{"id":6117,"date":"2017-04-20T10:29:36","date_gmt":"2017-04-20T08:29:36","guid":{"rendered":"http:\/\/www.krakowfilmfestival.pl\/?p=6117\/"},"modified":"2017-05-02T17:24:08","modified_gmt":"2017-05-02T15:24:08","slug":"polish-films-in-the-competitions-at-the-57th-krakow-film-festival","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/polish-films-in-the-competitions-at-the-57th-krakow-film-festival\/","title":{"rendered":"Polish films in the competitions at the 57th Krakow Film Festival"},"content":{"rendered":"<p><b>Among the documentary, short and animated films from all over the world, there will be a strong representation of Polish titles, which will participate in all four festival competitions, but will also be included in the programmes of the non-competing sections.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>Polish films in international competitions<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">57<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> Krakow Film Festival opens on May 28 with the film <\/span><b>&#8220;<\/b><b>THE BEKSI\u0143SKIS. A Sound and Picture Album&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Marcin Borchardt). This <\/span><span style=\"font-weight: 400;\">feature-length documentary film, made from sound, film and photo archival materials, coming from Zdzis\u0142aw Beksi\u0144ski&#8217;s private archive, will be at the same time one of three Polish films which will compete for the Golden Horn award in the international documentary film competition. From among 18 films from all over the world, there are also: the latest film by Piotr Stasik &#8211; <\/span><b>&#8220;Opera about Poland&#8221;<\/b><span style=\"font-weight: 400;\"> and <\/span><b>&#8220;Desert Coffee&#8221; <\/b><span style=\"font-weight: 400;\">(dir. Mikael Lypinski), made in the desert settlement in the south of California. \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Among 10 films in the exclusive international music documentary film competition DocFilmMusic, there is <\/span><b>&#8220;Festival&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Tomasz Wolski, Anna Gawlita), a collective portrait of musicians shown behind the scenes during their preparations for a music festival. <\/span><span style=\"font-weight: 400;\">The sounds of the compositions by Chopin, Tchaikovsky and Beethoven are interwoven with emotional dialogues of the musicians. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the international short film competition, Poland is represented by film-makers of films in all categories: documentary, feature and animated film. Among the short documentary films, the film &#8220;<\/span><b>Dust<\/b><span style=\"font-weight: 400;\">&#8221; by Jakub Radej will be presented. This is a story about what happens to the body and the property of a single person after death, shown in a raw and austere form. The film asks questions about the sense of existence, the importance of an individual, the value of material goods. \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Another film telling about passing of time is the short feature film, qualified for the international competition &#8211; <\/span><b>&#8220;Me and My Father&#8221;<\/b><span style=\"font-weight: 400;\"> by Aleksander Pietrzak. In this and in the second Polish feature film in the competition, <\/span><b>&#8220;My name is Julita&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Filip Dzier\u017cawski), the protagonists attempt to rebuild their relationships with the parent. The two stories, though they are completely different, are united by the motif of the essence of ties and intimacy between the closest family members.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Two Polish animated films will also compete for the Golden Dragon statuette in the international short film competition:<\/span><b> &#8220;Strange Case&#8221;<\/b><span style=\"font-weight: 400;\"> by Zbigniew Czapla and <\/span><b>&#8220;Oh Mother!&#8221; <\/b><span style=\"font-weight: 400;\">by Paulina Zi\u00f3\u0142kowska. The first one is a surrealistic journey, a kind of internal monologue, filled with personal reflections and memories. The animated film by Paulina Zi\u00f3\u0142kowska is an extremely visually attractive story about a peculiar relationship between mother and son.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>The Polish competition at the 57<\/b><b>th<\/b><b> Krakow Film Festival<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Time for forty-year-olds! Not so long ago, they debuted in Krakow, and now they dominate in the competitions. But there is also a place for the youngest and the seniors of Polish cinema. \u00a0A mosaic of genres and subjects expands to include generations and topography of places. Not only Lodz, Katowice and Wajda Film Schools appear, but also other places where film-makers are educated, as well as independent producers. And, at last, women, maybe not as numerous as it used to be, but we are not concerned about a forced parity&#8230;&#8221; Krzysztof Gierat, the Director of Krakow Film Festival, comments on the results of the selection.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the Polish competition, the largest representation consists of documentary films. The trend of Polish film-makers&#8217;s interest in stories from other parts of the world continues. This can be seen clearly in the film <\/span><b>&#8220;Desert Coffee,&#8221;<\/b><span style=\"font-weight: 400;\"> but also in the documentary films <\/span><b>&#8220;Miss Holocaust&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Michalina Musielak, Irena Siedlar), <\/span><b>&#8220;Arabic Secret&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Julia Groszek), <\/span><b>&#8220;Zhalanash&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Marcin Stauter) and <\/span><b>&#8220;Dos Islas&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Adriana F. Castellanos).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Two of the competition films tell the stories of the authors of memoirs from the times of the Nazi occupation. <\/span><b>&#8220;My enemy, my love&#8221; <\/b><span style=\"font-weight: 400;\">(dir. Krzysztof Lang)<\/span><b> \u00a0<\/b><span style=\"font-weight: 400;\">presents a controversial fate of a teenager flirting with German officers, whereas <\/span><b>&#8220;Sierakowiak&#8217;s Diary&#8221; <\/b><span style=\"font-weight: 400;\">is a motion picture based on one of the earliest publications of the witness accounts from the ghetto in \u0141\u00f3d\u017a.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The documentary film <\/span><b>&#8220;Land of the Homeless&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Marcin Janos Krawczyk) is a story of an extraordinary project, that is, the construction of a seagoing yacht, in which the homeless are involved. Striving to fulfil their dream &#8211; \u00a0round the world voyage &#8211; they work hard and fight against stereotypes and their own weaknesses. Hard labour is also the element of the grey everyday life of the protagonists of the film <\/span><b>&#8220;The Mine<\/b><b>&#8220;<\/b><span style=\"font-weight: 400;\"> (dir. Maria Zmarz-Koczanowicz), the workers in the mine &#8220;Rydu\u0142towy.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In the Polish competition, there is no lack of documentary films with a humorous tinge. These include, among others, <\/span><b>&#8220;The Ugliest Car in the world&#8221;<\/b><span style=\"font-weight: 400;\"> (dir. Grzegorz Szczepaniak) and <\/span><b>&#8220;Euphoria&#8221; <\/b><span style=\"font-weight: 400;\">(dir. Natalia Pietsch). In other films, there are strong musical motifs, such as in<\/span> <b>&#8220;Bandmasters&#8221; <\/b><span style=\"font-weight: 400;\">(dir. Tomasz Knittel), or in the documentary film <\/span><b>&#8220;Always Ready to Travel&#8221;<\/b><span style=\"font-weight: 400;\"> by Anna Wi\u015bniewska. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Dagmara Romanowska, film critic and the selector of Krakow Film Festival, sums up the feature films in the competition: &#8220;Tragedy and humour, family and social problems, the challenges of adolescence and of the end of life. The latest Polish short feature films take up various subjects. As it is the case every year, it is a kaleidoscope of artistic search, of the questions which bother not only the young film-makers. It is not the first time that the selection is dominated by the films from Munk Studio, offering intriguing script ideas and professional film-making.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Robert Sowa, the curator of the animated film competition at Krakow Film Festival, emphasises the diversity of subjects and animation techniques: &#8220;This year, KFF inaugurates the celebrations of 70 years of Polish animated film, the quintessence of which is the collection of Polish animated films in the Polish competition. We have animated films both by the recognised and respected as well as young and beginning film-makers. This year&#8217;s animated film competition is a great summary of the variety in the history of Polish animation.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The list of Polish films in the competitions at the 57<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> Krakow Film Festival<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>INTERNATIONAL COMPETITIONS<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>International documentary film competition<\/b><\/p>\n<p><span style=\"font-weight: 400;\">BEKSI\u0143SCY. Album wideofoniczny \/ THE BEKSI\u0143SKIS. A Sound and Picture Album, dir. Marcin Borchardt, 2017, 80\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Desert Coffee, dir. Mikael Lypinski, 2017, 53\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Opera o Polsce \/ Opera about Poland, dir. Piotr Stasik, 2017, 50\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>International competition DocFilmMusic <\/b><\/p>\n<p><span style=\"font-weight: 400;\">Festiwal \/ Festival, dir. Tomasz Wolski, Anna Gawlita, 2017, 85\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>International short film competition<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Proch \/ Dust, dir. Jakub Radej, 2017, 25\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ja i m\u00f3j tata \/ Me and My Father, dir. Aleksander Pietrzak, 2017, 30\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nazywam si\u0119 Julita \/ My name is Julita, dir. Filip Dzier\u017cawski, 2017, 30\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dziwny przypadek \/ Strange Case, dir. Zbigniew Czapla, 2017, 14\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">O Matko! \/ Oh Mother!, dir. Paulina Zi\u00f3\u0142kowska, 2017, 12\u2019<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>POLISH COMPETITION<\/b><\/p>\n<p><b>Documentary films <\/b><\/p>\n<p><span style=\"font-weight: 400;\">Arabski sekret \/ Arabic Secret, dir. Julia Groszek, 2017, 52\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">BEKSI\u0143SCY. Album wideofoniczny \/ THE BEKSI\u0143SKIS. A Sound and Picture Album, dir. Marcin Borchardt, 2017, 80\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Desert Coffee, dir. Mikael Lypinski, 2017, 53\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dos Islas, dir. <\/span><span style=\"font-weight: 400;\">Adriana F. Castellanos, 2016, 40\u2019 (Poland, Spain)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dziennik Sierakowiaka \/ <\/span><span style=\"font-weight: 400;\">Sierakowiak&#8217;s Diary, 2016, dir. <\/span><span style=\"font-weight: 400;\">Micha\u0142 Bukojemski, 57\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Euforia \/ Euphoria, dir. Natalia Pietsch, 2017, 17\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Festiwal \/ Festival, dir. Tomasz Wolski, Anna Gawlita, 2017, 85\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Film dla Stasia \/ Film for Stas, dir. Monika Mele\u0144, 2017, \u00a053\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gruba \/ The Mine, dir. Maria Zmarz-Koczanowicz, 2017, 59\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">KapelMistrze \/ Bandmasters, dir. Tomasz Knittel, 2016, 2017, 42\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kolekcja \/ Collection, dir. Marcin Polar, 2017, 19\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">D\u0142uga droga \/ Long Way, dir. Weronika Mliczewska, 2016, 58\u2019 (Poland, India)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Miss Holocaust \/ Miss Holocaust, dir. Michalina Musielak, Irena Siedlar, 2017, 22\u2019 (Poland. Germany)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">M\u00f3j wr\u00f3g, moja mi\u0142o\u015b\u0107 \/ My Enemy, My Love, dir. Krzysztof Lang, 2016, 45\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Najbrzydszy samoch\u00f3d \u015bwiata \/ The Ugliest Car, dir. Grzegorz Szczepaniak, 2017, 47\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Obcy na mojej kanapie \/ Stranger on my couch, dir. Grzegorz Brzozowski, 2017, 55\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Opera o Polsce \/ Opera about Poland, dir. Piotr Stasik, 2017, 50\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Proch \/ Dust, dir. Jakub Radej, 2017, 25\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u017balanasz \/ Zhalanash, dir. Marcin Sauter, 2017, 42\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Zawsze gotowy do podr\u00f3\u017cy \/ Always Ready to Travel, dir. Anna Wi\u015bniewska, 2017, 53\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ziemia bezdomnych \/ Land of the Homeless, dir. Marcin Janos Krawczyk, 2017, 55\u2019 <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Feature films<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Bogdan i R\u00f3\u017ca \/ Bogdan and Rose, dir. Milena Dutkowska, 2017, 15\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Deer Boy \/ Deer Boy, dir. Katarzyna Gondek, 2017, 15\u2019 (Poland, Belgium, Croatia)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ja i m\u00f3j tata \/ Me and My Father, dir. Aleksander Pietrzak, 2017, 30\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Koniec widzenia \/ Time to go, dir. Grzegorz Mo\u0142da, 2017, 15\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nazywam si\u0119 Julita \/ My name is Julita, dir. Filip Dzier\u017cawski, 2017, 30\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nic nowego pod s\u0142o\u0144cem \/ Nothing New Under the Sun, dir. Damian Kocur, 2017, 24\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sen o Warszawie \/ Dreaming of Warsaw, dir. Mateusz Czuchnowski, 2017, 17\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Spitsbergen \/ Spitsbergen, dir. Micha\u0142 Szcze\u015bniak, 2017, 23\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Totalna harmonia \/ Total Harmony, dir. Roman Jarosz, 2017, 30\u2019 <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Animated films<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Dziwny przypadek \/ Strange Case, dir. Zbigniew Czapla, 2017, 14\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Horyzont zdarze\u0144 \/ The Event Horizon, dir. Micha\u0142 Orzechowski, 2017, 12\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kosmos \/ Cosmos, dir. Daria Kopiec, 2016, 2\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u0141uska \/ Fish Scale, dir. Alicja Kot, 2016, 5\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">O Matko! \/ Oh Mother!, dir. Paulina Zi\u00f3\u0142kowska, 2017, 12\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Pandemic, dir. Krzysztof Kiwerski, 2017, 8\u2019 <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ucieczka \/ The Escape, dir. Jaros\u0142aw Konopka, 2017, 15\u2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Wcielenie \/ Incarnation, dir. Barbara Rupik, 2017, 5\u2019 <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>THE JURY OF THE POLISH COMPETITION<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The films in the Polish competition will be evaluated by the jury consisting of: Dariusz Jab\u0142o\u0144ski &#8211; the head of the jury, Wojciech Kasperski, Marta Pajek, Dorota Segda and Krzysztof Sp\u00f3r.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Polish films within the frames of the 57<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> Krakow Film Festival will also be shown in the non-competing sections Polish panorama and Festival award winners. The screenings of the best films by two of this year&#8217;s Dragon of Dragons winners, Witold Giersz and Daniel Szczechura, will also be held. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">57<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> Krakow Film Festival is held from May 28 to June 4. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Among the documentary, short and animated films from all over the world, there will be a strong representation of Polish titles, which will participate in all four festival competitions, but will also be included in the programmes of the non-competing sections. &nbsp; Polish films in international competitions &nbsp; 57th Krakow Film Festival opens on May [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - 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