{"id":26125,"date":"2021-04-07T18:15:55","date_gmt":"2021-04-07T16:15:55","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?p=26125"},"modified":"2021-05-11T13:32:11","modified_gmt":"2021-05-11T11:32:11","slug":"the-world-in-the-shadow-of-the-pandemic","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/the-world-in-the-shadow-of-the-pandemic\/","title":{"rendered":"The world in the shadow of the pandemic &#8211; The International Documentary Competition"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><h5><span lang=\"en-GB\">The International Documentary Competition at the 61<\/span><sup><span lang=\"en-GB\">st<\/span><\/sup><span lang=\"en-GB\"> Krakow Film Festival. <\/span><\/h5>\n<h5><span lang=\"en-GB\">Another edition of the Krakow Film Festival, taking place in difficult times for the world and culture, is ahead of us. The latest films from all over the world, qualified for the prestigious documentary film competition, will take the viewers on a journey to an alternative reality without any traces of the pandemic, but full of equally serious problems. The films from esteemed festivals, as well as long-awaited world premieres, will compete for the Golden and Silver Horns in front of the international jury. Among them, there are 2 Polish productions.<\/span><\/h5>\n\n\n\n<p><span style=\"color: #222222;\"><span lang=\"en-GB\"><em>We will show films that present both the dark and the bright sides of the contemporary world. The competition films deal with personal and collective traumas, record various tensions and turmoil, but are also a record of changes taking place in different areas of our globe &ndash; mainly thanks to the unconventional heroes and heroines<\/em>, this is how <strong>Anita Piotrowska, film critic and the documentary <\/strong><\/span><\/span><strong><span lang=\"en-GB\">curator<\/span><\/strong><span style=\"color: #222222;\"><span lang=\"en-GB\"><strong> of the Krakow Film Festival<\/strong>, summarises the competition selection.<\/span><\/span><\/p>\n<p><span style=\"color: #222222;\"><span lang=\"en-GB\"><em>As always, the international documentary competition will take us on a trip around the world,<\/em> adds <strong>Krzysztof Gierat, the director of the Krakow Film Festival<\/strong>, <em>the filmmakers reveal to us fascinating stories and extraordinary protagonists from the Republic of South Africa, Cambodia, the USA, Sweden, Russia, Mongolia, India, Hong Kong, Korea, Iran and Syria.<\/em><\/span><\/span><\/p>\n\n\n\n<h5><span lang=\"en-GB\">Crime scene investigation <\/span><\/h5>\n<p><span lang=\"en-GB\">One of the two Polish films in the international competition is the documentary film <\/span><span lang=\"en-GB\"><b>&ldquo;Walk with Angels&rdquo;<\/b><\/span><span lang=\"en-GB\"> by Tomasz Wysoki&#324;ski, who for years accompanies mysterious Jerry like a shadow. Jerry searches for missing children in the Republic of South Africa.<\/span><\/p>\n<p><span lang=\"en-GB\">After the unexplained death of his little niece, Angelo Madsen Minax returns to his hometown in Michigan and directs the camera at his loved ones. <\/span><span lang=\"en-GB\"><b>&ldquo;North by Current&rdquo;<\/b><\/span><span lang=\"en-GB\"> does not, however, provide unambiguous answers, but paints a picture of a family struggling with addiction, spirituality and identity. <\/span><\/p>\n<p><span lang=\"en-GB\"><b>&ldquo;Lost Boys&rdquo;<\/b><\/span><span lang=\"en-GB\"> (dir. Sadri Cetinkaya, Joonas Neuvonen) is a dark documentary about three men lost in a drug hell in Southeast Asia. The controversial video diary turns into an attempt to solve the riddle of a mysterious death. <\/span><\/p>\n<p><span lang=\"en-GB\">Per Anders Rudelius in the film <\/span><span lang=\"en-GB\"><b>&ldquo;Dad Shot Them&rdquo;<\/b><\/span><span lang=\"en-GB\"> recalls the story of a crime that shocked the inhabitants of a small Swedish town several years ago. It is a story of trauma and the process of healing internal wounds, where, regardless of the judgement of the court, everyone had lost. <\/span><\/p>\n<p><span lang=\"en-GB\">Abuses committed by the American police have a long tradition. A New York detective exposed corruption on a large scale, after which he was labelled as a traitor. Who he really was? Magnus Skatvold in the film <\/span><span lang=\"en-GB\"><b>&ldquo;Blue Code of Silence&rdquo;<\/b><\/span><span lang=\"en-GB\"> deals with the double life of his protagonist. <\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped expanded gallery\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius-scaled.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"720\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius.jpg\" alt=\"\" data-id=\"26078\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26078\" class=\"wp-image-26078\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/tato-ich-zastrzelil-rez--per-anders-rudelius-729x410.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Dad Shot Them, dir. Per Anders Rudelius<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"720\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax.jpg\" alt=\"\" data-id=\"26068\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26068\" class=\"wp-image-26068\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/dluga-droga-do-domu-rez--angelo-madsen-minax-729x410.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">North by Current, dir. Angelo Madsen<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi.png\"><img loading=\"lazy\" width=\"1280\" height=\"719\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi.png\" alt=\"\" data-id=\"26072\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi.png\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26072\" class=\"wp-image-26072\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi.png 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi-492x277.png 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/niebieski-kod-milczenia-rez--magnus-skatvold-gregory-mallozzi-729x409.png 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Blue Code of Silence, dir. Magnus Skatvold, Gregory Mallozzi<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<h5><span lang=\"en-GB\">Tundra and Steppe <\/span><\/h5>\n<p><span lang=\"en-GB\">The eponymous Ivanna in the film by Renato Borrayo Serrano (<\/span><span lang=\"en-GB\"><b>&ldquo;Life of Ivanna&rdquo;<\/b><\/span><span lang=\"en-GB\">) is a member of nomadic peoples who live in boundless Arctic Russia. She decides to abandon the traditional austere life, free herself from a toxic relationship and set out to the city in search of a better life for herself and her children. <\/span><\/p>\n<p><span lang=\"en-GB\">The protagonists of the film <\/span><span lang=\"en-GB\"><b>&ldquo;The Wheel&rdquo;<\/b><\/span><span lang=\"en-GB\"> do not have the courage to change their fates. Through various stories, the director, Nomin Lkhagvasuren, wonders what makes the descendants of the nomadic peoples of Mongolia take their own lives, and why Mongolia is at the forefront of suicide. <\/span><\/p>\n\n\n\n<h5><span lang=\"en-GB\">Video revolution<\/span><\/h5>\n<p><span lang=\"en-GB\"><b>&ldquo;Inside the Red Brick Wall&rdquo;<\/b><\/span><span lang=\"en-GB\"> (dir. Hong Kong Documentary Filmmaker) shows one of the most dramatic moments of the recent protests in Hong Kong &ndash; the siege of the technical university by the police. The events, captured by amateur cameras and mobile phones, in the hands of the documentary filmmakers turn into a suspenseful cinema. <\/span><\/p>\n<p><span lang=\"en-GB\">The protagonists of the documentary film <\/span><span lang=\"en-GB\"><b>&ldquo;Writing with Fire&rdquo; <\/b><\/span><span lang=\"en-GB\">(dir. Rintu Thomas, Sushmit Ghosh), with the help of digital media, regain their own voice in defiance of the stereotypes, superstitions and in spite of the Indian caste system. <\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-4 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/zycie-ivanny-rez--renato-borrayo-serranoia.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/zycie-ivanny-rez--renato-borrayo-serranoia.jpg\" alt=\"\" data-id=\"26082\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/zycie-ivanny-rez--renato-borrayo-serranoia.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26082\" class=\"wp-image-26082\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Life of Ivanna, dir. Renato Borrayo Serrano<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/w-potrzasku-rez--hong-kong-documentary-filmmaker.jpg\"><img src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/w-potrzasku-rez--hong-kong-documentary-filmmaker.jpg\" alt=\"\" data-id=\"26080\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/w-potrzasku-rez--hong-kong-documentary-filmmaker.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26080\" class=\"wp-image-26080\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Inside the Red Brick Wall, dir. Hong Kong Documentary Filmmaker<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh.png\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh.png\" alt=\"\" data-id=\"26076\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh.png\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26076\" class=\"wp-image-26076\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh.png 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh-492x277.png 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh-729x410.png 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/ogniem-pisane-rez--rintu-thomas-sushmit-ghosh-1536x864.png 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Writing with Fire, dir. Rintu Thomas, Sushmit Ghosh<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/krag-rez--nomin-lkhagvasuren-scaled.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"691\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/krag-rez--nomin-lkhagvasuren.jpg\" alt=\"\" data-id=\"26070\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/krag-rez--nomin-lkhagvasuren-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26070\" class=\"wp-image-26070\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/krag-rez--nomin-lkhagvasuren.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/krag-rez--nomin-lkhagvasuren-729x394.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">The Wheel, dir. Nomin Lkhagvasuren<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<h5><span lang=\"en-GB\">A remarkable hero<\/span><\/h5>\n<p><span lang=\"en-GB\"><b>&ldquo;No Hero at All&rdquo;<\/b><\/span><span lang=\"en-GB\"> by Micha&#322; Kawecki is the second of the Polish films in the competition. Miszka is a guy with many faces, a petty criminal and a promising Alpine skier who, in spite of a serious disability and difficult living conditions, makes the most of life. <\/span><\/p>\n<p><span lang=\"en-GB\">Kim Tschang-Yeul is an outstanding Korean painter, the protagonist of the documentary film <\/span><span lang=\"en-GB\"><b>&ldquo;The Man Who Paints Water Drops&rdquo;<\/b><\/span><span lang=\"en-GB\"> (dir.<\/span><b> <\/b><span lang=\"en-GB\">Oan Kim, Brigitte Bouillot) shown through the eyes of his French son, also an artist, who derives the sophisticated form of the film from his father&rsquo;s fascinations and obsessions. <\/span><\/p>\n\n\n\n<h5><span lang=\"en-GB\">Extraordinary History<\/span><\/h5>\n<p><span lang=\"en-GB\">Patricio Galvez, the protagonist of the film <\/span><span lang=\"en-GB\"><b>&ldquo;Children of the Enemy&rdquo; <\/b><\/span><span lang=\"en-GB\">(dir. Gorky Glaser-M&uuml;ller), after the death of his daughter and her husband, fights on his own for his grandchildren, imprisoned in the monstrous ISIS camp al-Hol in Syria. <\/span><\/p>\n<p><span lang=\"en-GB\">The director of the documentary <\/span><span lang=\"en-GB\"><b>&ldquo;The Red Ring&rdquo;<\/b><\/span><span lang=\"en-GB\">, Joonas Bergh&auml;ll, who suffers from chronic Lyme disease, searches the entire world for the cure for his disease and explains why no efforts are made to stop the global epidemic.<\/span><\/p>\n<p><span lang=\"en-GB\">Firouzeh Khosrovani in the film<\/span><span lang=\"en-GB\"><b> &ldquo;Radiograph of a Family&rdquo;<\/b><\/span><span lang=\"en-GB\"> uses the metaphor of the X-ray photographs to see right through the complicated relationship between her parents: the mother dedicated to the Iranian revolution and the secularised father, a radiologist. <\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 is-cropped expanded gallery\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/czerwona-obrecz-rez--joonas-berghall-scaled.jpeg\"><img loading=\"lazy\" width=\"1280\" height=\"607\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/czerwona-obrecz-rez--joonas-berghall.jpeg\" alt=\"\" data-id=\"26066\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/czerwona-obrecz-rez--joonas-berghall-scaled.jpeg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26066\" class=\"wp-image-26066\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/czerwona-obrecz-rez--joonas-berghall.jpeg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/czerwona-obrecz-rez--joonas-berghall-729x346.jpeg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">The Red Ring, dir. Joonas Bergh&auml;ll<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-scaled.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1080\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-1920x1080.jpg\" alt=\"\" data-id=\"26074\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-scaled.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/?attachment_id=26074\" class=\"wp-image-26074\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-1920x1080.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-1536x864.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/04\/o-mezczyznie-ktory-malowal-krople-wody-rez--oan-kim-brigitte-bouillot-2048x1152.jpg 2048w\" sizes=\"(max-width: 1920px) 100vw, 1920px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">The Man Who Paints Water Drops, dir.&nbsp; Oan Kim, Brigitte Bouillot<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/03\/radiograph-of-a-family-rez-firouzeh-khosrovani.jpg\"><img loading=\"lazy\" width=\"1000\" height=\"539\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/03\/radiograph-of-a-family-rez-firouzeh-khosrovani.jpg\" alt=\"\" data-id=\"25794\" data-full-url=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/03\/radiograph-of-a-family-rez-firouzeh-khosrovani.jpg\" data-link=\"https:\/\/www.krakowfilmfestival.pl\/zwyciezcy-wielkich-festiwali-na-61-kff\/radiograph-of-a-family-rez-firouzeh-khosrovani-2\/\" class=\"wp-image-25794\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/03\/radiograph-of-a-family-rez-firouzeh-khosrovani.jpg 1000w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2021\/03\/radiograph-of-a-family-rez-firouzeh-khosrovani-729x393.jpg 729w\" sizes=\"(max-width: 1000px) 100vw, 1000px\"><\/a><figcaption class=\"blocks-gallery-item__caption\">Radiograph of a Family, dir. Firouzeh Khosrovani,<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><span lang=\"en-GB\"><b>The films of the international documentary competition at the 61<\/b><\/span><sup><span lang=\"en-GB\"><b>st<\/b><\/span><\/sup><span lang=\"en-GB\"><b> Krakow Film Festival:<\/b><\/span><\/p>\n<ul>\n<li>\n<p><span lang=\"en-GB\">&ldquo;No Hero at All,&rdquo; dir. Micha&#322; Kawecki, Poland, 2021<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;The Red Ring,&rdquo; dir. Joonas Bergh&auml;ll, Finland, 2021<\/span><\/p>\n<\/li>\n<li>&ldquo;Far Eastern Golgotha&rdquo; dir. <span class=\"csl ng-scope ng-isolate-scope\"><span class=\"ng-binding ng-scope\">Julia Sergina,<\/span><\/span> <span class=\"csl ng-binding ng-scope\">Russia <\/span>2021<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;North by Current,&rdquo; dir. Angelo Madsen Minax, the USA, 2021<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Children of the Enemy,&rdquo; dir. Gorki Glaser-M&uuml;ller, Sweden, 2021<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;The Wheel,&rdquo; dir. Nomin Lkhagvasuren, Mongolia, 2020<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Blue Code of Silence,&rdquo; dir. Magnus Skatvold, Gregory Mallozzi, Norway, 2020<\/span><\/p>\n<\/li>\n<li><span class=\"tojvnm2t a6sixzi8 abs2jz4q a8s20v7p t1p8iaqh k5wvi7nf q3lfd5jv pk4s997a bipmatt0 cebpdrjk qowsmv63 owwhemhu dp1hu0rb dhp61c6y iyyx5f41\">&ldquo;Courage&rdquo;, dir. Aliaksei Paluyan, 90&rsquo;, Germany, Belarus 2021<\/span><\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Writing with Fire,&rdquo; dir. Rintu Thomas, Sushmit Ghosh, India, 2021<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;The Man Who Paints Water Drops,&rdquo; dir. Oan Kim, Brigitte Bouillot, France, South Korea, 2020<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Radiograph of a Family,&rdquo; dir. Firouzeh Khosrovani, Norway, Iran, Switzerland, 2020<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Walk with Angels,&rdquo; dir. Tomasz Wysoki&#324;ski, Poland, 2021<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Lost Boys,&rdquo; dir. Joonas Neuvonen, Sadri Cetinkaya, Finland, 2020<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Dad Shot Them,&rdquo; dir. Per Anders Rudelius, Sweden, 2020<\/span><\/p>\n<\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Inside the Red Brick Wall,&rdquo; dir. Hong Kong Documentary Filmmaker, Hong Kong, 2020<\/span><\/p>\n<\/li>\n<li>&ldquo;Lobster Soup&rdquo;, dir. <span class=\"csl ng-scope ng-isolate-scope\"><span class=\"csl ng-scope ng-isolate-scope\"><span class=\"ng-binding ng-scope\">Pepe Andreu, <span class=\"m_-4049560826407665429ng-binding\">Raf&aacute; Moles, <\/span><\/span><\/span><\/span><span class=\"Y2IQFc\" lang=\"en\">Spain \/ Iceland \/ Lithuania 2020<\/span><\/li>\n<li>\n<p><span lang=\"en-GB\">&ldquo;Life of Ivanna,&rdquo; dir. Renato Borrayo Serrano, Russia, Norway, Finland, Estonia, 2021 <\/span><\/p>\n<\/li>\n<\/ul>\n<p><span lang=\"en-GB\">The Krakow Film Festival is on the prestigious list of events qualifying for the Academy Award in the feature-length documentary film category, and the winner of the Golden Horn is on a fast track to the Academy Awards selection. The KFF qualifies films for the Academy Award also in the short film categories (feature, animated, documentary film), and it recommends the films to the European Film Award in the same categories.<\/span><\/p>\n<p><span lang=\"en-GB\">The detailed programme will be published in mid-May.<\/span><\/p>\n<p><span lang=\"en-GB\"><b>The 61<\/b><\/span><sup><span lang=\"en-GB\"><b>st<\/b><\/span><\/sup><span lang=\"en-GB\"><b> Krakow Film Festival will be held from the 30<\/b><\/span><sup><span lang=\"en-GB\"><b>th<\/b><\/span><\/sup><span lang=\"en-GB\"><b> of May to the 6<\/b><\/span><sup><span lang=\"en-GB\"><b>th<\/b><\/span><\/sup><span lang=\"en-GB\"><b> of June 2021, at the cinemas in Krakow and on the Internet. <\/b><\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":15,"featured_media":26067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - 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