{"id":59780,"date":"2024-05-27T20:27:35","date_gmt":"2024-05-27T18:27:35","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/64_krakow_film_festival_day_3\/"},"modified":"2024-05-27T20:35:43","modified_gmt":"2024-05-27T18:35:43","slug":"64_krakow_film_festival_day_3","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/64_krakow_film_festival_day_3\/","title":{"rendered":"64_KRAKOW_FILM_FESTIVAL_DAY_3"},"content":{"rendered":"\n

Dear Spectators! All lovers of the 64th Krakow Film Festival! Tuesday doesn’t have to be difficult and ugly at all. All you have to do is help your luck a little and choose a screening (at times several!) in one of Krakow’s arthouse cinemas. And believe it, there really is a lot to choose from!<\/p>\n\n\n\n

If you’ve already chosen your favorite screening for today, but are still wondering how to plan tomorrow’s Tuesday, here’s a little download of what to see on the third day of the festival!<\/p>\n\n\n\n

HIGHLIGHTS_OF_THE_DAY<\/b><\/p>\n\n\n\n

KFF Talks: New narratives. Desinformation is not the (greatest) problem<\/a> (Pa\u0142ac Potockich 4, 17:30-19:00. FREE)<\/b><\/p>\n\n\n\n

From Tucker Carlson\u2019s interview with Putin to the scripts of historical films \u2013 alternative visions of history and contemporary politics are increasingly prevalent in media, films, and TV series. Never before have we had such easy and inexpensive access to information. AI is already being used by propagandists. Are subjective truths \u2013 or more precisely, the new narratives construed from them \u2013 a new threat to the recipients of media and culture? And do fiction creators always have unlimited freedom in crafting them? Ma\u0142gorzata Majewska, Dariusz Rosiak, and Marcin \u017by\u0142a will discuss the challenges for media and the boundaries of art. Screenings of selected festival films, such as Son of the Mullah (dir. Nahid Persson), Putin\u2019s Playground (dir. Konrad Szo\u0142ajski), and Of Caravan and The Dogs (dir. Askold Kurov, anonymous creators) will perfectly complement their discussion.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

DON’T_FORGET<\/b><\/p>\n\n\n\n

Dragon of Dragons Award Ceremony. Jacek Petrycki Retrospective: “Poste Restante”, dir. Marcel \u0141ozi\u0144ski<\/a> | “My Notes from the Underground” dir. Jacek Petrycki<\/a><\/b><\/p>\n\n\n\n

Jacek Petrycki (born 1948 in Pozna\u0144) is a graduate of the Film School in \u0141\u00f3d\u017a and a highly regarded Polish cinematographer and director of documentary films. He is the cinematographer behind many acclaimed feature and documentary films, including 89 mm from Europe, The Visit, Workshop Exercises by Marcel \u0141ozi\u0144ski, First Love, Talking Heads, and Camera Buffby Krzysztof Kie\u015blowski, as well as Agnieszka Holland\u2019s Fever and A Woman Alone. Since 1987, he has collaborated with British television channels Channel 4 and the BBC<\/p>\n\n\n\n

He is a recipient of several awards, including a BAFTA for Clive Gordon\u2019s The Betrayed, a Golden Frog for Kasia Adamik\u2019s The Offsiders, and multiple distinctions at the Krakow Film Festival. He was also nominated for the European Film Award for Ye\u015fim Ustao\u011flu\u2019s Journey to the Sun.<\/p>\n\n\n\n

Petrycki is a realist with an extraordinary talent for noticing poetry in everyday life. Whether in documentary or feature films, he approaches cinematography with a documentarian\u2019s eye. He isn\u2019t afraid of tackling difficult subjects; in one interview, he admitted that in documentaries, sometimes one must address frightening realities, and if it serves a purpose, it cannot be avoided. Throughout his career, he has not only honed his skills in cinematography but has also contributed to promoting Polish documentary cinema on the international stage. His passion for cinema and unique perspective on the world make him a respected cinematographer and outstanding educator. <\/p>\n\n\n\n

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Jacek Petrycki ph. Daniel Raczy\u0144ski<\/figcaption><\/figure>\n\n\n\n
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Ana Blandiana<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Meeting with Ana Blandiana, a legendary Romanian poet, the main protagonist of the documentary \u2018Between Silence and Sin\u2019” (MCK, 18:00. FREE)<\/b><\/p>\n\n\n\n

Not very many people are aware of her real name \u2014 Otilia Valeria Coman. As a daughter of the \u2018enemy of the people\u2019, she had to adopt a new name, Ana Blandiana, to be able to have her poems published. Her poetry outraged Nicolae Ceau\u0219escu and his entourage, but it enchanted and touched her readers and literature aficionados, also from outside of communist Romania. The new system did not change her. She remained a master of words, faithful to herself and critical of the authorities. The protagonist of \u2018Between Silence and Sin\u2019 (dir. Diana Nicolae) will meet with her readers and the festival audience to talk about her work.<\/p>\n\n\n\n

\n
\"Kadr
Otherland dir. P. Wysocki<\/figcaption><\/figure>\n\n\n\n
\"Kadr
Intercepted dir. O.Karpovych<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

“Otherland”, dir. Piotr Wysocki<\/a> (Kino Pod Baranami, 16:00 + Q&A)<\/b>\r\nPoland through the eyes of immigrants. Over the course of 10 years, we follow ups and downs of three characters who have moved to Warsaw from the smallest region of Russia, located in the Caucasus. They are of the same nationality, but their ambitions differ. How will their lives turn out in their new homeland?<\/p>\n\n\n\n

“Jews by Choice, dir.. Justyna Gawe\u0142ko,Tomer Slutzky<\/a> (Kino Agrafka, 20:45 +Q&A)<\/b>\r\nKarni\u00f3w, a small town in Czechia, used to be the home for a growing Jewish community until WWII, when the Nazis brutally took over power and not a single one of the local 450 Jews survived. A few decades later, the Czech town is struck with another disaster \u2013 Karni\u00f3w is flooded during the flood of the century. The old synagogue gets damaged, too. In order to prevent its destruction, a group of inhabitants decide to bring its old glory back or maybe even give rise to a new Jewish community in their town.<\/p>\n\n\n\n

“Johatsu \u2013 Into Thin Air”, re\u017c. Andreas Hartmann, Arata Mori<\/a> (Kino Mikro, 18:00 + Q&A)<\/b>\r\n\r\nIn Japan, there are specialised companies that help people to vanish into thin air. Such escapees may leave everything behind and start a completely new life someplace else. Together with them, the viewer becomes immersed in the mysterious world of double identities and hidden family dramas.<\/p>\n\n\n\n

“Intercepted”, re\u017c. Oksana Karpovych<\/a> (Kino Mikro, 20:30 + Q&A)<\/b>\r\nWhat are Russian soldiers talking about when they call their families from the front? The phone conversations recorded by the Ukrainian secret service in the first six months of the war reveal a completely different picture than the one created by the Kremlin propaganda. When set against post-apocalyptic views, they make a paralysing study of enslavement and conformism.<\/p>\n\n\n\n

\n
\"Kadr
Johatsu \u2013 Into Thin Air dir. A.Hartmann, A.Mori<\/figcaption><\/figure>\n\n\n\n
\"\"
Jews by Choice, dir. Justyna Gawe\u0142ko, Tomer Slutzky<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

WORTH_SEEING<\/b><\/p>\n\n\n\n

09:00, Kino Mikro,\u00a0“Why We Fight?”, dir.\u00a0Camille Etienne<\/a> <\/p>\n\n\n\n

11:00, Kino Pod Baranami,\u00a0“Via Dolorosa”, dir. Ohad Milstein<\/a>\u00a0|\u00a0“Bottlemen”, dir. Nemanja Vojinovi\u0107<\/a> <\/p>\n\n\n\n

13:30, Kino Pod Baranami,\u00a0“Joana Mallwitz – Momentum”, dir.. G\u00fcnter Atteln <\/a><\/p>\n\n\n\n

14:30, Kino Pod Baranami,“Too Close”, dir. Botond P\u00fcs\u00f6k<\/a> <\/p>\n\n\n\n

15:00, Kino Kij\u00f3w,\u00a0“1489”, dir. Shoghakat Vardanyan<\/a> <\/p>\n\n\n\n

15:30, Kino Mikro,\u00a0“Silent Trees”, dir. Agnieszka Zwiefka<\/a> <\/p>\n\n\n\n

16:00, Kino Agrafka,\u00a0“The Chalice. Of Sons and Daughters”, dir. Catalina Tesar <\/a><\/p>\n\n\n\n

17:00, Kino Pod Baranami,\u00a0“Blues Run the Game: the Strange Tale of Jackson C. Frank”, dir.\u00a0Damien Aim\u00e9 Dupont\u00a0<\/a>(+Q&A) <\/p>\n\n\n\n

18:30, Kino Agrafka,\u00a0“Forest”, dir. Lidia Duda<\/a>\u00a0(+Q&A) <\/p>\n\n\n\n

18:30, Kino Pod Baranami,\u00a0“When Harmattan Blows”, dir.\u00a0Edyta Wr\u00f3blewska<\/a>\u00a0(+Q&A) <\/p>\n\n\n\n

20:00, Kino Paradox,\u00a0“Cyborg Generation”, dir.\u00a0Miguel Morillo Vega<\/a> <\/p>\n\n\n\n

20:30, Kino Kij\u00f3w,\u00a0“Limits of Europe, dir.\u00a0Apolena Rychl\u00edkov\u00e1<\/a>\u00a0(+Q&A) <\/p>\n\n\n\n

20:45, Kino Pod Baranami,\u00a0“Teaches of Peaches”, dir.\u00a0Philipp Fussenegger,\u00a0Judy Landkammer<\/a> <\/p>\n\n\n\n

21:00, Kino ASP,\u00a0“<\/a>The Last Expedition”, dir.\u00a0Eliza Kubarska<\/a>\u00a0(+Q&A)<\/p>\n\n\n\n

SEE_THE_FULL_PROGRAM<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
SEE_FESTIVAL_TRAILERS<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n

On the festival’s website you will find a list of all meetings and Q&As.<\/a><\/p>\n\n\n\n

On ours is also a map of the most important festival venues and a list of partner cafes and restaurants. We would like to remind you that you can get a discount with Accreditation, you should show it before ordering. We invite you to share your impressions on our Facebook group.<\/a><\/p>\n\n\n\n

We would like to remind you about the possibility of voting for the best films. The poll includes all films qualified for the competitions of the 64th Krakow Film Festival.<\/p>\n\n\n\n

We encourage you to download zero tickets before the screenings. Free tickets can be downloaded on the site after logging into My KFF<\/a>. Just go to the “Program” tab and using the filters search for the film you are interested in. Free tickets can also be picked up at cinema box offices after showing accreditation no later than 15 minutes before the start of the screening.<\/p>\n\n\n\n

Program of screenings and accompanying events<\/a> | <\/a>P<\/a>rogram of KFF Industry events.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Dear Spectators! All lovers of the 64th Krakow Film Festival! Tuesday doesn’t have to be difficult and ugly at all. All you have to do is help your luck a little and choose a screening (at times several!) in one of Krakow’s arthouse cinemas. And believe it, there really is a lot to choose from! 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All lovers of the 64th Krakow Film Festival! Tuesday doesn’t have to be difficult and ugly at all. All you have to do is help your luck a little and choose a screening (at times several!) in one of Krakow’s arthouse cinemas. And believe it, there really is a lot to choose from! 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