{"id":56646,"date":"2024-05-09T14:36:40","date_gmt":"2024-05-09T12:36:40","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/jury-of-the-64th-krakow-film-festival\/"},"modified":"2024-05-17T11:23:19","modified_gmt":"2024-05-17T09:23:19","slug":"jury-of-the-64th-krakow-film-festival","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/jury-of-the-64th-krakow-film-festival\/","title":{"rendered":"Jury of the 64th Krakow Film Festival"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p class=\"text-bigger\">There&rsquo;s 18 of them. Just like the selection team led by festival director Krzysztof Gierat, this year&rsquo;s representatives of the jury will have plenty of films to watch. Out of 100 competition titles, they have to choose just a handful that will leave the 64th Krakow Film Festival with awards. We will find out which documentaries and short films are going to receive the Golden Lajkoniks, Dragons, Horns, or Hejna&#322; already on 1 June during the closing gala.<\/p>\n\n\n\n<p><strong>A total of 180 films are waiting for the audience of the 64th<\/strong><span style=\"font-weight: 400\"><strong> edition of the Krakow Film Festival. This number includes 55 world premieres, 11 international premieres, and 54 Polish premieres.<\/strong> Even the biggest cinema buffs and the most passionate film enthusiasts won&rsquo;t be able to see everything. Fortunately, a significant part of the program will be available for viewing at home through the festival&rsquo;s KFF VOD platform. Jurors won&rsquo;t have this privilege. They must watch all competition films during the first part of the festival, and then carefully consider and discuss their choices during the final deliberations. Their decisions will be announced during the ceremonial gala at the Kij&oacute;w cinema on 1 June. Winners will receive awards totalling PLN 300,000.<\/span><\/p>\n\n\n\n<p><b>International Documentary Film Competition<\/b><\/p>\n\n\n\n<p><b>Nick Read<\/b><span style=\"font-weight: 400\"> (United Kingdom), a multi-award-winning director of documentary films, Emmy and BAFTA nominee, as well as producer, author, and director of over 80 films, has been named chairman of the International Documentary Film Competition Jury. He is the recipient of the <\/span><span style=\"font-weight: 400\">Foreign Press Association<\/span><span style=\"font-weight: 400\"> award (twice), the Rory Peck Impact Award, and the Human Rights \/ Human Wrongs Award. His latest documentary, <\/span><i><span style=\"font-weight: 400\">My Name is Happy<\/span><\/i><span style=\"font-weight: 400\">, co-directed with Ayse Toprak, received the Golden Horn for the best documentary film at the 63<\/span><span style=\"font-weight: 400\">rd<\/span><span style=\"font-weight: 400\"> Krakow Film Festival.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Assisting the British director in selecting the best documentary are: <\/span><b>Margje de Koning<\/b><span style=\"font-weight: 400\"> (Netherlands) &ndash; director, producer, teacher at the University of Amsterdam, and artistic director of the Movies that Matter festival since 2019. Dragan von Petrovic (Serbia) &ndash; a multiple-award-winning editor and director of documentary and fiction films. <\/span><b>Eliza Kubarska<\/b><span style=\"font-weight: 400\"> (Poland)<\/span><span style=\"font-weight: 400\"> &ndash; an award-winning director, artist, and mountaineer. She&rsquo;s a graduate of the Academy of Fine Arts and the Wajda School in Warsaw. Winner<\/span><span style=\"font-weight: 400\"> of the International Alliance for Mountain Film Grand Prix for outstanding achievements in filmmaking. <\/span><b>Monica Lazurean-Gorgan<\/b><span style=\"font-weight: 400\"> (Romania) &ndash; an experienced producer, documentarian, member of AMPAS\/Oscar, and EFA. She produced <\/span><i><span style=\"font-weight: 400\">Acasa, My Home<\/span><\/i><span style=\"font-weight: 400\"> by Radu Ciorniciuc, winner of the Sundance Cinematography Award and over 40 other international awards, as well as <\/span><b><i>Between Revolutions<\/i><\/b><span style=\"font-weight: 400\"> by Vlad Petri, winner of the FIPRESCI award at the Berlinale. She directed such films as <\/span><i><span style=\"font-weight: 400\">A Mere Breath<\/span><\/i><span style=\"font-weight: 400\"> (Best Doc @ Sarajevo 2016) and <\/span><i><span style=\"font-weight: 400\">Wood<\/span><\/i><span style=\"font-weight: 400\"> (CPH:Dox, HotDocs, etc.).<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-5 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/nick-read.jpg\"><img loading=\"lazy\" width=\"994\" height=\"1091\" data-id=\"56174\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/nick-read.jpg\" alt=\"\" class=\"wp-image-56174\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/nick-read.jpg 994w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/nick-read-729x800.jpg 729w\" sizes=\"(max-width: 994px) 100vw, 994px\"><\/a><figcaption>Nick Read<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/margje-de-koning_1.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"852\" data-id=\"56191\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/margje-de-koning_1.jpg\" alt=\"\" class=\"wp-image-56191\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/margje-de-koning_1.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/margje-de-koning_1-729x485.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Margje de Koning <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/dragan-von-petrovic.jpg\"><img loading=\"lazy\" width=\"1092\" height=\"1491\" data-id=\"56187\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/dragan-von-petrovic.jpg\" alt=\"\" class=\"wp-image-56187\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/dragan-von-petrovic.jpg 1092w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/dragan-von-petrovic-729x995.jpg 729w\" sizes=\"(max-width: 1092px) 100vw, 1092px\"><\/a><figcaption>Dragan von Petrovic<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/eliza-kubarska_fot_davidkaszlikowski_2.jpg\"><img loading=\"lazy\" width=\"1014\" height=\"951\" data-id=\"56178\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/eliza-kubarska_fot_davidkaszlikowski_2.jpg\" alt=\"\" class=\"wp-image-56178\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/eliza-kubarska_fot_davidkaszlikowski_2.jpg 1014w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/eliza-kubarska_fot_davidkaszlikowski_2-729x684.jpg 729w\" sizes=\"(max-width: 1014px) 100vw, 1014px\"><\/a><figcaption>Eliza Kubarska<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/monica-lazurean-gorgan1.jpg\"><img loading=\"lazy\" width=\"1094\" height=\"1496\" data-id=\"56183\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/monica-lazurean-gorgan1.jpg\" alt=\"\" class=\"wp-image-56183\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/monica-lazurean-gorgan1.jpg 1094w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/monica-lazurean-gorgan1-729x997.jpg 729w\" sizes=\"(max-width: 1094px) 100vw, 1094px\"><\/a><figcaption><strong>Monica Lazurean-Gorgan<\/strong><\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><b>International Short Film Competition<\/b><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The selection of the best short animation, documentary, and fiction films will be made by a selection team chaired by independent producer and film editor, <\/span><b>Corina Schwingruber-Ili&#263;<\/b><span style=\"font-weight: 400\"> (Switzerland). Since 2010, she has worked as an independent director and editor. She co-founded PRO SHORT (the Swiss Short Film Association) and a member of the Swiss and European Film Academies. <\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Other members of the jury evaluating international short film productions include: <\/span><b>Heinz Hermans<\/b><span style=\"font-weight: 400\"> (Germany) &ndash; founder and director of interfilm Berlin, one of the world&rsquo;s largest short film festivals. He has been the director of numerous film festivals, including Pollicino (1992-1997) in Catania, Sicily, the Going Underground super-short film festival on subway trains in Berlin and Seoul (2001-2012), and Short Visions in Ningbo, China (2014). He works as a visiting professor at SCAU University in Canton. <\/span><b>Toril Simonsen<\/b><span style=\"font-weight: 400\"> (Norway) &ndash; for over 30 years at the Norwegian Film Institute, she has been promoting Norwegian short and documentary films. She is a co-founder of the short and documentary film festival Nordisk Panorama and co-director of the first festival in 1990. <\/span><b>Tomek Popakul<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; a graduate of the &#321;&oacute;d&#378; Film School, specializing in animation. He is the director of award-winning animated films such as <\/span><i><span style=\"font-weight: 400\">Zima<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">Acid Rain<\/span><\/i><span style=\"font-weight: 400\">, and <\/span><i><span style=\"font-weight: 400\">Ziegenort<\/span><\/i><span style=\"font-weight: 400\">, as well as a composer of cacophonous music.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/corina-schwingruber-ilic.jpg\"><img loading=\"lazy\" width=\"1203\" height=\"1257\" data-id=\"56213\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/corina-schwingruber-ilic.jpg\" alt=\"\" class=\"wp-image-56213\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/corina-schwingruber-ilic.jpg 1203w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/corina-schwingruber-ilic-729x762.jpg 729w\" sizes=\"(max-width: 1203px) 100vw, 1203px\"><\/a><figcaption>Corina Schwingruber-Ili&#263;<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/toril-simonsen_fot_zfilmtidsskrift-1.jpg\"><img loading=\"lazy\" width=\"950\" height=\"574\" data-id=\"56202\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/toril-simonsen_fot_zfilmtidsskrift-1.jpg\" alt=\"\" class=\"wp-image-56202\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/toril-simonsen_fot_zfilmtidsskrift-1.jpg 950w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/toril-simonsen_fot_zfilmtidsskrift-1-729x440.jpg 729w\" sizes=\"(max-width: 950px) 100vw, 950px\"><\/a><figcaption>Toril Simonsen<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/heinz-hermans.jpg\"><img loading=\"lazy\" width=\"837\" height=\"816\" data-id=\"56196\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/heinz-hermans.jpg\" alt=\"\" class=\"wp-image-56196\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/heinz-hermans.jpg 837w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/heinz-hermans-729x711.jpg 729w\" sizes=\"(max-width: 837px) 100vw, 837px\"><\/a><figcaption>Heinz Hermans<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/tomekpopakul_1.jpg\"><img loading=\"lazy\" width=\"1639\" height=\"1365\" data-id=\"56209\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/tomekpopakul_1.jpg\" alt=\"\" class=\"wp-image-56209\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/tomekpopakul_1.jpg 1639w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/tomekpopakul_1-729x607.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/tomekpopakul_1-1536x1279.jpg 1536w\" sizes=\"(max-width: 1639px) 100vw, 1639px\"><\/a><figcaption>Tomek Popakul<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><b>International Music Documentary Competition DocFilmMusic<\/b><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Eight music documentaries will be judged by the Jury chaired by Slovakian director <\/span><b>Matej Bobrik<\/b><span style=\"font-weight: 400\"> (Slovakia, Poland). A graduate of the directing department at the &#321;&oacute;d&#378; Film School and the DOK PRO documentary course at the Wajda School. His debut documentary <\/span><i><span style=\"font-weight: 400\">The Visit<\/span><\/i><span style=\"font-weight: 400\">, produced by Munk Studio, won the Silver Eye award at the Ji.hlava International Documentary Film Festival. Currently, the director resides in Warsaw, creating original films and directing documentary series for platforms like Netflix and Canal+. <\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The director will be assisted by: <\/span><b>Micha&#322; Fojcik<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; a sound designer with more than 100 features, documentaries, and animated films in his portfolio. He received the Motion Picture Sound Editors Golden Reel Award for Outstanding Achievement in Music Editing in a Documentary Film for his work on <\/span><i><span style=\"font-weight: 400\">Pianoforte<\/span><\/i><span style=\"font-weight: 400\">. He runs the Sound Mind sound post-production studio. <\/span><b>Ana Sofia Fonseca<\/b><span style=\"font-weight: 400\"> (Portugal) &ndash; a multiple-award-winning director with Cape Verdean roots who loves to tell fascinating and inspiring human stories. Her feature-length documentary <\/span><i><span style=\"font-weight: 400\">Ces&aacute;ria &Eacute;vora<\/span><\/i><span style=\"font-weight: 400\"> (2022) was screened in cinemas in France and the Netherlands and shown at over 60 international festivals, including the 62<\/span><span style=\"font-weight: 400\">nd<\/span><span style=\"font-weight: 400\"> Krakow Film Festival. She runs the production company Carrossel Produ&ccedil;&otilde;es, where she works on upcoming documentary projects.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped expanded gallery\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/matej_bobrik.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"1356\" data-id=\"56243\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/matej_bobrik.jpg\" alt=\"\" class=\"wp-image-56243\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/matej_bobrik.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/matej_bobrik-729x772.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Matej Bobrik<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/michal-fojcik_fot-wojciech-iskierka.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"1342\" data-id=\"56245\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/michal-fojcik_fot-wojciech-iskierka.jpg\" alt=\"\" class=\"wp-image-56245\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/michal-fojcik_fot-wojciech-iskierka.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/michal-fojcik_fot-wojciech-iskierka-729x764.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Micha&#322; Fojcik<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/ana-sofia-fonseca.jpeg\"><img loading=\"lazy\" width=\"320\" height=\"180\" data-id=\"56241\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/ana-sofia-fonseca.jpeg\" alt=\"\" class=\"wp-image-56241\"><\/a><figcaption>Ana Sofia Fonseca<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><b>National Competition<\/b><\/p>\n\n\n\n<p>Once again, two separate juries will be judging films in the National Competition. The first will have to select the best medium- or feature-length documentary, while the second one will choose the best short productions &ndash; in animated, fiction, and documentary categories. <\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Feature-length documentaries will be judged by a trio led by cinematographer <\/span><b>Piotr &#346;liskowski<\/b><span style=\"font-weight: 400\"> (Poland). A graduate of the Cinematography Department at the &#321;&oacute;d&#378; Film School, he returned there as a lecturer in 2016. The President of the Polish Society of Cinematographers. He has worked as a cinematographer on documentaries, series, and feature films. He received a special mention in the Polish Films Competition for the film <\/span><i><span style=\"font-weight: 400\">The Master<\/span><\/i><span style=\"font-weight: 400\"> (2005) at the Camerimage Festival and has been nominated multiple times for the Golden Frog in the main competition.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Alongside Piotr &#346;liskowski, Polish documentaries will be judged by: <\/span><b>Joanna Ostrowska<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; a doctor of humanities specializing in history. She also studied at the Institute of Audiovisual Arts and the Department of Judaic Studies at the Jagiellonian University, Gender Studies and the Department of Hebrew Studies at the University of Warsaw, and at the &#321;&oacute;d&#378; Film School. She is an academic lecturer, film critic, playwright, and author of acclaimed books on topics related to World War II. Since 2019, she has been a programmer for the LGBT+ Film Festival in Warsaw. <\/span><b>Marta Minorowicz<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; graduate of the Andrzej Wajda Film School and Theatre Studies at the Jagiellonian University. Her debut feature <\/span><i><span style=\"font-weight: 400\">Illusion<\/span><\/i><span style=\"font-weight: 400\"> won the Grand Prix at the International Film Festival in Tirana, and her full-length hybrid between documentary and fiction film <\/span><i><span style=\"font-weight: 400\">Zud<\/span><\/i><span style=\"font-weight: 400\"> was nominated for the Crystal Bear Award at the Berlin IFF. Her documentary films <\/span><i><span style=\"font-weight: 400\">A Piece of Summer<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Decrescendo<\/span><\/i><span style=\"font-weight: 400\"> have been noticed at numerous festivals in Poland and abroad.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">As for Polish short films, the jury will be led by director and screenwriter <\/span><b>Jacek Borcuch<\/b><span style=\"font-weight: 400\"> (Poland). His film <\/span><i><span style=\"font-weight: 400\">All That I Love<\/span><\/i><span style=\"font-weight: 400\"> was a sensation at the Sundance Film Festival in 2010 where it was the first Polish film in history to be screened in the main competition. His later films <\/span><i><span style=\"font-weight: 400\">Lasting<\/span><\/i><span style=\"font-weight: 400\"> and <\/span><i><span style=\"font-weight: 400\">Sweet End of the Day<\/span><\/i><span style=\"font-weight: 400\"> returned from the American festival with awards. Borcuch&rsquo;s directorial debut, <\/span><i><span style=\"font-weight: 400\">Kallafiorr<\/span><\/i><span style=\"font-weight: 400\">, opened the era of independent films in Polish cinema and was the first independent film to receive wide theatrical distribution. He has directed TV series such as <\/span><i><span style=\"font-weight: 400\">The Dark<\/span><\/i><span style=\"font-weight: 400\"> (2006), <\/span><i><span style=\"font-weight: 400\">Without Secrets<\/span><\/i><span style=\"font-weight: 400\"> (2011), and <\/span><i><span style=\"font-weight: 400\">Still Here<\/span><\/i><span style=\"font-weight: 400\"> (2023).<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Assisting in the selection of films to receive the Golden Hobby-Horse awards will be: <\/span><b>Joanna &#321;api&#324;ska<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; member of the European Film Academy. From 2002 to 2016 she was associated with the T-Mobile New Horizons International Film Festival. The creator and head of the New Horizons Studio and the Polish Days project. Since September 2016, she has been the program director of the Transatlantyk Festival. In 2021-2022, she was the head of Gdynia Industry at the Gdynia Film Festival and in 2023 she received a nomination for the position of its Artistic Director. <\/span><b>Julia Orlik<\/b><span style=\"font-weight: 400\"> (Poland) &ndash; a graduate and lecturer at the &#321;&oacute;d&#378; Film School. A resident of Krupski M&#322;yn, where all her student films were made in the family garage. In addition to animation, she is interested in blood FX, film makeup, and conducting film workshops with children and teenagers. Her student film <\/span><i><span style=\"font-weight: 400\">I Am Here<\/span><\/i><span style=\"font-weight: 400\"> was shortlisted for the GSA BAFTA Student Film Awards 2021 and won numerous prestigious awards at major international festivals. She completed her education with a diploma film titled <\/span><i><span style=\"font-weight: 400\">This Will Not Be a Festival Film<\/span><\/i><span style=\"font-weight: 400\"> which, contrary to its title, was presented and awarded at numerous festivals.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski.jpg\"><img loading=\"lazy\" width=\"2556\" height=\"1704\" data-id=\"56229\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski.jpg\" alt=\"\" class=\"wp-image-56229\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski.jpg 2556w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski-729x486.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski-1920x1280.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski-1536x1024.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-ostrowska-fot-witek-orski-2048x1365.jpg 2048w\" sizes=\"(max-width: 2556px) 100vw, 2556px\"><\/a><figcaption>Joanna Ostrowska <\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/jacek-borcuch.jpeg\"><img loading=\"lazy\" width=\"673\" height=\"467\" data-id=\"56220\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/jacek-borcuch.jpeg\" alt=\"\" class=\"wp-image-56220\"><\/a><figcaption>Jacek Borcuch<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-lapinska_-fot-anna_rezulak.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"854\" data-id=\"56222\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-lapinska_-fot-anna_rezulak.jpg\" alt=\"\" class=\"wp-image-56222\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-lapinska_-fot-anna_rezulak.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/joanna-lapinska_-fot-anna_rezulak-729x486.jpg 729w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Joanna &#321;api&#324;ska fot. Anna Rezulak<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/julia_orlik.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"720\" data-id=\"56224\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/julia_orlik.jpg\" alt=\"\" class=\"wp-image-56224\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/julia_orlik.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/julia_orlik-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/julia_orlik-492x277.jpg 492w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Julia Orlik<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-scaled.jpg\"><img loading=\"lazy\" width=\"2560\" height=\"1707\" data-id=\"56233\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-scaled.jpg\" alt=\"\" class=\"wp-image-56233\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-scaled.jpg 2560w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-729x486.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-1920x1280.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-1536x1024.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/piotr-sliskowski-2048x1365.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\"><\/a><figcaption>Piotr &#346;liskowski<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/marta-minorowicz_fot-r-maslow.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"1600\" data-id=\"56231\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/marta-minorowicz_fot-r-maslow.jpg\" alt=\"\" class=\"wp-image-56231\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/marta-minorowicz_fot-r-maslow.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/marta-minorowicz_fot-r-maslow-729x911.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/marta-minorowicz_fot-r-maslow-1229x1536.jpg 1229w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Marta Minorowicz<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><b>All Competition Films<\/b><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The <\/span><b>FIPRESCI Jury<\/b><span style=\"font-weight: 400\"> will consist of film critics: <\/span><span style=\"font-weight: 400\">Ziva Emersic (Slovenia), Hannes Wesselkaemper (Germany), Rafa&#322; Marsza&#322;ek (Poland).<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The <\/span><b>FICC Jury<\/b><span style=\"font-weight: 400\"> will include representatives of film discussion clubs: <\/span><span style=\"font-weight: 400\">Pawe&#322; Herman (Poland), Holger Twele (Germany), Cristina Rius Sanclimens (Spain).<\/span><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-5 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/ziva-emersic.jpeg\"><img loading=\"lazy\" width=\"241\" height=\"272\" data-id=\"56255\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/ziva-emersic.jpeg\" alt=\"\" class=\"wp-image-56255\"><\/a><figcaption>&#381;iva Emer&scaron;i&#269;<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/hannes-wesselkamper.jpg\"><img loading=\"lazy\" width=\"500\" height=\"666\" data-id=\"56293\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/hannes-wesselkamper.jpg\" alt=\"\" class=\"wp-image-56293\"><\/a><figcaption>Hannes Wesselk&auml;mper<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/rafal-marszalek.jpg\"><img loading=\"lazy\" width=\"787\" height=\"829\" data-id=\"56253\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/rafal-marszalek.jpg\" alt=\"\" class=\"wp-image-56253\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/rafal-marszalek.jpg 787w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/rafal-marszalek-729x768.jpg 729w\" sizes=\"(max-width: 787px) 100vw, 787px\"><\/a><figcaption>Rafa&#322; Marsza&#322;ek<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/holger_twele.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"1920\" data-id=\"56261\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/holger_twele.jpg\" alt=\"\" class=\"wp-image-56261\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/holger_twele.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/holger_twele-729x1094.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/holger_twele-1024x1536.jpg 1024w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Holger Twele<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/cristina-rius.jpeg\"><img loading=\"lazy\" width=\"720\" height=\"1280\" data-id=\"56259\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/cristina-rius.jpeg\" alt=\"\" class=\"wp-image-56259\"><\/a><figcaption>Cristina Rius Sanclimens<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">For the 20<\/span><span style=\"font-weight: 400\">th<\/span><span style=\"font-weight: 400\"> time, festival films will also be evaluated by the Student Jury. The anniversary jury will be composed of: <\/span><span style=\"font-weight: 400\">Zuzanna Adamowicz, Aleksandra Bester, Wiktoria Gornowicz<\/span><span style=\"font-weight: 400\">, <\/span><span style=\"font-weight: 400\">Artur Guzik, J&#281;drzej Ko&#347;ci&#324;ski, Agnieszka Kozera-Kotowska, Roman Krai&#324;ski, Sandra Meyer, Kinga Modzelewska, Paula Olsza&#324;ska, Mariia Pechenizka-Tkachova, Krzysztof Strumi&#324;ski.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Last but not least, the members of the audience are jurors, too. Magazyn Filmowy SFP is a partner of the competition.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Passes for the 64<\/span><span style=\"font-weight: 400\">th<\/span><span style=\"font-weight: 400\"> Krakow Film Festival are <\/span><a href=\"https:\/\/www.krakowfilmfestival.pl\/en\/64th-kff\/tickets-and-passes-64th-kff\/\"><span style=\"font-weight: 400\">on sale now!<\/span><\/a><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The Krakow Film Festival is on the exclusive list of qualifying events for the Oscars&reg; in the categories of short film (live action, animated, documentary) and documentary feature, as well as a recommending event for the <\/span><a href=\"https:\/\/europeanfilmawards.eu\/?p=1\"><span style=\"font-weight: 400\">European Film Awards<\/span><\/a><span style=\"font-weight: 400\"> in the same categories.<\/span><\/p>\n\n\n\n<p>The Krak&oacute;w Film Festival is organised with the financial support of the Municipality of Krak&oacute;w, the Ministry of Culture and National Heritage, the European Union&rsquo;s Creative Europe program, the Lesser Poland Province, the Polish Film Institute. The festival is co-organised by the Polish Filmmakers Association.<\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The 64<\/span><span style=\"font-weight: 400\">th<\/span><span style=\"font-weight: 400\"> Krakow Film Festival will be held in cinemas from 26 May to 2 June and online across Poland on the KFF VOD platform from 31 May to 16 June 2024.<\/span><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s 18 of them. Just like the selection team led by festival director Krzysztof Gierat, this year&#8217;s representatives of the jury will have plenty of films to watch. Out of 100 competition titles, they have to choose just a handful that will leave the 64th Krakow Film Festival with awards. We will find out which [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":56304,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[466,539,465,464],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jury of the 64th Krakow Film Festival - Krakow Film Festival<\/title>\n<meta name=\"description\" content=\"The awards, including the Golden Lajkoniks, Dragons, Horns, and Hejna\u0142, will be presented at the closing gala on June 1 at the Kij\u00f3w cinema.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/jury-of-the-64th-krakow-film-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jury of the 64th Krakow Film Festival - 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