n\n\n Tak jest dobrze \/ It’s Good Like That<\/strong>, re\u017c. Marcin Sauter, 23\u2019 , Polska, 2019<\/p>\n\n\n\n T\u0119sknota \/ Homesick<\/strong>, re\u017c. Koya Kamura, 28\u2019 , Francja, Japonia, 2019<\/p>\n\n\n\n Uk\u0105szenie \/ Bitten<\/strong>, re\u017c. Helena Oborska, 24\u2019 , Polska, 2019<\/p>\n\n\n\n U kresu si\u0142 \/ Attrition<\/strong>, re\u017c. Kelly Holmes, 23\u2019 , Francja, Wielka Brytania, 2018 KR\u00d3TKOMETRA\u017bOWE FILMY ANIMOWANE<\/strong> Acid Rain<\/strong>, re\u017c. Tomek Popakul, 27\u2019 , Polska, 2019<\/p>\n\n\n\n Ani s\u0142owa \/ Mum’s the Word<\/strong>, re\u017c. Khris Cembe, 13\u2019 , Hiszpania, Francja, 2018<\/p>\n\n\n\n By\u0142o wspaniale \/ Happy Ending<\/strong>, re\u017c. Eunju Ara Choi, 5\u2019 , Wielka Brytania, 2018<\/p>\n\n\n\n Dobre intencje \/ Good Intentions<\/strong>, re\u017c. Anna Mantzaris, 9\u2019, Wielka Brytania, 2018<\/p>\n\n\n\n Dzieciaki \/ Kids<\/strong>, re\u017c. Michael Frei, 9\u2019 , Szwajcaria, 2019<\/p>\n\n\n\n Edna \/ One of many,<\/strong> re\u017c. Vuk Mitevski, 11\u2019, Macedonia, 2019<\/p>\n\n\n\n Mi\u0142o\u015b\u0107 turbiny \/ Turbine<\/strong>, re\u017c. Alex Boya, 8\u2019 , Kanada, 2018<\/p>\n\n\n\n Portret Suzanne \/ Portrait of Suzanne<\/strong>, re\u017c. Izabela Pluci\u0144ska, 15\u2019 , Polska, Niemcy, Francja, 2019<\/p>\n\n\n\n Rozprysk \/ Splash<\/strong>, re\u017c. Jie Shen, 9\u2019 , Chiny, 2018<\/p>\n\n\n\n Strach pod \u017cebrami \/ Under the Rib Cage,<\/strong> re\u017c. Bruno Tondeur, 13\u2019 , Francja, Belgia, 2018<\/p>\n\n\n\n Vitae Azilia<\/strong>, re\u017c. Joanna Wapniewska, 7\u2019 , Polska, 2019<\/p>\n\n\n\n Wspomnienia Alby \/ Alba’s Memories<\/strong>, re\u017c. Andrea Martignoni, Maria Steinmetz, 5\u2019 , W\u0142ochy, Niemcy, 2019<\/p>\n\n\n\n Wypchane \u017cycie \/ Imbued Life<\/strong>, re\u017c. Ivana Bosnjak, Thomas Johnson, 12\u2019 , Chorwacja, 2019<\/p>\n\n\n\n Zr\u00f3b sobie \u015blimaka \/ Slug Life<\/strong>, re\u017c. Sophie Koko Gate, 7\u2019 , Wielka Brytania, 2018<\/p>\n\n\n\n Short but sweet Can you tell a complex story in less than 30 minutes? The films showcased in the short films competition prove that it is possible. Documentaries, animations and features are all fascinating stories from around the world, presenting different genre conventions: from love stories through dark comedies to suspense filled thrillers. Documentary films: […]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"\n
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