The first award was funded KFF Industry partner – Sound Mind Studio, a sound post-production studio founded by Michał Fojcik – a recognized sound director, member of the Motion Picture Sound Editors (MPSE) association, responsible for the sound of such films as: “Gods”, “The Red Spider”, “The Art of Loving” and “The Coldest Game”.<\/p>\n
- \n
- SOUND MIND STUDIO ANIMATED IN POLAND BEST PITCH AWARD – <\/b>a coupon for 10 days of sound postproduction in Sound Mind studio run by Michał Fojcik got the project „Magda”, dir. Adela Kaczmarek – Siwińska, prod. Letko<\/li>\n<\/ul>\n
This is the second time the award for the Best Pitch has been sponsored by Fixafilm a Dolby Vision certified postproduction facility based in Warsaw (Poland) with branches in Los Angeles (USA) and Canberra (Australia). Fixafilm offers a full range of post production service e andhas post-produced Prisoners of the Ghostland (2021), Hopper\/Welles (2020), My Heart Can’t Beat Unless You Tell It To (2020), Systrar 1968 (2018), Menashe (2017), The Persian Connection (2016) Yarden (2016) and restored over 220 productions, including classic films of masters like Peter Weir, Sergei Parajanov, Andrzej Wajda, Andrzej Zulawski, and Dario Argento<\/p>\n
- \n
- FIXAFILM ANIMATED IN POLAND BEST PITCH AWARD<\/b> –<\/b> a coupon for image post-production services worth PLN 10 000 founded by Fixafilm went to the project „The Miracle”, dir. Ewa Borysewicz, prod. Letko<\/li>\n<\/ul>\n
The third founder was Crew United, an international networking platform for filmmakers. Crew United is not only a European platform with over 40 thousand active users and a database with information on almost 250 thousand European filmmakers, 115 thousand actors and actresses, 60 thousand AV companies, but also an attentive and active partner of professional organizations in many European countries.<\/p>\n
- \n
- SPECIAL MENTION CREW UNITED<\/b> – a 5-years’ Premium membership to Crew United platform for the director and producer of the awarded project for the project „Conjunction”, dir. Marta Magnuska, prod. Animoon<\/li>\n<\/ul>\n
It was the 10th edition of Pitching Animated in Poland this year, the first one was organized in collaboration with the magazine “Shortcut” during the 53rd Krakow Film Festival, in May 2013. As every year, the presentations were preceded by consultations and a pitching techniques workshop led by Wim Vanacker, a member of the selection committee for the short film competition at Cannes IFF. This year 8 projects were presented. Animated in Poland<\/a><\/p>\n\n\n
\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/conjunction1.jpg\")
Conjunction, dir. Marta Magnuska<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/magda1.jpg\")
Magda, dir. Adela Kaczmarek – Siwińska<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/the-miracle1.jpg\")
The Miracle, dir. Ewa Borysewicz<\/figcaption><\/figure>\n<\/figure>\n\n\n <\/h4>\n
DOCS TO START AWARDS<\/h4>\n
Docs to Start is a part of the DOC LAB POLAND programme and presents Polish documentary film projects in the development stage. This year there were 4 main awards and 3 honorable mentions:<\/strong><\/p>\n
- \n
- \n
HBO Max Award<\/b> – 10 000 PLN in cash went to the project INSURANCE AGAINST METEORITES<\/b> dir. and prod. Natalia Śliwowska and Jorik Amit Galama<\/p>\n<\/li>\n
- \n
ORKA Award<\/b> – image postproduction services worth of 20 000 PLN got the project THE PERFECT DATE<\/b> dir. Małgorzata Goliszewska prod Agnieszka Skalska \/ ZPR MEDIA \/ KOI STUDIO<\/p>\n<\/li>\n
- \n
FIXAFILM Award<\/b> – image postproduction services worth of 15 000 PLN got the project TENDERNESS OF TRANSIENCE<\/b> dir Mateusz Mularski prod Joanna Zielińska \/ BIG WAVE FILMS<\/p>\n<\/li>\n
- \n
MX35 Award<\/b> – film equipment rental services worth of 10 000 PLN went the project A HOLE IN THE WALL<\/b> dir. Arjun Talwar prod Karolina Śmigiel \/ UNI-SOLO STUDIO<\/p>\n<\/li>\n
- \n
DOK Leipzig Special Mention<\/b> – invitation to Co‐pro Meetings in Leipzig for the project A HOLE IN THE WALL<\/b> dir Arjun Talwar prod Karolina Śmigiel \/ UNI-SOLO STUDIO<\/p>\n<\/li>\n
- \n
Institute of Documentary Film Special Mention<\/b> – invitation to East Doc Platform for the project TOWARDS THE SUN <\/b>dir. Agnieszka Kokowska prod Justyna Ziemkiewicz, Sławomir Richert \/ WARSAW PRODUCTION TEAM<\/p>\n<\/li>\n
- \n
Polish Docs Pro Special Mention<\/b> – support of international promotion and invitation to one of the key world documentary industry event for the project GO&SEE<\/b> dir. Julia Kuzka prod Małgorzata Małysa \/ FURIA FILM<\/p>\n<\/li>\n<\/ul>\n
Docs To Start <\/a>Read more about Docs To Start projects<\/p>\n\n\n
\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/ubezpieczenie-od-meteorytow_-insurance-against-meteorites.jpg\")
<\/a>Insurance Against Metorits dir. i prod. Natalia Śliwowska, Jorik Amit Galama<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/the-perfect-date.jpg\")
<\/a>The Perfect Date dir. Małgorzata Goliszewska prod Agnieszka Skalska \/ ZPR MEDIA \/ KOI STUDIO<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/czulosc_przemijania_tenderness-of-transience.jpg\")
<\/a>Tenderness of Transience dir. Mateusz Mularski prod Joanna Zielińska \/ BIG WAVE FILMS<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/dziura-w-scianie_a-hole-in-the-wall.jpg\")
<\/a>A Hole In A Wall dir. Arjun Talwar prod Karolina Śmigiel \/ UNI-SOLO STUDIO<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/w-strone-slonca_towards-the-sun.jpg\")
<\/a>Towards the Sun, dir. Agnieszka Kokowska prod Justyna Ziemkiewicz, Sławomir Richert \/ WARSAW PRODUCTION TEAM<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gosee.jpg\")
<\/a>Go&See, dir. Julia Kuzka prod Małgorzata Małysa \/ FURIA FILM<\/figcaption><\/figure>\n<\/figure>\n\n\n <\/h4>\n
DOCS TO GO! AWARDS<\/h4>\n
As part of Docs To Go, a presentation of Polish documentary film projects in post-production preceded by DOC LAB POLAND workshops, four main prizes and two honorable mentions were awarded:<\/p>\n
- \n
- \n
SMAKJAM Award<\/b> – image postproduction services worth of 25 000 PLN went to the project THE COAL DAUGHTER<\/b> dir. Aneta Nowicka prod Jacek Kucharski \/ TRAFIK<\/p>\n<\/li>\n
- \n
ORKA Award<\/b> – image postproduction services worth of 20 000 PLN went to the project SIGNS OF MR. PLUM<\/b> dir. Urszula Morga, Bartosz Mikołajczyk, prod. Stanisław Zaborowski, Jan Borowiec \/ SILVER FRAME<\/p>\n<\/li>\n
- ORKA Award<\/b> – image postproduction services worth of 20 000 PLN got the project FEAR OUT OF HEAD<\/b> dir. Grzegorz Brzozowski, prod.Natalia Grzegorzek \/ KOSKINO<\/li>\n
- CAFE OLE Award<\/b> – sound postproduction services worth of 10 000 PLN got the project HASAN’S JOY<\/b> dir. Natalia Pietsch, Grzegorz Piekarski prod Katarzyna Kostecka \/ LARMO<\/li>\n
- Institute of Documentary Film Special Mention<\/b> – invitation to East Doc Platform for the HASAN’S JOY<\/b> dir. Natalia Pietsch, Grzegorz Piekarski prod Katarzyna Kostecka \/ LARMO<\/li>\n
- The Władysław Ślesicki Film Foundation Special Mention<\/b> – invitation Co‐pro Meetings in Leipzig for the project FACES OF AGATA <\/b>dir. Małgorzata Kozera prod Maria Krauss \/ PLESNAR & KRAUSS FILMS<\/li>\n<\/ul>\n
Read more about Docs To Go! projects Docs To Go!<\/a><\/p>\n\n\n
\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/znaki-pana-sliwki_signs-of-mr-plum_.jpg\")
Signs of Mr Plum, dir. Urszula Morga, Bartosz Mikołajczyk, prod. Stanisław Zaborowski, Jan Borowiec \/ SILVER FRAME<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/radosc-hasana_hasans-joy.jpg\")
Hassan’s Joy, dir. Natalia Pietsch, Grzegorz Piekarski prod Katarzyna Kostecka \/ LARMO<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/strach-z-glowy_fear-out-of-head.jpg\")
Fear Out Of Head, reż. Grzegorz Brzozowski, prod.Natalia Grzegorzek \/ KOSKINO<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/twarze-agaty_faces-of-agata.jpg\")
Faces of Agata, dir. Małgorzata Kozera prod Maria Krauss \/ PLESNAR & KRAUSS FILMS<\/figcaption><\/figure>\n\n\n\n ![\"\"](\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/cory-wegla_the-coal-daughter.jpg\")
The Coal daughter, dir. Aneta Nowicka prod Jacek Kucharski \/ TRAFIK<\/figcaption><\/figure>\n<\/figure>\n\n\n This year 18 projects took part in the third session of the DOC LAB POLAND<\/a> workshops that ended with pitching sessions under the auspices of KFF Industry during the 62nd Krakow Film Festival. Tutors who prepared the participants to the public presentation of their projects were: Jacek Bławut, Lidia Duda, Hanka Kastelicová, Paweł Łoziński, Tracie Holder, Adriek van Nieuwenhuiyzen, Paul Pauwels, Małgorzata Świderska, Anna Wydra, Barbara Orlicz-Szczypuła, Martijn J. te Pas, Agnieszka Rostropowicz-Rutkowska, Rada Sesic, Katarzyna Wilk.<\/p>\n
Docs to Go is co-organized by The Władysław Ślesicki Film Foundation<\/a> as a part of DOC LAB POLAND<\/a>.<\/p><\/body><\/html>\n","protected":false},"excerpt":{"rendered":"
Three pitching sessions took place during this year\u2019s edition of KFF Industry: Animated in Poland \u2013 for Polish animated projects in production \u2013 and, co-organised with Doc Lab Poland, Docs to Start and Docs to Go! \u2013 for Polish documentary projects in development and in postproduction. The awards for the best presentations were announced at […]<\/p>\n","protected":false},"author":15,"featured_media":41054,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"\n
KFF Industry 2022 - awards - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"KFF Industry 2022 - awards - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"Three pitching sessions took place during this year\u2019s edition of KFF Industry: Animated in Poland \u2013 for Polish animated projects in production \u2013 and, co-organised with Doc Lab Poland, Docs to Start and Docs to Go! \u2013 for Polish documentary projects in development and in postproduction. The awards for the best presentations were announced at […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/\" \/>\n<meta property=\"og:site_name\" content=\"Krakow Film Festival\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/krakowfilmfest\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-06-04T11:40:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-05T17:08:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@krakowfilmfest\" \/>\n<meta name=\"twitter:site\" content=\"@krakowfilmfest\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Barbara Szyma\u0144ska\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#organization\",\"name\":\"Krakowski Festiwal Filmowy\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/en\/\",\"sameAs\":[\"https:\/\/www.instagram.com\/krakowfilmfestival\/\",\"https:\/\/www.youtube.com\/user\/KrakowFilmFoundation\",\"https:\/\/pl.wikipedia.org\/wiki\/Krakowski_Festiwal_Filmowy\",\"https:\/\/www.facebook.com\/krakowfilmfest\/\",\"https:\/\/twitter.com\/krakowfilmfest\"],\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg\",\"contentUrl\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg\",\"width\":1241,\"height\":699,\"caption\":\"Krakowski Festiwal Filmowy\"},\"image\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#website\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/en\/\",\"name\":\"Krakow Film Festival\",\"description\":\"In Cracow since 1961\",\"publisher\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.krakowfilmfestival.pl\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg\",\"contentUrl\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg\",\"width\":1024,\"height\":683,\"caption\":\"Gala Industry 2022, fot. Agnieszka Fiejka\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage\",\"url\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/\",\"name\":\"KFF Industry 2022 - awards - Krakow Film Festival\",\"isPartOf\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage\"},\"datePublished\":\"2022-06-04T11:40:41+00:00\",\"dateModified\":\"2022-06-05T17:08:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Strona g\u0142\u00f3wna\",\"item\":\"https:\/\/www.krakowfilmfestival.pl\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"KFF Industry 2022 – awards\"}]},{\"@type\":\"Article\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage\"},\"author\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/efad62f614bc505c15b48e5484f75950\"},\"headline\":\"KFF Industry 2022 – awards\",\"datePublished\":\"2022-06-04T11:40:41+00:00\",\"dateModified\":\"2022-06-05T17:08:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage\"},\"wordCount\":1148,\"publisher\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg\",\"articleSection\":[\"News\"],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/efad62f614bc505c15b48e5484f75950\",\"name\":\"Barbara Szyma\u0144ska\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/7b7a1b6097a5d193100b782bbbd50f6f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/7b7a1b6097a5d193100b782bbbd50f6f?s=96&d=mm&r=g\",\"caption\":\"Barbara Szyma\u0144ska\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"KFF Industry 2022 - awards - Krakow Film Festival","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/","og_locale":"en_US","og_type":"article","og_title":"KFF Industry 2022 - awards - Krakow Film Festival","og_description":"Three pitching sessions took place during this year\u2019s edition of KFF Industry: Animated in Poland \u2013 for Polish animated projects in production \u2013 and, co-organised with Doc Lab Poland, Docs to Start and Docs to Go! \u2013 for Polish documentary projects in development and in postproduction. The awards for the best presentations were announced at […]","og_url":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/","og_site_name":"Krakow Film Festival","article_publisher":"https:\/\/www.facebook.com\/krakowfilmfest\/","article_published_time":"2022-06-04T11:40:41+00:00","article_modified_time":"2022-06-05T17:08:05+00:00","og_image":[{"width":1024,"height":683,"url":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_creator":"@krakowfilmfest","twitter_site":"@krakowfilmfest","twitter_misc":{"Written by":"Barbara Szyma\u0144ska","Est. reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Organization","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#organization","name":"Krakowski Festiwal Filmowy","url":"https:\/\/www.krakowfilmfestival.pl\/en\/","sameAs":["https:\/\/www.instagram.com\/krakowfilmfestival\/","https:\/\/www.youtube.com\/user\/KrakowFilmFoundation","https:\/\/pl.wikipedia.org\/wiki\/Krakowski_Festiwal_Filmowy","https:\/\/www.facebook.com\/krakowfilmfest\/","https:\/\/twitter.com\/krakowfilmfest"],"logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg","contentUrl":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/03\/logokff_uniwersalne.jpg","width":1241,"height":699,"caption":"Krakowski Festiwal Filmowy"},"image":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/logo\/image\/"}},{"@type":"WebSite","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#website","url":"https:\/\/www.krakowfilmfestival.pl\/en\/","name":"Krakow Film Festival","description":"In Cracow since 1961","publisher":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.krakowfilmfestival.pl\/en\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage","url":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg","contentUrl":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg","width":1024,"height":683,"caption":"Gala Industry 2022, fot. Agnieszka Fiejka"},{"@type":"WebPage","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage","url":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/","name":"KFF Industry 2022 - awards - Krakow Film Festival","isPartOf":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage"},"datePublished":"2022-06-04T11:40:41+00:00","dateModified":"2022-06-05T17:08:05+00:00","breadcrumb":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Strona g\u0142\u00f3wna","item":"https:\/\/www.krakowfilmfestival.pl\/en\/"},{"@type":"ListItem","position":2,"name":"KFF Industry 2022 – awards"}]},{"@type":"Article","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#article","isPartOf":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage"},"author":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/efad62f614bc505c15b48e5484f75950"},"headline":"KFF Industry 2022 – awards","datePublished":"2022-06-04T11:40:41+00:00","dateModified":"2022-06-05T17:08:05+00:00","mainEntityOfPage":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#webpage"},"wordCount":1148,"publisher":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#organization"},"image":{"@id":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-2022-awards\/#primaryimage"},"thumbnailUrl":"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/06\/gala-industry1.jpg","articleSection":["News"],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/efad62f614bc505c15b48e5484f75950","name":"Barbara Szyma\u0144ska","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.krakowfilmfestival.pl\/en\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/7b7a1b6097a5d193100b782bbbd50f6f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/7b7a1b6097a5d193100b782bbbd50f6f?s=96&d=mm&r=g","caption":"Barbara Szyma\u0144ska"}}]}},"_links":{"self":[{"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/posts\/41066"}],"collection":[{"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/comments?post=41066"}],"version-history":[{"count":9,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/posts\/41066\/revisions"}],"predecessor-version":[{"id":41342,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/posts\/41066\/revisions\/41342"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/media\/41054"}],"wp:attachment":[{"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/media?parent=41066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/categories?post=41066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.krakowfilmfestival.pl\/en\/wp-json\/wp\/v2\/tags?post=41066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} - \n
- \n
- \n
- SPECIAL MENTION CREW UNITED<\/b> – a 5-years’ Premium membership to Crew United platform for the director and producer of the awarded project for the project „Conjunction”, dir. Marta Magnuska, prod. Animoon<\/li>\n<\/ul>\n
- FIXAFILM ANIMATED IN POLAND BEST PITCH AWARD<\/b> –<\/b> a coupon for image post-production services worth PLN 10 000 founded by Fixafilm went to the project „The Miracle”, dir. Ewa Borysewicz, prod. Letko<\/li>\n<\/ul>\n