{"id":23788,"date":"2020-06-06T14:27:44","date_gmt":"2020-06-06T12:27:44","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?p=23788"},"modified":"2020-06-06T14:41:36","modified_gmt":"2020-06-06T12:41:36","slug":"awards-for-animated-in-poland-and-doc-lab-poland-projects","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/awards-for-animated-in-poland-and-doc-lab-poland-projects\/","title":{"rendered":"Awards for Animated in Poland and Doc Lab Poland projects"},"content":{"rendered":"\n<p lang=\"en-US\" align=\"LEFT\"><strong>Three pitching sessions took place during this year&#8217;s edition of KFF Industry online: Animated in Poland \u2013 for Polish animated projects in production \u2013 and, co-organised with Doc Lab Poland, Docs to Start and Docs to Go! \u2013 for Polish documentary projects in development and in postproduction. On the industry award gala the awards for the best presentations were announced. <\/strong><\/p>\n\n\n\n<p lang=\"pl-PL\" align=\"LEFT\"><span lang=\"en-US\">Two<\/span><strong><span lang=\"en-US\"> Animated in Poland <\/span><\/strong><span lang=\"en-US\">awards found their new owners. <\/span><strong><span lang=\"en-US\">The Audiovisual Technology Center Special Mention<\/span><\/strong><span lang=\"en-US\"> went to the project <\/span><strong><span lang=\"en-US\">\u201cSlow Light\u201d<\/span><\/strong><span lang=\"en-US\"> directed by Katarzyna Kijek and Przemys\u0142aw Adamski and produced by Animoon studio, and <\/span><span lang=\"en-US\">the Sound Mind Studio Best Pitch Award<\/span><span lang=\"en-US\"> was given to project <\/span><strong><span lang=\"en-US\">\u201cGon\u00e2ve\u201d<\/span><\/strong><span lang=\"en-US\"> directed by R\u00f3\u017ca Duda and Micha\u0142 Soja and produced by Krakow Film Klaster. <\/span><\/p>\n<p lang=\"en-US\" align=\"LEFT\">KFF Industry partner and founder of the Special Mention \u2013 <strong>Audiovisual Technology Centre (CeTA)<\/strong> &#8211; is a unique space where technology, culture and art combine, intersect and complete one another. Synergy of those elements and genius loci of the place foster creative filmmakers who can develop here their original ideas. CeTA is a complex place that allows for all stages of professional film and television production to be completed. Both established and debuting filmmakers can find here support and additionally take part in numerous workshops.<\/p>\n<p lang=\"en-US\" align=\"LEFT\">Another award founder and KFF Industry partner is <strong>Sound Mind Studio \u2013 sound postproduction studio<\/strong> founded by Micha\u0142 Fojcik, a recognised sound director, member of Motion Picture Sound Editors (MPSE), who worked on films like: \u201cGods&#8221;, \u201cThe Red Spider&#8221;, \u201cThe Art of Loving\u201d and \u201cThe Coldest Game\u201d.<\/p>\n<p lang=\"pl-PL\" align=\"LEFT\"><span lang=\"en-US\"><strong>Animated in Poland<\/strong> pitch had this year its eighth edition. The first pitch took place in May 2013, during the 53th Krakow Film Festival, in cooperation with Shortcut magazine. Two of the films presented during the last year&#8217;s edition were \u201cPapa\u201d by Maryia Yakimovich and \u201cMay You Never Have to Come Back Here\u201d by Anastazja Naumenko, which have just begun their festival journey. This year 6 projects were presented. More about Animated in Poland projects <\/span><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/pitching-animated-in-poland\/\"><span lang=\"en-US\">here.<\/span><\/a><\/p>\n\n\n\n<p lang=\"pl-PL\" align=\"LEFT\"><span lang=\"en-US\">Three<\/span><strong><span lang=\"en-US\"> Doc Lab Poland<\/span><\/strong><span lang=\"en-US\"> awards and seven special mentions were given to the best Docs to Start and Docs to Go! presentations. In the Docs to Start session<\/span><strong><span lang=\"en-US\"> HBO Award <\/span><\/strong><span lang=\"en-US\">&#8211;<\/span> <span lang=\"en-US\">10\u00a0000 PLN for the film production &#8211; went to the project <strong>\u201cDebut\u201d<\/strong> directed by Aleksandra Maciejczyk, prod. Marta Gmosi\u0144ska (Lava Films);<\/span><strong><span lang=\"en-US\"> ColorOffOn<\/span> <span lang=\"en-US\">Award <\/span><\/strong><span lang=\"en-US\">\u2013 25\u00a0000 PLN voucher for image postproduction \u2013 was given to the project <strong>\u201cDon&#8217;t Mess with Gienek\u201d<\/strong> directed by Grzegorz Szczepaniak, prod. Joanna Popowicz WF Anagram. Other films awarded in this section were: <strong>\u201eGypsy Gadji\u201d<\/strong> directed by Dasa Raimanova, prod. Rafa\u0142\u00a0Sakowski (Story Vehicle) &#8211; <\/span><span lang=\"en-US\">DOK Leipzig Special Mention<\/span><span lang=\"en-US\"> \u2013 invitation to Co Pro Meetings in Leipzig;<strong> \u201cEasy Rider Behind the Iron Curtain\u201d<\/strong>, dir. Andrzej Mi\u0119kus, prod. Olga Bieniek (FilmIcon) &#8211;<\/span><span lang=\"en-US\"> FIPA\u00a0DOC\u00a0Special Mention <\/span><span lang=\"en-US\">\u2013 invitation to pitch the project at FIPA\u00a0DOC\u00a0in Biarritz; <strong>\u201cWhen the Harmattan Blows\u201d<\/strong>, dir. Edyta Wr\u00f3blewska, prod. Marta Du\u017cbabel (With Passion Production) &#8211;<\/span><span lang=\"en-US\"> Polish Docs Pro Special Mention<\/span><span lang=\"en-US\"> \u2013 \u00a0active support for the project&#8217;s international promotion and invitation to one of the key international documentary industry events;<strong> \u201cNina Gets Married\u201d<\/strong>, dir. Andrzej Szypulski, prod. Anna Reichel (Fine Day Promotion) &#8211;<\/span><span lang=\"en-US\"><strong> W\u0142adys\u0142aw \u015alesicki Film Foundation Special Mention<\/strong> &#8211; <\/span><span lang=\"en-US\">invitation to key European documentary industry event.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda.jpg\"><img loading=\"lazy\" width=\"729\" height=\"310\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda-729x310.jpg\" alt=\"\" data-id=\"20220\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/kff-industry-projekty-animated-in-poland\/gonave-rez-michal-soja-roza-duda\/\" class=\"wp-image-20220\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda-729x310.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda-1920x817.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda-1536x653.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Gon\u00e2ve, dir. Micha\u0142 Soja, R\u00f3\u017ca Duda<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski-729x410.jpg\" alt=\"\" data-id=\"20218\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/kff-industry-projekty-animated-in-poland\/slow-light-rez-kijek_adamski\/\" class=\"wp-image-20218\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/slow-light-rez--kijek_adamski.jpg 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Slow light, dir. Kijek_Adamski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-729x410.jpg\" alt=\"\" data-id=\"19200\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/debiut\/\" class=\"wp-image-19200\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/debiut.jpg 2000w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Debut, dir. Aleksandra Maciejczyk<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe.png\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe-729x410.png\" alt=\"\" data-id=\"21446\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe.png\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/nie-z-gienkiem-te-numery-_-foto-nowe\/\" class=\"wp-image-21446\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe-729x410.png 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe-492x277.png 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe-1536x864.png 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nie-z-gienkiem-te-numery-_-foto-nowe.png 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Don&#8217;t mess with Gienek, dir. Grzegorz Szczepaniak<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-scaled.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-1.jpg\" alt=\"\" data-id=\"19235\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gypsy-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/gypsy\/\" class=\"wp-image-19235\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Gypsy gadji, dir. Dasa Raimanova<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-729x410.jpg\" alt=\"\" data-id=\"19227\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/easy-rider\/\" class=\"wp-image-19227\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/easy-rider-2048x1152.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Easy Rider Behind the Iron Curtain, dir. Andrzej Mi\u0119kus<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-scaled.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-729x410.jpg\" alt=\"\" data-id=\"19258\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/nina\/\" class=\"wp-image-19258\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/nina-2048x1152.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Nina Gets Married, dir. Andrzej Szypulski<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-729x410.jpg\" alt=\"\" data-id=\"19281\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-start-2\/hamattan\/\" class=\"wp-image-19281\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/hamattan.jpg 1920w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">When the Harmattan Blows, dir. Edyta Wr\u00f3blewska<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p lang=\"pl-PL\" align=\"LEFT\"><span lang=\"en-US\">In Docs to Go! section<\/span><strong><span lang=\"en-US\"> ColorOffOn Award<\/span><\/strong><span lang=\"en-US\"> \u2013 25\u00a0000 PLN voucher for image postproduction \u2013 went to the project <strong>\u201cUntil the Wedding\u201d<\/strong>, dir. Daniel Stopa, prod. Ma\u0142gorzata Staro\u0144, Joanna Tatko (Staron-Film). Special mentions were awarded to three projects: <strong>\u201eWorkcenter\u201d<\/strong>, dir. Aniela Gabryel, prod. Agnieszka Dziedzic (Koi Studio) &#8211; <\/span><strong><span lang=\"en-US\"> Institute of Documentary Film in Prague Special Mention <\/span><\/strong><span lang=\"en-US\">&#8211; invitation to East\u00a0Doc\u00a0Platform, <strong>\u201eI Am One of Them\u201d<\/strong> by Nadim Suleiman, prod. Luiza Pietrzak, Jacek\u00a0B\u0142awut (Palmyra Films) and <strong>\u201eLesson of Freedom\u201d<\/strong> by Tadeusz Chudy and Bartosz Bieniek, prod. Rafa\u0142 Sakowski (Story Vehicle) &#8211; <\/span><span lang=\"en-US\"><strong>W\u0142adys\u0142aw \u015alesicki Film Foundation Special Mentions<\/strong> &#8211; <\/span><span lang=\"en-US\">invitations to key European documentary industry events.<\/span><span lang=\"en-US\"><br \/><\/span><span lang=\"en-US\">You can read more about the projects here: <\/span><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-start-2\/\"><span lang=\"en-US\">Docs to Start<\/span><\/a><span lang=\"en-US\"> and <\/span><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry\/industry-zone\/pitchings-presentations\/docs-to-go-3\/\"><span lang=\"en-US\">Docs to Go!<\/span><\/a><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-scaled.jpg\"><img loading=\"lazy\" width=\"729\" height=\"547\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-729x547.jpg\" alt=\"\" data-id=\"19365\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/do-slubu\/\" class=\"wp-image-19365\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-729x547.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-1920x1440.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-1536x1152.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/do-slubu-2048x1536.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Until the Wedding, dir. Daniel Stopa<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio-729x410.jpg\" alt=\"\" data-id=\"23285\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/60-kff\/gazeta-festiwalowa\/gazeta-festiwalowa-dzien-5\/workcenter-prod-koi-studio\/\" class=\"wp-image-23285\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/06\/workcenter-prod--koi-studio.jpg 1080w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Workcenter, dir. Aniela Gabryel<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1.jpg\"><img loading=\"lazy\" width=\"729\" height=\"410\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-729x410.jpg\" alt=\"\" data-id=\"19325\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/jestem-1\/\" class=\"wp-image-19325\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/jestem-1-2048x1152.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">I&#8217;m One of Them, dir. Nadim Suleiman<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg\"><img loading=\"lazy\" width=\"729\" height=\"305\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-729x305.jpg\" alt=\"\" data-id=\"19333\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/industry\/kff-industry\/pitchingi-prezentacje\/docs-to-go-2\/lekcja\/\" class=\"wp-image-19333\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-729x305.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-1920x804.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja-1536x644.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/lekcja.jpg 2048w\" sizes=\"(max-width: 729px) 100vw, 729px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Lesson of Freedom, dir. Tadeusz Chudy, Bartosz \u0141uniewski<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><strong>This year 21 projects took part in the second session of the DOC LAB POLAND workshops that ended with online pitching sessions under the auspices of KFF Industry during the 60<sup>th<\/sup> Krakow Film Festival. <\/strong>International tutors who prepared the participants to the public presentation of their projects were: Adriek van Nieuwenhuyzen (Head of IDFA Industry), Tereza \u0160im\u00edkova (Head of CPH:Forum), Christian Popp (Head of FIPADOC Industry Days), Leena Pasanen, selector for the Biografilm Festival and Director of DOK Leipzig and Rada \u0160e\u0161ic, selector for the Sarajevo FF and co-head of 1020 Docu Rough Cut Boutique.<\/p>\n\n\n\n<p><strong>The participants of 3 pitching had a chance to meet with experienced international experts: <\/strong>producers from Germany, Denmark, Finland, Ukraine, Japan, USA, representatives of the international documentary industry events like Baltic Sea Forum, Emerging Producers, East Doc Platform, Documentary Campus, Dok Incubator, Agora Doc Market, Hot Docs Forum, IDFA Forum, CPH: Forum, Australian International Documentary Conference, DOK Industry, Docs Barcelona Industry, commissioning editors and broadcasters, film funds, sales (i.a. Sideways Film, Cat\u2019n\u2019Docs, Square Eyes, New Europe Film Sales, Taskovski Films, Deckert Distribution, Rise and Shine, Women Make Movies, Visible Film, JMT Films, Autlook Films, First Hand Fims, Syndicado) and the major festivals presenting documentary films \u2013 IDFA, Hot Docs, CPH:DOX, Visions du Reel, Karlovy Vary, Berlinale, Doclisboa, One World, Festival dei Popoli, Trieste FF, Docaviv, Dokufest Kosovo, DOCSMX, It\u2019s All True DFF, New Zealand International Film Festival, Cannes FF, Venice FF.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This year 21 projects took part in the second session of the DOC LAB POLAND workshops that ended with online pitching sessions under the auspices of KFF Industry during the 60th Krakow Film Festival. International tutors who prepared the participants to the public presentation of their projects were: Adriek van Nieuwenhuyzen (Head of IDFA Industry), [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Awards for Animated in Poland and Doc Lab Poland projects - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/awards-for-animated-in-poland-and-doc-lab-poland-projects\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Awards for Animated in Poland and Doc Lab Poland projects - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"This year 21 projects took part in the second session of the DOC LAB POLAND workshops that ended with online pitching sessions under the auspices of KFF Industry during the 60th Krakow Film Festival. International tutors who prepared the participants to the public presentation of their projects were: Adriek van Nieuwenhuyzen (Head of IDFA Industry), [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.krakowfilmfestival.pl\/en\/awards-for-animated-in-poland-and-doc-lab-poland-projects\/\" \/>\n<meta property=\"og:site_name\" content=\"Krakow Film Festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/krakowfilmfest\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-06T12:27:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-06T12:41:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda-729x310.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@krakowfilmfest\" \/>\n<meta name=\"twitter:site\" content=\"@krakowfilmfest\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Barbara Szyma\u0144ska\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#organization\",\"name\":\"Krakowski Festiwal Filmowy\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/en\/\",\"sameAs\":[\"https:\/\/www.instagram.com\/krakowfilmfestival\/\",\"https:\/\/www.youtube.com\/user\/KrakowFilmFoundation\",\"https:\/\/pl.wikipedia.org\/wiki\/Krakowski_Festiwal_Filmowy\",\"https:\/\/www.facebook.com\/krakowfilmfest\/\",\"https:\/\/twitter.com\/krakowfilmfest\"],\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg\",\"contentUrl\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg\",\"width\":1241,\"height\":699,\"caption\":\"Krakowski Festiwal Filmowy\"},\"image\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#website\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/en\/\",\"name\":\"Krakow Film Festival\",\"description\":\"In Cracow since 1961\",\"publisher\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.krakowfilmfestival.pl\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/awards-for-animated-in-poland-and-doc-lab-poland-projects\/#primaryimage\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda.jpg\",\"contentUrl\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2020\/05\/gonave-rez--michal-soja-roza-duda.jpg\",\"width\":2048,\"height\":871,\"caption\":\"Gonave, re\u017c. 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