{"id":20402,"date":"2020-05-20T21:37:11","date_gmt":"2020-05-20T19:37:11","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?p=20402"},"modified":"2020-05-21T09:35:45","modified_gmt":"2020-05-21T07:35:45","slug":"kff-industry-projects-selected-to-docs-to-start-and-docs-to-go","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-projects-selected-to-docs-to-start-and-docs-to-go\/","title":{"rendered":"KFF Industry: Projects selected to Docs to Start and Docs to Go"},"content":{"rendered":"\n<p><strong>KFF Industry: Projects selected to Docs to Start and Docs to Go Pitchings.<br><br><\/strong><span lang=\"en-US\"><b>For the sixth time in Krakow will be held one of the DOC LAB POLAND sessions, co-organized with W\u0142adys\u0142aw \u015alesicki Film Foundation. Doc Lab Poland is a series of workshops and consultations for directors and producers of Polish documentary films which ends with two pitching sessions: DOCS TO START and DOCS TO GO.<\/b><\/span><\/p>\n\n\n\n<p>DOCS TO START is a presentation of Polish projects at the stage of development, whereas DOCS TO GO! is a presentation of Polish documentary films at the stage of editing or post-production. Both sessions eventuate in the meetings with festival programmers and sales agents. This year 21 projects were chosen to be presented.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-5 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1218\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-1920x1218.jpg\" alt=\"\" data-id=\"19198\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/byc-jak\/\" class=\"wp-image-19198\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-1920x1218.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-729x462.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-1536x974.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/byc-jak-2048x1299.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Being Benovsky, dir. Katarzyna Trzaska, Marek Kucharski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-1920x1080.jpg\" alt=\"\" data-id=\"19272\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/bogini\/\" class=\"wp-image-19272\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/bogini-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">The Daughter of Fuji (AKA Grace), dir. Eri Mizutani<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-1920x1080.jpg\" alt=\"\" data-id=\"19200\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/debiut\/\" class=\"wp-image-19200\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg 2000w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Debut, dir. Aleksandra Maciejczyk<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1280\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-1920x1280.jpg\" alt=\"\" data-id=\"19243\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/dom-z-piasku\/\" class=\"wp-image-19243\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-1920x1280.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-729x486.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-1536x1024.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/dom-z-piasku-2048x1365.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">House of Sand, dir. Pawe\u0142 Wyszomirski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-1920x1080.jpg\" alt=\"\" data-id=\"19227\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/easy-rider\/\" class=\"wp-image-19227\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Easy Rider Behind the Iron Curtain, dir. Andrzej Mi\u0119kus<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg\" alt=\"\" data-id=\"19281\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/hamattan\/\" class=\"wp-image-19281\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-1536x864.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">When The Harmattan Blows, dir. Edyta Wr\u00f3blewska<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1013\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-1920x1013.jpg\" alt=\"\" data-id=\"19235\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/gypsy\/\" class=\"wp-image-19235\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-1920x1013.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-729x384.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-1536x810.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-2048x1080.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Gypsy gadji, dir. Dasa Raimanova<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gienek-1.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gienek-1.jpg\" alt=\"\" data-id=\"19219\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gienek-1.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/gienek\/\" class=\"wp-image-19219\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Don\u2019t Mess With Gienek, dir. Grzegorz Szczepaniak<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-1920x1080.jpg\" alt=\"\" data-id=\"19258\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/nina\/\" class=\"wp-image-19258\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Nina Gets Married, dir. Andrzej Szypulski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko.jpg\"><img loading=\"lazy\" width=\"1583\" height=\"949\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko.jpg\" alt=\"\" data-id=\"19251\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/widzialem-wszystko\/\" class=\"wp-image-19251\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko.jpg 1583w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko-729x437.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/widzialem-wszystko-1536x921.jpg 1536w\" sizes=\"(max-width: 1583px) 100vw, 1583px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">I Have Seen Everything,  dir. Wojciech \u0141azarowicz<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Pitchings will be preceded by intensive workshops with established tutors: Adriek van Nieuwenhuyzen (Head of IDFA Industry), Tereza \u0160im\u00edkova (Head of CPH:Forum), Christian Popp (Head of FIPADOC Industry Days), Leena Pasanen, programmer of the Biografilm Festival, former artistic director of DOK Leipzig and Rada \u0160e\u0161ic, programmer of Sarajevo FF and co-head of Docu Rough Cut Boutique.<\/p>\n\n\n\n<p>This year both events, as well as whole KFF Industry, will be held online. After the public presentations of the projects that are planned on Wednesday, June 3rd (Docs to Start) and Thursday June 4<sup>th<\/sup> (Docs to Go) will be followed by one-on-one meetings with the international experts and decision makers. <\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-5 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/miriam-scaled.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/miriam-1.jpg\" alt=\"\" data-id=\"19309\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/miriam-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/miriam\/\" class=\"wp-image-19309\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">@miriamfrompoland, dir. Piotr Szczepa\u0144ski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob.jpg\"><img loading=\"lazy\" width=\"729\" height=\"425\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob-729x425.jpg\" alt=\"\" data-id=\"19317\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/glob\/\" class=\"wp-image-19317\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob-729x425.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob-1920x1119.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob-1536x895.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/glob-2048x1194.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Escape to the Silver Globe, dir. Jakub Mikurda<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-729x410.jpg\" alt=\"\" data-id=\"19325\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/jestem-1\/\" class=\"wp-image-19325\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-2048x1152.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">I Am One of Them, dir. Nadim Suleiman<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg\"><img loading=\"lazy\" width=\"729\" height=\"305\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-729x305.jpg\" alt=\"\" data-id=\"19333\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/lekcja\/\" class=\"wp-image-19333\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-729x305.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-1920x804.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-1536x644.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Lesson of Freedom, dir. Tadeusz Chudy<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk-729x410.jpg\" alt=\"\" data-id=\"19340\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/czyzyk\/\" class=\"wp-image-19340\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/czyzyk.jpg 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Siskin, dir.  Zofia Kowalewska<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef.jpg\"><img loading=\"lazy\" width=\"729\" height=\"456\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef-729x456.jpg\" alt=\"\" data-id=\"19348\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/wielki-szef\/\" class=\"wp-image-19348\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef-729x456.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef-1536x960.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/wielki-szef.jpg 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">The Big Chief, dir. Tomasz Wolski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/natalka-scaled.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/natalka-1.jpg\" alt=\"\" data-id=\"19357\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/natalka-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/natalka\/\" class=\"wp-image-19357\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">The End of Natalka\u2019s World, dir.  Anna Urba\u0144czyk<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-scaled.jpg\"><img loading=\"lazy\" width=\"729\" height=\"547\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-729x547.jpg\" alt=\"\" data-id=\"19365\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/do-slubu\/\" class=\"wp-image-19365\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-729x547.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-1920x1440.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-1536x1152.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-2048x1536.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Until The Wedding, dir. Daniel Stopa<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter-729x410.jpg\" alt=\"\" data-id=\"19374\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/workcenter\/\" class=\"wp-image-19374\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/workcenter.jpg 1080w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Workcenter, dir. Aniela Gabryel<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki.jpg\"><img loading=\"lazy\" width=\"729\" height=\"486\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki-729x486.jpg\" alt=\"\" data-id=\"19381\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/ks-adam-boniecki-redakcja-tp-kolegium-redakcyjne\/\" class=\"wp-image-19381\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki-729x486.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki-1536x1024.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/boniecki.jpg 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">xABo: Ksi\u0105dz Boniecki, dir. Aleksandra Potoczek<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Their attendance confirmed producers from Germany, Denmark, Finland, Ukraine, Japan, USA, representatives of the international documentary industry events like Baltic Sea Forum, Emerging Producers, East Doc Platform, Documentary Campus, Dok Incubator, Agora Doc Market, Hot Docs Forum, IDFA Forum, CPH: Forum, Australian International Documentary Conference, DOK Industry, Docs Barcelona Industry, commissioning editors and broadcasters, film funds, sales (i.a. Sideways Film, Cat&#8217;n&#8217;Docs,Taskovski Films, Deckert Distribution, Rise and Shine, Women Make Movies, Visible Film, JMT Films, Autlook Films, First Hand Fims, Syndicado) ) and the major festivals presenting documentary films \u2013 IDFA, Hot Docs, CPH:DOX, Visions du Reel, Karlovy Vary, Berlinale, Doclisboa, One World, Festival dei Popoli, Trieste FF, Docaviv, Dokufest Kosovo, DOCSMX, It&#8217;s All True DFF, New Zealand International Film Festival, Yamagata IDFF.<\/p>\n\n\n\n<h4>Selected projects:<\/h4>\n\n\n\n<p><\/p>\n\n\n\n<h4><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-start-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">DOC LAB START<\/a><\/h4>\n\n\n\n<ul>\n<li><span lang=\"en-US\">Being Benovsky<\/span><span lang=\"en-US\">, dir. <\/span>Katarzyna Trzaska, Marek Kucharski, prod. <span lang=\"en-US\">\u0141ukasz Bluszcz, Vision House<\/span><\/li>\n<li><span lang=\"en-US\">Debut<\/span><span lang=\"en-US\">, dir. <\/span>Aleksandra Maciejczyk, prod. Marta Gmosi\u0144ska, Lava Films<\/li>\n<li><span lang=\"en-US\">Don\u2019t Mess With Gienek<\/span><span lang=\"en-US\">, dir. <\/span>Grzegorz Szczepaniak, prod. Joanna Popowicz, Grzegorz Szczepaniak , WF Anagram<\/li>\n<li><span lang=\"en-US\">Easy Rider Behind the Iron Curtain<\/span><span lang=\"en-US\">, dir. <\/span>Andrzej Mi\u0119kus, prod. Olga Bieniek, Filmicon<\/li>\n<li>Gypsy Gadji, dir. Dasa Raimanova, prod. Rafa\u0142 Sakowski, Story Vehicle<\/li>\n<li><span lang=\"en-US\">House of Sand<\/span><span lang=\"en-US\">, dir. Pawe\u0142 Wyszomirski, prod. Marta Du\u017cbabel, With Passion Production<\/span><\/li>\n<li><span lang=\"en-US\">I Have Seen Everything<\/span><span lang=\"en-US\">, dir. <\/span>Wojtek \u0141azarowicz, prod. Ma\u0142gorzata Ma\u0142ysa, Furia Film<\/li>\n<li><span lang=\"en-US\">Nina Gets Married<\/span><span lang=\"en-US\">, dir. Andrzej Szypulski, prod. Anna Reichel, Fine Day Promotion<\/span><\/li>\n<li><span lang=\"en-US\">The Chums<\/span><span lang=\"en-US\">, dir. <\/span>Emilia \u015aniegoska, prod. \u0141ukasz Bluszcz, Vision House<\/li>\n<li><span lang=\"en-US\">The Daughter of Fuji (AKA Grace)<\/span><span lang=\"en-US\">, dir. Eri Mizutani, prod. Anna Fam, Polished Productions<\/span><\/li>\n<li><span lang=\"en-US\">When The Harmattan Blows<\/span><span lang=\"en-US\">, dir. Edyta Wr\u00f3blewska, prod. Marta Du\u017cbabel, With Passion Production<\/span><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-start-2\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span lang=\"en-US\">More about projects<\/span><\/a><\/p>\n\n\n\n<h4><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-go-3\/\" target=\"_blank\" rel=\"noreferrer noopener\">DOC LAB GO<\/a><\/h4>\n\n\n\n<ul>\n<li><span lang=\"en-US\">@miriamfrompoland<\/span><span lang=\"en-US\">, dir. <\/span>Piotr Szczepa\u0144ski, prod. Anna Pachnicka, Anagram Film<\/li>\n<li><span lang=\"en-US\">Escape to the Silver Globe,<\/span><span lang=\"en-US\"> dir. <\/span>Jakub Mikurda, prod, Silver Frame Stanis\u0142aw Zaborowski<\/li>\n<li><span lang=\"en-US\">I Am One of Them,<\/span><span lang=\"en-US\"> dir. <\/span>Nadim Suleiman, prod. Jacek B\u0142awut, Luiza Pietrzak, Palmyra Films<\/li>\n<li><span lang=\"en-US\">Lesson of Freedom,<\/span><span lang=\"en-US\"> dir. Tadeusz Chudy, Bartosz \u0141uniewski, prod. <\/span>Rafa\u0142 Sakowski, Story Vehicle<\/li>\n<li>Siskin, dir. Zofia Kowalewska, prod. <span lang=\"en-US\">Stanis\u0142aw Zaborowski, Silver Frame<\/span><\/li>\n<li><span lang=\"en-US\">The Big Chief<\/span><span lang=\"en-US\">, dir. Tomasz Wolski, prod. Kijora Film<\/span><\/li>\n<li><span lang=\"en-US\">The End of Natalka\u2019s World<\/span><span lang=\"en-US\">, dir. Anna Urba\u0144czyk, Direct Share Media<\/span><\/li>\n<li><span lang=\"en-US\">Until The Wedding,<\/span><span lang=\"en-US\"> dir. <\/span>Daniel Stopa, prod. Ma\u0142gorzata Staro\u0144, STARON-FILM<\/li>\n<li><span lang=\"en-US\">Workcenter<\/span><span lang=\"en-US\">, dir. Aniela Gabryel, prod. <\/span>Agnieszka Dziedzic, Koi Studio<\/li>\n<li>xABo: Ksi\u0105dz Boniecki, prod. Aleksandra Potoczek, prod. Aleksander Kardy\u015b, Fundacja Tygodnika Powszechnego<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-go-3\/\"><span lang=\"en-US\">More about projects<\/span><\/a><\/p>\n\n\n\n<p>The best pitches will be awarded by the partners: HBO Europe, ColorOffOn, Uchostudio, DOK Leipzig, FIPADOC and Institute of Documentary Film.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DOCS TO START is a presentation of Polish projects at the stage of development, whereas DOCS TO GO! is a presentation of Polish documentary films at the stage of editing or post-production. Both sessions eventuate in the meetings with festival programmers and sales agents. This year 21 projects were chosen to be presented. Pitchings will [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":20363,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>KFF Industry: Projects selected to Docs to Start and Docs to Go - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-projects-selected-to-docs-to-start-and-docs-to-go\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KFF Industry: Projects selected to Docs to Start and Docs to Go - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"DOCS TO START is a presentation of Polish projects at the stage of development, whereas DOCS TO GO! is a presentation of Polish documentary films at the stage of editing or post-production. 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