{"id":60499,"date":"2024-05-31T22:07:34","date_gmt":"2024-05-31T20:07:34","guid":{"rendered":"https:\/\/www.krakowfilmfestival.pl\/?p=60499"},"modified":"2024-06-01T13:20:42","modified_gmt":"2024-06-01T11:20:42","slug":"industry-gala-2024-awards-and-special-mentions","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/industry-gala-2024-awards-and-special-mentions\/","title":{"rendered":"Industry Gala 2024 \u2013 awards and Special Mentions"},"content":{"rendered":"<!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<html><body><p class=\"text-bigger\">On Friday evening, 31st of June, in Akademia Sztuk Pi&#281;knych we learned the recipients of the industry awards presented during the Krakow Film Festival under the KFF Industry program. We still eagerly anticipate the Festival Awards gala, set to take place on Saturday at the Kij&oacute;w Cinema<\/p>\n\n\n\n<p><strong><strong>KFF Industry<\/strong><\/strong> comprises industry events aimed at film professionals attending the Krakow Film Festival. For several days, creators and producers of documentaries, animated and short films met with experts, programmers from international film festivals, foreign sales agents, distributors, representatives of film funds, TV stations, online and VOD platforms, and other decision-makers in the international film industry<strong>.<\/strong><\/p>\n\n\n\n<p><strong>DOC LAB POLAND<\/strong> is Poland&rsquo;s largest and most comprehensive program directed towards documentary filmmakers, focusing on the supporting of auteur, creative documentary cinema while emphasising a producer-oriented approach. It encompasses a comprehensive film project development program that involves workshops, individual consultations and panel discussions, along with workshops leading to a presentation (pitch) aimed at initiating co-productions by projects participating in the programme or supporting the promotion and distribution of the films currently being made.<\/p>\n\n\n\n<p>As every year at KFF Industry, there were three pitch sessions &ndash; presentations of film projects at various stages of completion: <strong>ANIMATED IN POLAND<\/strong> for Polish animated projects in production; and &ndash; co-organised with <strong>DOC LAB POLAND &ndash; DOCS TO START <\/strong>and <strong>DOCS TO GO<\/strong> for Polish documentary projects in development and post-production. The winners of the best projects were announced during yesterday&rsquo;s industry award ceremony.<\/p>\n\n\n\n<p>ceremony.<\/p>\n\n\n\n<p><strong>The evening was hosted by Katarzyna Wilk and Marta &#346;wi&#281;tek from the Krakow Film Foundation, as well as Adam &#346;lesicki from the W&#322;adys&#322;aw &#346;lesicki Film Foundation.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped excluded expanded gallery\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1.jpg\"><img loading=\"lazy\" width=\"1920\" height=\"1078\" data-id=\"55915\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1.jpg\" alt=\"\" class=\"wp-image-55915\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1.jpg 1920w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1-729x409.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1-1536x862.jpg 1536w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/zuk-kadr-1-492x277.jpg 492w\" sizes=\"(max-width: 1920px) 100vw, 1920px\"><\/a><figcaption><strong>&#379;uk<\/strong> re&#380;. Kacper Bukartyk, Zuzanna Fluder<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/strajk-milosci_k--prabucka-1.jpg\"><img loading=\"lazy\" width=\"1754\" height=\"1240\" data-id=\"55924\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/strajk-milosci_k--prabucka-1.jpg\" alt=\"\" class=\"wp-image-55924\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/strajk-milosci_k--prabucka-1.jpg 1754w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/strajk-milosci_k--prabucka-1-729x515.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/strajk-milosci_k--prabucka-1-1536x1086.jpg 1536w\" sizes=\"(max-width: 1754px) 100vw, 1754px\"><\/a><figcaption>Strajk mi&#322;o&#347;ci, re&#380;. Klaudia Prabucka<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/perla-pod-slonce-3.jpg\"><img loading=\"lazy\" width=\"1280\" height=\"719\" data-id=\"55907\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/perla-pod-slonce-3.jpg\" alt=\"\" class=\"wp-image-55907\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/perla-pod-slonce-3.jpg 1280w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/perla-pod-slonce-3-729x409.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/04\/perla-pod-slonce-3-492x277.jpg 492w\" sizes=\"(max-width: 1280px) 100vw, 1280px\"><\/a><figcaption>Per&#322;a pod S&#322;o&#324;ce, re&#380;. Karolina Walas<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><strong>ANIMATED IN POLAND AWARDS<\/strong><\/p>\n\n\n\n<p><strong>SOUND MIND STUDIO Award<\/strong> &ndash; a coupon for 10 days of sound post-production for the project <strong>The Beetle<\/strong> dir. <strong>Kacper Bukartyk, Zuzanna Fluder<\/strong> prod. Krzysztof Ku&#378;nicki \/ STOWARZYSZENIE KAMERA<\/p>\n\n\n\n<p><strong>FIXAFILM Award<\/strong> &ndash; a coupon for image post&#8209;production services worth 10 000 PLN for the project <strong>Love Strike <\/strong>dir.<strong> Klaudia Prabucka<\/strong> prod. Paulina Ratajczak \/ FUNDACJA LAS SZTUKI, MUNK STUDIO &ndash; POLISH FILMMAKERS ASSOCIATION<\/p>\n\n\n\n<p><strong>WFF &ndash; Wroc&#322;aw Feature Film Studio Special Mention<\/strong> &ndash; an in-kind contribution: lending equipment and infrastructure and performing selected services worth 30 000 PLN for the project <strong>The Beetle <\/strong>dir.<strong> Kacper Bukartyk, Zuzanna Fluder<\/strong> prod. Krzysztof Ku&#378;nicki \/ STOWARZYSZENIE KAMERA<\/p>\n\n\n\n<p><strong>CREW UNITED Special Mention<\/strong> &mdash; a 3&#8209;years&rsquo; Premium membership to Crew United platform for the director and producer of the awarded project for the project <strong>The Pearl Against Sun<\/strong> dir. <strong>Karolina Walas<\/strong> prod. Robert Sowa \/ JAN MATEJKO ACADEMY OF FINE ART IN KRAK&Oacute;W&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-4 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/05\/isabella-scaled.jpg\"><img data-id=\"37703\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2022\/05\/isabella-scaled.jpg\" alt=\"\" class=\"wp-image-37703\"><\/a><figcaption>Isabella, dir. Joanna Janikowska<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/the-world-is-not-a-mine.jpg\"><img loading=\"lazy\" width=\"1501\" height=\"850\" data-id=\"57938\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/the-world-is-not-a-mine.jpg\" alt=\"\" class=\"wp-image-57938\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/the-world-is-not-a-mine.jpg 1501w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/the-world-is-not-a-mine-729x413.jpg 729w\" sizes=\"(max-width: 1501px) 100vw, 1501px\"><\/a><figcaption>The World is Not (A) Mine dir. Natalia Koniarz<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/theory-of-survival.jpg\"><img loading=\"lazy\" width=\"1890\" height=\"1242\" data-id=\"57887\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/theory-of-survival.jpg\" alt=\"\" class=\"wp-image-57887\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/theory-of-survival.jpg 1890w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/theory-of-survival-729x479.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/theory-of-survival-1536x1009.jpg 1536w\" sizes=\"(max-width: 1890px) 100vw, 1890px\"><\/a><figcaption> Theory of Survival dir<strong>. <\/strong>Pawe&#322; Chorz&#281;pa<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/how-i-became-a-hijacker-2.jpg\"><img loading=\"lazy\" width=\"945\" height=\"532\" data-id=\"57910\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/how-i-became-a-hijacker-2.jpg\" alt=\"\" class=\"wp-image-57910\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/how-i-became-a-hijacker-2.jpg 945w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/how-i-became-a-hijacker-2-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/how-i-became-a-hijacker-2-492x277.jpg 492w\" sizes=\"(max-width: 945px) 100vw, 945px\"><\/a><figcaption>How I Became a Hijacker dir. Andrew Carter<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><strong>DOC LAB POLAND <\/strong><\/p>\n\n\n\n<ul><li><strong>FOR PROJECTS PRESENTED AT DOCS TO GO<\/strong><\/li><\/ul>\n\n\n\n<p><strong>Institute of Documentary Film Special Mention<\/strong> for the project <strong>Isabella <\/strong>dir. <strong>Joanna Janikowska<\/strong> prod. by Anna Gawlita, Marta Szymanowska \/ KIJORA FILM<\/p>\n\n\n\n<p><strong>Polish Docs Pro Special Mention<\/strong> &ndash; support of international promotion and invitation to one<br>of the key world documentary industry event for the project <strong>The World is Not (A) Mine<\/strong> dir. <strong>Natalia Koniarz<\/strong>, prod. Maciej Kubicki \/ TELEMARK<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-3 is-cropped\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2023\/05\/cedoc_en-garde-copy-scaled.jpg\"><img data-id=\"48329\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2023\/05\/cedoc_en-garde-copy-scaled.jpg\" alt=\"\" class=\"wp-image-48329\"><\/a><figcaption>En Garde dir. Mateusz Wajda<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/in-the-circle-2.jpg\"><img loading=\"lazy\" width=\"1039\" height=\"532\" data-id=\"57913\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/in-the-circle-2.jpg\" alt=\"\" class=\"wp-image-57913\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/in-the-circle-2.jpg 1039w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/in-the-circle-2-729x373.jpg 729w\" sizes=\"(max-width: 1039px) 100vw, 1039px\"><\/a><figcaption>Tren dir. Micha&#322; Bielawski<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/entr_actes_still_1-1.jpg\"><img loading=\"lazy\" width=\"945\" height=\"532\" data-id=\"57902\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/entr_actes_still_1-1.jpg\" alt=\"\" class=\"wp-image-57902\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/entr_actes_still_1-1.jpg 945w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/entr_actes_still_1-1-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/entr_actes_still_1-1-492x277.jpg 492w\" sizes=\"(max-width: 945px) 100vw, 945px\"><\/a><figcaption>Entr&rsquo;actes dir. Yuriy Shylov<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/waltz-from-the-well.jpg\"><img loading=\"lazy\" width=\"900\" height=\"475\" data-id=\"57874\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/waltz-from-the-well.jpg\" alt=\"\" class=\"wp-image-57874\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/waltz-from-the-well.jpg 900w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/waltz-from-the-well-729x385.jpg 729w\" sizes=\"(max-width: 900px) 100vw, 900px\"><\/a><figcaption>Waltz from the Well dir. Tymon Nogalski<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/my-dear-vira-1.jpg\"><img loading=\"lazy\" width=\"1772\" height=\"1181\" data-id=\"57926\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/my-dear-vira-1.jpg\" alt=\"\" class=\"wp-image-57926\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/my-dear-vira-1.jpg 1772w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/my-dear-vira-1-729x486.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2024\/05\/my-dear-vira-1-1536x1024.jpg 1536w\" sizes=\"(max-width: 1772px) 100vw, 1772px\"><\/a><figcaption>My Dear Vira dir.&nbsp;Maryna Brodovska, Olga Chernykh<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<ul><li><strong>FOR PROJECTS PRESENTED AT DOCS TO START<\/strong><\/li><\/ul>\n\n\n\n<p><strong>CANAL+ Award<\/strong> &mdash; 12 000 PLN in cash for the project <strong>Theory of Survival <\/strong>dir. <strong>Pawe&#322; Chorz&#281;pa<\/strong> prod. by Joanna Chorz&#281;pa \/ BEES FILM HOUSE&nbsp;<\/p>\n\n\n\n<p><strong>FINA Award <\/strong>&mdash; in-kind: archival materials worth of 50 000 PLN for the project <strong>Theory of Survival<\/strong> dir. <strong>Pawe&#322; Chorz&#281;pa<\/strong> prod. by Joanna Chorz&#281;pa\/ BEES FILM HOUSE<\/p>\n\n\n\n<p><strong>Special Mention WFF &ndash; WROCLAW FEATURE FILM STUDIO Award<\/strong> for the project<strong> How I Became a Hijacker<\/strong> dir. <strong>Andrew Carter<\/strong> prod. by Aleksandra Szcz&#281;sna \/ HASKO FILM<\/p>\n\n\n\n<p><strong>FIXAFILM Award<\/strong> &mdash; image post-production services worth of 15 000 PLN<\/p>\n\n\n\n<p>for the project <strong>Theory of Survival<\/strong> dir. <strong>Pawe&#322; Chorz&#281;pa<\/strong> prod. by Joanna Chorz&#281;pa \/ BEES FILM HOUSE<\/p>\n\n\n\n<p><strong>MX35 Award<\/strong> &mdash; film equipment rental services worth of 10 000 PLN for the project <strong>How I Became a Hijacker <\/strong>dir.<strong> Andrew Carter<\/strong> prod. by Aleksandra Szcz&#281;sna \/ HASKO FILM<\/p>\n\n\n\n<p><strong>Multilab \/ Krakow Technology Park Award<\/strong> for the project <strong>En Garde<\/strong> dir.<strong> Mateusz Wajda<\/strong> prod. by Pawe&#322; Ziemilski \/ MX35<\/p>\n\n\n\n<p><strong>DOK LEIPZIG Special Mention<\/strong> &mdash; invitation to Co pro Meetings in Leipzig<\/p>\n\n\n\n<p>for the project <strong>Entr&rsquo;actes <\/strong>dir. <strong>Yuriy Shylov <\/strong>and prod. by Olha Tuharinova \/ ALARM PRODUCTIONS<\/p>\n\n\n\n<p><strong>FIPADOC Special Mentions<\/strong> &mdash; invitation as a guest project to FIPADOC Industry<\/p>\n\n\n\n<p>for the projects <strong>In the Circle <\/strong>dir.<strong> Micha&#322; Bielawski<\/strong> prod. by Maciej Kubicki \/TELEMARK and for the project<strong> Waltz from the Well <\/strong>dir. <strong>Tymon Nogalski<\/strong> prod. by S&#322;awomir Richert, Katarzyna Tymusz \/WARSAW PRODUCTION TEAM<\/p>\n\n\n\n<p><strong>IDFA Special Mention<\/strong> &mdash; invitation as a guest project to IDFA Forum for the project<strong> My Dear Vira dir. Maryna Brodovska <\/strong>and <strong>Olga Chernykh<\/strong> and prod. by Olga Chernykh and Nataliia Sukach \/ COSMOS AGENCY<\/p>\n\n\n\n<p>All the winners of the Krakow Film Festival and the winners of the main festival awards will be announced on Saturday, June 1, at a gala ceremony at the Kij&oacute;w Cinema.<\/p>\n\n\n\n<p><strong><strong>The in-person edition of the 64<sup>rd<\/sup> Krakow Film Festival will conclude on Sunday, 2<sup>nd<\/sup> of June. Festival films will still be available online on the KFF VOD platform until 16<sup>th<\/sup> of June.<\/strong><\/strong><\/p>\n<\/body><\/html>\n","protected":false},"excerpt":{"rendered":"<p>On Friday evening, 31st of June, in Akademia Sztuk Pi\u0119knych we learned the recipients of the industry awards presented during the Krakow Film Festival under the KFF Industry program. We still eagerly anticipate the Festival Awards gala, set to take place on Saturday at the Kij\u00f3w Cinema KFF Industry comprises industry events aimed at film [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":60523,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[538,2],"tags":[365,468,540,464],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Industry Gala 2024 \u2013 awards and Special Mentions - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/industry-gala-2024-awards-and-special-mentions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Industry Gala 2024 \u2013 awards and Special Mentions - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"On Friday evening, 31st of June, in Akademia Sztuk Pi\u0119knych we learned the recipients of the industry awards presented during the Krakow Film Festival under the KFF Industry program. 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