{"id":3813,"date":"2014-04-18T11:50:00","date_gmt":"2014-04-18T09:50:00","guid":{"rendered":"http:\/\/www.krakowfilmfestival.pl\/en\/national-competition-the-results-of-the-selection\/"},"modified":"2014-04-18T11:50:00","modified_gmt":"2014-04-18T09:50:00","slug":"national-competition-the-results-of-the-selection","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/national-competition-the-results-of-the-selection\/","title":{"rendered":"National Competition &#8211; the results of the selection"},"content":{"rendered":"<p>Announcing the results of the selection for National Competition, the last of the four competitions that take part in the 54.KFF.<\/p>\n<p><!--more--><\/p>\n<p style=\"text-align: justify; \"><strong>The Polish competition is the last of four coordinate competitions of the 54th Krakow Film Festival. 42 titles have been qualified to take part in this year&rsquo;s struggles.&nbsp; <\/strong><\/p>\n<div style=\"text-align: justify; \"><em>&ndash; Krakow Film Festival is a mirror of our cinema in the area in which we achieve the greatest success in the world <\/em>&ndash; says Krzysztof Gierat, the director of the Festival. <em>&ndash; Each year the Polish competition arouses the stongest emotions. It comes as no surprise, it is here where international careers start for those who win or are noticed by foreign visitors among other filmmakers.<\/em><\/div>\n<div style=\"text-align: justify; \">This year, the trend continues which began to crystallise during the previous editions of the festival, namely, Polish filmmakers prefer to shoot abroad. The effect can be spectacular, as in <strong>&ldquo;6 Degrees&rdquo;<\/strong> which documents the theory of six degrees of separation, in a moving image <strong>&ldquo;Samuel&rdquo;<\/strong> by a feature filmmaker Jan Kidawa-B\u0142o\u0144ski who had to find his hero and the hero of the Polish land in Israel, or, finally, in &ldquo;<strong>The Domino Effect&rdquo;<\/strong> &ndash; a story of love in the forgotten Abkhazia, very up-to-date in the context of current events in Ukraine. Documentary film is a great tool to draw attention to the marginalised, the excluded by their own volition or history judgments, and Polish artists reach for this tool skillfully and sensitively. As a result, the programme of the 54th KFF includes films about the simplest joy of being (<strong>&ldquo;It&#8217;s Only a Dream&rdquo;<\/strong>), a struggle for life (<strong>&ldquo;W. Sisters&#8217; Beauty Salon&rdquo;<\/strong>), about the needto leavea trace (<strong>&ldquo;One Man Show&rdquo;<\/strong>) or a responsibility about the other (<strong>&ldquo;Werka&rdquo;<\/strong>). Documentary film is also a prism allowing to observe the reality. It was the greatest power of films by Krzysztof Kie\u015blowski, Wojciech Wiszniewski or Kazimierz Karabasz. Young artists are going in their footsteps, ironically eyeing the Polish need for the chronic professing of historical victories (<strong>&ldquo;From Grunwald Village&rdquo;<\/strong>), maliciously portraying the fight of sexes (<strong>&rdquo;<\/strong><strong>Survey about Men<\/strong><strong>&rdquo;<\/strong>) and nostalgically saying goodbye to the outgoing traveling circus &nbsp;(<strong>&ldquo;Knife in the Wife&rdquo;<\/strong>). It should be noted that almost all the competition documentary films received support of the Polish Film Institute. An exceptionally strong representation has also been prepared this year by Channel 2 of the Polish Television.<\/div>\n<div style=\"text-align: justify; \">&nbsp;<em>&ndash; The fiction part of the competition should satisfy those who complained that Polish short films are just shool exercises or acting etudes, while in the world shorts are made by mature artists, with participation of outstanding actors. Meanwhile, we have such films in Poland &ndash;<\/em> says Barbara Orlicz-Szczypu\u0142a, the director of the Programme Office. <em>&ndash; Excellent proposals have been submitted by schools from Katowice (<strong>&ldquo;You Keep An Eye On Us&rdquo;<\/strong>), \u0141&oacute;d\u017a (<strong>&ldquo;<\/strong><\/em><strong>Fragments<\/strong><em><strong>&rdquo;<\/strong>), the Wajda School&nbsp; (<strong>&ldquo;Milky Brother&rdquo;<\/strong>), the Munk Studio (&ldquo;<strong>Father&rsquo;s day&rdquo;<\/strong>), and even from Bia\u0142ystok (<strong>&ldquo;Frank&rdquo;<\/strong>).<\/em><\/div>\n<div style=\"text-align: justify; \">In the part of the competition dedicated to animations there are also new films of the masters and their students &ndash; Piotr Duma\u0142a will show <strong>&ldquo;Hippos&rdquo; <\/strong>and<strong>&nbsp;<\/strong>Jerzy Kucia &ndash; <strong>&ldquo;Fugue for Cello, Trumpet and Landscape&rdquo;<\/strong>. Of the 11 animations taking part in the Polish contest 4 were selected for the parallel participation in the international short competition.<\/div>\n<div style=\"text-align: justify; \">The results of the selection for the Polish competition close the list of films competing in the 54th Krakow Film Festival. Viewers will see 10 music documentaries, 20 feature-length documentaries, 39 films in the shorts competition and 42 in the Polish one &ndash; a total of 111 films but only 99 titles, because 12 Polish have been also qualified for international competitions.<\/div>\n<p style=\"text-align: justify; \">&nbsp;<strong>The list of films qualified for the national competition:&nbsp;<\/strong><\/p>\n<p style=\"text-align: justify; \">&nbsp;Documentary:<\/p>\n<div>1.&nbsp;&nbsp;&nbsp;&nbsp; 6 Degrees (6 Krok&oacute;w), dir. Bartosz Dombrowski, 2013, 85&rsquo;<\/div>\n<div>2.&nbsp;&nbsp;&nbsp;&nbsp; Rebellion (By\u0142 bunt), dir. Ma\u0142gorzata Kozera, 2014, 55&rsquo;&nbsp;&nbsp;&nbsp;&nbsp;<\/div>\n<div>3.&nbsp;&nbsp;&nbsp;&nbsp; What&#8217;s next Karolinka &#8211; Norwid and Nicole (Co dalej z tob\u0105 Karolinko), dir. Karolina Bendera, 2014, 58&rsquo;<\/div>\n<div>4.&nbsp;&nbsp;&nbsp;&nbsp; Deep Love, dir. Jan P. Matuszy\u0144ski, 2013, 84&rsquo;&nbsp;<\/div>\n<div>5.&nbsp;&nbsp;&nbsp;&nbsp; House on the Head (Dom na g\u0142owie), dir. Adam Palenta, 2014, 28&rsquo;<\/div>\n<div>6.&nbsp;&nbsp;&nbsp;&nbsp; The Domino Effect (Efekt domina), dir. Elwira Niewiera, Piotr Roso\u0142owski, 2014, 76&rsquo;<\/div>\n<div>7.&nbsp;&nbsp;&nbsp;&nbsp; It&#8217;s Only a Dream (To tylko marzenia), dir. Jakub Michnikowski, 2014, 21&rsquo;<\/div>\n<div>8.&nbsp;&nbsp;&nbsp;&nbsp; The New Warsaw (Nowa Warszawa), dir. Bartosz Konopka, 2014, 69&rsquo;<\/div>\n<div>9.&nbsp;&nbsp;&nbsp;&nbsp; Brave New World (Nowy wspania\u0142y \u015bwiat), dir. Maria Zmarz-Koczanowicz, 2013, 52&rsquo;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/div>\n<div>10.&nbsp;Knife in the Wife (N&oacute;\u017c w wozie), dir. Vita Drygas, 2014, 11&rsquo;<\/div>\n<div>11.&nbsp;One Man Show, dir. Jakub Pi\u0105tek, 2014, 52&rsquo;<\/div>\n<div>12.&nbsp;Let them love, let them dream (Pozw&oacute;l kocha\u0107, pozw&oacute;l marzy\u0107), dir. Monika Nawrot, Dominik G&oacute;rski, 2013, 55&rsquo;<\/div>\n<div>13.&nbsp;Together (Razem), dir. Maciej Adamek, 2014, 50&rsquo;<\/div>\n<div>14.&nbsp;W. Sisters&#8217; Beauty Salon (Salon si&oacute;str W.), dir. Jakub Sto\u017cek, 2013, 30&rsquo;<\/div>\n<div>15.&nbsp;Samuel, dir. Jan Kidawa-B\u0142o\u0144ski, 2013, 75&rsquo;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/div>\n<div>16.&nbsp;A Dream of Warsaw (Sen o Warszawie), dir. Krzysztof Magowski, 2014, 104&rsquo;<\/div>\n<div>17.&nbsp;The Strongwoman (Si\u0142aczka), dir. Kacper Czubak, Iwona Kaliszewska, 2014, 16&rsquo;&nbsp;<\/div>\n<div>18. Survey about Men (Sonda o m\u0119\u017cczyznach), dir. Mateusz G\u0142owacki, 2014, 30&rsquo;<\/div>\n<div>19.&nbsp;Werka, dir. Pawe\u0142 \u0141ozi\u0144ski, 2014, 46&rsquo;<\/div>\n<div>20.&nbsp;For Being Alive (Za to, \u017ce \u017cyjemy, czyli punk z Wrocka), dir. Tomasz Nuzban, 2014, 70&rsquo;<\/div>\n<div>21. From Grunwald Village (Ze wsi Grunwald), dir. Artur Wierzbicki, 2014, 20&rsquo;&nbsp;<\/div>\n<div>&nbsp;&nbsp;Fiction:<\/div>\n<div>1.&nbsp;&nbsp;&nbsp;&nbsp; The Boys (Ch\u0142opcy), dir. Pawe\u0142 Orwat, 2013, 22&rsquo;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/div>\n<div>2.&nbsp; &nbsp; &nbsp;Fragments (Fragmenty),&nbsp;re\u017c. Agnieszka Woszczy\u0144ska, 2014, 25&rsquo;&nbsp;&nbsp;<\/div>\n<div>3.&nbsp;&nbsp;&nbsp;&nbsp; Frank (Franek), dir. Bartek Tryzna, 2013, 6&rsquo;<\/div>\n<div>4.&nbsp;&nbsp;&nbsp;&nbsp; Games (Gry), dir. Maciej Marczewski, 2013, 30&rsquo;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/div>\n<div>5.&nbsp;&nbsp;&nbsp;&nbsp; Milky Brother (Mleczny brat), dir. Vahram Mkhitaryan, 2014, 30&rsquo;<\/div>\n<div>6.&nbsp;&nbsp;&nbsp;&nbsp; The Naturals (Naturalni), dir. Kristoffer Rus, 2014, 30&rsquo;<\/div>\n<div>7.&nbsp;&nbsp;&nbsp;&nbsp; Father&rsquo;s day (Ojcze masz), dir. Kacper Lisowski, 2013, 33&rsquo;&nbsp;<\/div>\n<div>8.&nbsp;&nbsp;&nbsp;&nbsp; Light<br \/>\n in August (\u015awiat\u0142o w sierpniu), dir. Matej Bobrik, 2014, 23&rsquo;&nbsp;<\/div>\n<div>9.&nbsp;&nbsp;&nbsp;&nbsp; TRASHHH, dir. Filip Syczy\u0144ski, 2014, 22&rsquo;&nbsp;<\/div>\n<div>10.&nbsp;You Keep An Eye On Us (\u0179le nam z oczu patrzy), dir. Arek Biedrzycki, 2014, 25&rsquo;<\/div>\n<div>Animation:<\/div>\n<div>1.&nbsp;&nbsp;&nbsp;&nbsp; Ex Animo, dir. Wojciech Wojtkowski, 2013, 6&rsquo; &nbsp;&nbsp;<\/div>\n<div>2.&nbsp;&nbsp;&nbsp;&nbsp; Fugue for Cello, Trumpet and Landscape (Fuga na wiolonczel\u0119 tr\u0105bk\u0119 i pejza\u017c), dir. Jerzy Kucia, 2014, 18&rsquo;&nbsp;<\/div>\n<div>3.&nbsp;&nbsp;&nbsp;&nbsp; Hippos (Hipopotamy), dir. Piotr Duma\u0142a, 2014, 12&rsquo;&nbsp;<\/div>\n<div>4.&nbsp;&nbsp;&nbsp;&nbsp; Construction (Konstrukcja), dir. Andrea Guizar, 2013, 6&rsquo; &nbsp;<\/div>\n<div>5.&nbsp;&nbsp;&nbsp;&nbsp; Summer 2014 (Lato 2014), dir. Wojciech Sobczyk, 2014, 12&rsquo;&nbsp;<\/div>\n<div>6.&nbsp;&nbsp;&nbsp;&nbsp; Baths (\u0141a\u017ania), dir. Tomek Ducki, 2013, 4&rsquo;&nbsp;<\/div>\n<div>7.&nbsp;&nbsp;&nbsp;&nbsp; The Bear (Nied\u017awied\u017a), dir. Zofia Antoniak, 2013, 4&rsquo;&nbsp;<\/div>\n<div>8.&nbsp;&nbsp;&nbsp;&nbsp; The incredible elastic man (Nieprawdopodobnie elastyczny cz\u0142owiek), dir. Karolina Specht, 2013, 5&rsquo;&nbsp;<\/div>\n<div>9. under_construction, dir. Marcin Wojciechowski, 2014, 8&#8242;<\/div>\n<div>10.&nbsp;Lost senses (Zmys\u0142y prys\u0142y), dir. Marcin Wasilewski, 2013, 6&rsquo;&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<div>&nbsp;<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Announcing the results of the selection for National Competition, the last of the four competitions that take part in the 54.KFF.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>National Competition - the results of the selection - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/national-competition-the-results-of-the-selection\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"National Competition - 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