{"id":6653,"date":"2017-05-16T11:38:05","date_gmt":"2017-05-16T09:38:05","guid":{"rendered":"http:\/\/www.krakowfilmfestival.pl\/?p=6653\/"},"modified":"2017-05-16T11:47:58","modified_gmt":"2017-05-16T09:47:58","slug":"polish-panorama-at-57th-krakow-film-festival","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/polish-panorama-at-57th-krakow-film-festival\/","title":{"rendered":"Polish panorama at 57th Krakow Film Festival"},"content":{"rendered":"<p><b>Every year, within the frames of Krakow Film Festival, in addition to four film competitions, the best documentary, short feature and animated films are presented in a dozen thematic sections. One of them is Polish Panorama, presenting the most interesting achievements of Polish film-makers from the previous year.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Polish Panorama<\/span><span style=\"font-weight: 400;\">,&#8221; just like the Polish competition, is treated as a hint addressed to the selectors from abroad, who come to our festival in large numbers,&#8221; says Krzysztof Gierat, the Director of Krakow Film Festival. &#8220;The films which they noticed here, often make a staggering career around the world later on.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone  wp-image-6638\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/film-o-pilchu-rez--adam-lewandowski-729x487.jpg\" alt=\"\" width=\"254\" height=\"170\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/film-o-pilchu-rez--adam-lewandowski-729x487.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/film-o-pilchu-rez--adam-lewandowski-1920x1282.jpg 1920w\" sizes=\"(max-width: 254px) 100vw, 254px\" \/><\/p>\n<p><span style=\"font-size: 10px;\"><i><span style=\"font-weight: 400;\">A Film on Pilch, <\/span><\/i><span style=\"font-weight: 400;\">dir. Adam Lewandowski<\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">In this year&#8217;s selection, Krakow is particularly strongly represented through its history and figures connected with it. For example, in the film portraits of two outstanding writers: Stanis\u0142aw Lem and Jerzy Pilch, who, for the larger part of their lives, also professional lives, were connected with Krakow. <\/span><b>&#8220;Autor Solaris&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Author Solaris<\/span><\/i><span style=\"font-weight: 400;\">) by Borys Lankosz is a creative documentary film in which the film-makers, together with eminent Lemologists, historians and the writer&#8217;s close ones approach the solution to the mysteries and paradoxes in Lem&#8217;s life. Adam Lewandowski in <\/span><b>&#8220;Film o Pilchu&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">A Film on Pilch<\/span><\/i><span style=\"font-weight: 400;\">) tells a fascinating story about one of the greatest contemporary writers, woven out of the voices of his friends and the statements by the protagonist himself.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone  wp-image-6640\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/exodus-rez--paulina-bondaronek-729x409.png\" alt=\"\" width=\"295\" height=\"166\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/exodus-rez--paulina-bondaronek-729x409.png 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/exodus-rez--paulina-bondaronek-492x277.png 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/exodus-rez--paulina-bondaronek-1920x1077.png 1920w\" sizes=\"(max-width: 295px) 100vw, 295px\" \/><\/p>\n<p><span style=\"font-size: 10px;\"><em>Exodus<\/em>, dir. Tristan Anderson<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The world of the theatre in Krakow is drawn in three other documentary films.<\/span><b> &#8220;Exodus&#8221; <\/b><span style=\"font-weight: 400;\">(dir. Tristan Anderson, Paulina Bondaronek) makes the audience familiar with the unexpected and dramatic results of the staging of the play &#8220;Neomonachomachia&#8221; by the KTO Theatre. The film <\/span><b>&#8220;Ostatnie diamenty&#8221; <\/b><span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">Last Diamonds<\/span><\/i><span style=\"font-weight: 400;\">)<\/span> <span style=\"font-weight: 400;\">by Marian Przybylski is a portrait of the Janicki brothers, who are extremely colourful and well-known in the community of Krakow actors of Tadeusz Kantor&#8217;s theatre Cricot 2. Edyta Wr\u00f3blewska in the documentary film <\/span><b>&#8220;<\/b><b>Zygmunt H\u00fcbner &#8211; gra z rzeczywisto\u015bci\u0105&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Zygmunt H\u00fcbner \u2013 Plays with the Reality<\/span><\/i><span style=\"font-weight: 400;\">) presents the figure of the most outstanding man of the theatre, the director of National Stary Theatre in Krakow in the gloomy times of Polish People&#8217;s Republic, who, through his activities, carried out the social and civic mission in an extremely clear way.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignnone  wp-image-6646\" src=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/how-to-destroy-time-machines-rez--jacek-piotr-blawut-729x410.jpg\" alt=\"\" width=\"301\" height=\"169\" srcset=\"https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/how-to-destroy-time-machines-rez--jacek-piotr-blawut-729x410.jpg 729w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/how-to-destroy-time-machines-rez--jacek-piotr-blawut-492x277.jpg 492w, https:\/\/www.krakowfilmfestival.pl\/wp-content\/uploads\/2017\/05\/how-to-destroy-time-machines-rez--jacek-piotr-blawut-1920x1080.jpg 1920w\" sizes=\"(max-width: 301px) 100vw, 301px\" \/><\/p>\n<p><span style=\"font-size: 10px;\"><em>How to Destroy Time Machines<\/em>, dir. Jacek Piotr B\u0142awut<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The documentary film <\/span><b>&#8220;How to Destroy Time Machines&#8221;<\/b><span style=\"font-weight: 400;\"> by Jacek Piotr B\u0142awut is a portrait of a great enthusiast, an American artist who dedicated his entire life to music experiments, recording, manipulating and composing pieces of music from unusual or seemingly ordinary sound phenomena. Another story about a great passion, but also about overcoming one&#8217;s weaknesses is the film <\/span><b>&#8220;Raz dwa zero&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">One Two Zero<\/span><\/i><span style=\"font-weight: 400;\">) by Anna Pawluczuk, the nine-year-old protagonist of which takes part in the competitive rhythmic gymnastics. In turn, the protagonist of the documentary film <\/span><b>&#8220;XXXLove&#8221;<\/b><span style=\"font-weight: 400;\"> by Joanna Frydrych, by tirelessly engaging in helping people whose obesity ruined their intimate lives, distances himself from his own family and neglects his private life.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The film <\/span><b>&#8220;Trzy siostry&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Three Sisters<\/span><\/i><span style=\"font-weight: 400;\">) by Dariusz Kowalski is a portrait of sisters who live in a Gypsy community in Limanowa, filled with Gypsy music, but it is also a story about the sense of alienation and the search for one&#8217;s identity. The protagonists of the documentary film by Micha\u0142 Tkaczy\u0144ski &#8211; <\/span><b>&#8220;I tak wszystko widzia\u0142am\u2026<\/b><span style=\"font-weight: 400;\">&#8221; (<\/span><i><span style=\"font-weight: 400;\">But I Saw It All Anyway\u2026)<\/span><\/i><span style=\"font-weight: 400;\"> are also three women, though they tell a completely different story. It is a film about the fates of Polish women of Jewish origin, who experienced the hell of the World War II and the Holocaust prepared for them by the German Nazis. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">On the list, there are also animated films. <\/span><b>&#8220;Ostatni pok\u00f3j&#8221; <\/b><span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">The Last Room<\/span><\/i><span style=\"font-weight: 400;\">) (dir. Marta Chy\u0142a-Janicka) is <\/span><span style=\"font-weight: 400;\">a story of a married couple who give a potential buyer a tour of their flat, which is for <\/span><span style=\"font-weight: 400;\">sale. In the last room, the conversation takes an unexpected turn, revealing the seemingness of communication between people. In turn, the animated film by Tymon Albrzykowski, <\/span><b>\u201cZdarzenie Plastyczne\u201d<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Ink meets blank<\/span><\/i><b>)<\/b><span style=\"font-weight: 400;\">, made using the non-camera technique, directly on cinematograph film, is an abstract metamorphosis of geometric shapes, illustrated by extremely evocative music. The only feature film in the <\/span><span style=\"font-weight: 400;\">P<\/span><span style=\"font-weight: 400;\">anorama is<\/span><b> &#8220;Fusy&#8221;<\/b><span style=\"font-weight: 400;\"> (<\/span><i><span style=\"font-weight: 400;\">Dregs<\/span><\/i><span style=\"font-weight: 400;\">) by Konrad K\u0105dziela &#8211; a tricky story about a television fortune teller who successfully advises other people, at the same time experiencing many failures in her private life. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>The programme of Panorama of the Polish Film:<\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Author Solaris,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Borys Lankosz, Poland, France, Germany | 56\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sun 28.05 at 17:30 Ma\u0142opolski Ogr\u00f3d Sztuki <\/span><span style=\"font-weight: 400;\"><br \/>\n <\/span><span style=\"font-weight: 400;\">THU 01.06 at 16:30 Kino Reduta <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Dramas,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Zvika Gregory Portnoy, Poland | 76\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">WED 31.05 at 17:30 Kino Mikro <\/span><span style=\"font-weight: 400;\"><br \/>\n <\/span><span style=\"font-weight: 400;\">FRI 02.06 at 12:30 Ma\u0142opolski Ogr\u00f3d Sztuki \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Exodus,&#8221;<\/b><span style=\"font-weight: 400;\"> dir. Paulina Bondaronek, Tristan Anderson, Great Britain, Poland | 21\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">TUE 30.05 at 17:30 \u00a0Kino Mikro \u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n <\/span><span style=\"font-weight: 400;\">THU 01.06 at 12:30 Kino Mikro \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Film on Pilch,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Adam Lewandowski, Poland | 49\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sun 28.05 at 17:30 Ma\u0142opolski Ogr\u00f3d Sztuki <\/span><span style=\"font-weight: 400;\"><br \/>\n <\/span><span style=\"font-weight: 400;\">THU 01.06 at 16:30 Kino Reduta <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Dregs,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Kordian K\u0105dziela, Poland | 27\u2019 | F<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MON 29.05 at 17:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">WED 31.05 at 14:00 Kino Pod Baranami <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;How to Destroy Time Machines,&#8221;<\/b><span style=\"font-weight: 400;\"> dir. Jacek Piotr B\u0142awut, Poland | 40\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">TUE 30.05 at 12:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 19:00 Kino Pod Baranami <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;But I Saw It All Anyway&#8230;&#8221;<\/b><span style=\"font-weight: 400;\"> dir. Micha\u0142 Tkaczy\u0144ski, Poland | 52\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MON 29.05 at 19:00 Kino Pod Baranami <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 15:00 Ma\u0142opolski Ogr\u00f3d Sztuki <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;The Last Room,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Marta Chy\u0142a-Janicka, Poland | 6\u2019 | A<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MON 29.05 at 19:00 Kino Pod Baranami <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 15:00 Ma\u0142opolski Ogr\u00f3d Sztuki <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Last Diamonds,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Marian Przybylski, Poland | 13\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">TUE 30.05 at 17:30 \u00a0Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 12:30 Kino Mikro <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;One Two Zero,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Anna Pawluczuk, Poland | 15\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MON 29.05 at 19:00 Kino Pod Baranami <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 15:00 Ma\u0142opolski Ogr\u00f3d Sztuki \u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Three Sisters,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Dariusz Kowalski, Poland | 56\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">TUE 30.05 at 12:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 19:00 Kino Pod Baranami <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;XXXLove,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Joanna Frydrych, Poland | 60\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">MON 29.05 at 17:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">WED 31.05 at 14:00 Kino Pod Baranami <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Ink meets blank,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Tymon Albrzykowski, Poland | 5\u2019 | A<\/span><\/p>\n<p><span style=\"font-weight: 400;\">WED 31.05 at 17:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">FRI 02.06 at 12:30 Ma\u0142opolski Ogr\u00f3d Sztuki <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>&#8220;Zygmunt H\u00fcbner &#8211; Plays with the Reality,&#8221; <\/b><span style=\"font-weight: 400;\">dir. Edyta Wr\u00f3blewska, Poland | 64\u2019 | D<\/span><\/p>\n<p><span style=\"font-weight: 400;\">TUE 30.05 at 17:30 Kino Mikro <\/span><\/p>\n<p><span style=\"font-weight: 400;\">THU 01.06 at 12:30 Kino Mikro<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every year, within the frames of Krakow Film Festival, in addition to four film competitions, the best documentary, short feature and animated films are presented in a dozen thematic sections. One of them is Polish Panorama, presenting the most interesting achievements of Polish film-makers from the previous year. &nbsp; &#8220;Polish Panorama,&#8221; just like the Polish [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Polish panorama at 57th Krakow Film Festival - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/polish-panorama-at-57th-krakow-film-festival\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Polish panorama at 57th Krakow Film Festival - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"Every year, within the frames of Krakow Film Festival, in addition to four film competitions, the best documentary, short feature and animated films are presented in a dozen thematic sections. 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