{"id":7797,"date":"2017-07-17T18:32:52","date_gmt":"2017-07-17T16:32:52","guid":{"rendered":"http:\/\/www.krakowfilmfestival.pl\/?p=7797\/"},"modified":"2017-07-17T18:34:12","modified_gmt":"2017-07-17T16:34:12","slug":"kff-industry-at-the-57th-kff-summary","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/kff-industry-at-the-57th-kff-summary\/","title":{"rendered":"KFF INDUSTRY AT THE 57th KFF – SUMMARY"},"content":{"rendered":"

KFF MARKET, workshops, presentations, pitchings, discussion panels, networking meetings, special screenings. These and many other interesting events filled the industry section of this year’s Krakow Film Festival.<\/strong><\/p>\n

 <\/p>\n

KFF INDUSTRY is the part of Krakow Film Festival, dedicated to film industry professionals, within the frames of which the following events are held every year: KFF Market, the pitchings Animated In Poland, DOCS TO START, DOCS TO GO!, DOC LAB POLAND CO-PRODUCTION MARKET, KFF INDUSTRY Meetings, the screenings DOCS TO BUY and many others. In addition, this year’s edition of KFF INDUSTRY offered professional workshops and discussion panels to the festival guests. The conference Focus on Germany DOC. BRIDGE, organised in co-operation with Krakow Technology Park, also turned out to be successful. All events of KFF INDUSTRY were held betweeen the 29th of May and the 3rd of June. The vast majority of them took place in Ma\u0142opolski Ogr\u00f3d Sztuki, which was simultaneously the Festival Centre. KFF INDUSTRY was also present in Kij\u00f3w.Centrum (DOCS TO BUY) and Krakow Technology Park (the Conference Focus on Germany, DOC LAB Co-production Market).<\/p>\n

 <\/p>\n

KFF MARKET<\/strong><\/p>\n

To this year’s, twelfth edition of KFF MARKET, 1500 documentary, short and\u00a0animated films were submitted, from among which the organisers chose about 250 films.<\/p>\n

The selection of the most interesting documentary films from Germany, Switzerland, Greece, Eastern and Central Europe was prepared by the partners:\u00a0 DOK Leipzig, East Silver, Thessaloniki International Documentary Film Festival, Swiss Films and Visions du Reel Film Festival. All qualified films were included in the market catalogue, and during the Festival, they could be watched in the digital video collection. This year, the films in the videolibrary were watched by 150 accredited guests, and among the users of Krakow Film Market, there were the festival programmers of such important festivals as: DOK Leipzig (Germany), IDFA (the Netherlands), Visions du Reel (Switzerland), Semaine de la Critique – Locarno FF (Switzerland), Tampere FF (Finland), Curtas Vila do Conde (Portugal), distributors and sales agents, as well as film experts and representatives of television channels.\u00a0 The films collected in the video collection were played a total of 1850 times. 78 films were played more than 10 times. The most frequently watched film – 72 times – was the documentary film “THE BEKSI\u0143SKIS. A Sound and Picture Album,” directed by Marcin Borchardt.<\/p>\n

The most frequently watched Polish films:<\/strong><\/p>\n

THE BEKSI\u0143SKIS. A Sound and Picture Album<\/a>, dir. Marcin Borchardt (documentary film)<\/p>\n

Opera about Poland<\/a>, dir. Piotr Stasik (documentary film)<\/p>\n

Desert Coffee<\/a>, dir. Mikael Lypinski (documentary film)<\/p>\n

Dust<\/a>, dir Jakub Radej (documentary film)<\/p>\n

Pussy<\/a>, dir. Renata G\u0105siorowska (animated film)<\/p>\n

The Ugliest Car in the World<\/a>, dir. Grzegorz Szczepaniak (documentary film)<\/p>\n

Miss Holocaust<\/a>, dir. Michalina Musielak, Irena Siedlar (documentary film)<\/p>\n

Festival<\/a>, dir. Tomasz Wolski, Anna Gawlita (documentary)<\/p>\n

Collection<\/a>, dir. Marcin Polar (documentary film)<\/p>\n

Zhalanash<\/a>, dir. Marcin Sauter (documentary film)<\/p>\n

Deer Boy<\/a>, dir. Katarzyna Gondek (fiction)<\/p>\n

The most frequently watched foreign films:<\/strong><\/p>\n

Age<\/a>, dir. Nancy Camaldo, Veronika Hafner \/ Germany (documentary film)<\/p>\n

95 and 6 to Go<\/a>, dir. Kimi Takesue \/ the USA (documentary film)<\/p>\n

Perfect Town,<\/a> dir. Ana\u00efs Voirol \/ Switzerland (animated film)<\/p>\n

Retouch<\/a>, dir. Kaveh Mazaheri \/ Iran (fiction)<\/p>\n

The Lake<\/a>, dir. Daria Blokhina \/ Russia\u00a0 (documentary film)<\/p>\n

My Father’s Room<\/a>, dir. Nari Jang \/ South Korea (animated film)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n

Dead Horses<\/a>, dir.\u00a0Marc Riba, Anna Solanas \/ Spain (animated film)<\/p>\n

Across My Land<\/a>, dir. Fiona Godivier \/ France (fiction)<\/p>\n

Have Heart<\/a>, dir. Will Anderson\/ Great Britain (animated film)<\/p>\n

The Origin of Trouble<\/a>, dir. Tessa Louise Pope \/ the Netherlands (documentary film)<\/p>\n

 <\/p>\n

ANIMATED IN POLAND<\/strong><\/p>\n

This year’s edition of ANIMATED IN POLAND adopted a new formula\u00a0 \u2013 on the 29th of May, a day before the pitching, all participants took part in a workshop preparing for presenting their projects, conducted by\u00a0Wim Vanacker<\/strong>\u00a0\u2013 the director of the Script Department at NISI MASA \u2013 European Network of Young Cinema and the co-ordinator of one of the most important short film pitchings \u2013 European Short Pitch. In this year’s pitching session, moderated by\u00a0Zofia Jaroszuk<\/strong>, participated eight animated film projects at the stage of post-production:\u00a0Bug<\/em>, dir. Jolanta Ba\u0144kowska,\u00a0Komfort<\/em>, dir. Weronika Banasi\u0144ska,\u00a0Eden<\/em>, dir. Katarzyna Melnik, Last\u00a0Stop is The Moon<\/em>, dir. Birute Sodekaite,\u00a0An eye for an eye<\/em>, dir. Julia P\u0142och,\u00a0Metro<\/em>, dir. Natalia Krawczuk,\u00a0Tango T\u0119sknot<\/em>, dir. Marta Szyma\u0144ska,\u00a0Si\u0119 zjada<\/em>, dir. Edyta Adamczak.\u00a0The award-winning project\u00a0 \u2013\u00a0Last Stop is the Moon<\/em><\/strong>\u00a0won the award in the form of a voucher for 10 days of sound post-production for the film, funded by the Studio Sound Mind, established by\u00a0Micha\u0142 Fojcik.<\/strong>\u00a0After the presentations, all participants took part in individual meetings with the representatives of film industry from abroad.<\/p>\n

Within the frames of ANIMATED IN POLAND, three discussion panels, organised in co-operation with the Polish Animation Producers Association were also held. During the first one of them:\u00a0Where is the Money<\/em>,\u00a0the panelists \u2013 Wim Vanacker and Rich Warren from Encounters International Short Film Festival in Bristol<\/strong>\u00a0talked about the most important European pitching platforms, where you can present your short- and feature-length animated film projects and where you can go with the first edition of your television series, which platform enables you to interest co-producers in your projects for children and teenagers, and also where to look for co-producers on the Scandinavian, Francophone or Spanish-speaking market. In the panel dedicated to new perspectives for the animated film industry, the following experts participated:\u00a0Robert Bali\u0144ski<\/strong>\u00a0(PISF – Polish Film Institute),\u00a0Robert Jaszczurowski<\/strong>\u00a0(SPPA – Polish Animation Producers Association, Grupa Smacznego)\u00a0and\u00a0 Wojtek Leszczy\u0144ski<\/strong>\u00a0(SPPA, WJ Team, Likaon). The conversations focused on, among others, the long-term plan for developing the animated film market, and about programmes supporting the production of films for children and teenagers. The third panel presented the fruits of the co-operation between Polish Film Institute and the National Centre for Nuclear Research – NCBJ Sponsorship Program of Polish Film Art. Under this Programme, the beneficiaries of the Operational Programmes of Polish Film Institute are eligible for substantive discounts on the advanced Renderownia \u015awierk.\u00a0Micha\u0142 Findeisen<\/strong>\u00a0(NCBJ) and\u00a0Robert Bali\u0144ski<\/strong>\u00a0(PISF) talked about the requirements for joining the programme.<\/p>\n

 <\/p>\n

DOCS TO START, DOCS TO GO!,\u00a0 DOC LAB POLAND CO-PRODUCTION MARKET<\/strong><\/p>\n

For the third time, within the frames of Krakow Film Festival, there were held the\u00a0workshops DOC LAB POLAND<\/strong>\u00a0(session II), co-organised by the\u00a0 W\u0142adys\u0142aw \u015alesicki Film Foundation. The participants of the workshops DOC LAB STARTunder the guidance of tutors and experts\u00a0 –\u00a0Paul Pauwels<\/strong>\u00a0(European Documentary Network),\u00a0Brigid O\u2019Shea\u00a0<\/strong>(DOK Leipzig) and\u00a0Lise Lense-M\u00f8ller<\/strong>(Magic Hour Films) worked on the projects at the state of development. The participants of the workshops DOC LAB GO, in contrast, were supported by\u00a0Peter J\u00e4ger<\/strong>\u00a0(J\u00e4ger Creative) and\u00a0Rada \u0160e\u0161i\u0107<\/strong>\u00a0(IDFA, Sarajevo FF).\u00a0 The culmination of the workshops were two pitching sessions: DOCS TO START and DOCS TO GO !.<\/p>\n

The pitching DOCS TO START<\/strong>\u00a0\u00a0is a presentation of film projects at the stage of development or first shooting. Its purpose is to acquire potential co-producers and funding, necessary to continue the making of the film. The participants showed their projects to producers, representatives of television channels, Regional Film Funds and institutions co-financing film production, but also to distributors and sales agents, and to the selectors from the most important festivals. The meeting was hosted by\u00a0Tue Steen M\u00fcller<\/strong>(DocsBarcelona \/ filmkommentaren.dk).<\/p>\n

Within DOCS TO START, 10 projects were presented:<\/p>\n

THE ART OF SURVIVAL<\/em><\/strong>\u00a0– dir. KONRAD SZO\u0141AJSKI, produced by \u00a0ZK\u00a0FILM \u2013 MA\u0141GORZATA PROCIAK<\/p>\n

THE GRADUATE<\/em><\/strong>\u00a0– dir. ADRIAN APANEL, produced by \u00a0FURIA FILM \u2013 MA\u0141GORZATA MA\u0141YSA<\/p>\n

LESSON OF LOVE<\/em><\/strong>\u00a0– dir. MA\u0141GORZATA GOLISZEWSKA, produced by \u00a0WARSAW FILM CENTER \u2013 ANNA STYLI\u0143SKA<\/p>\n

A LETTER\u00a0TO MY MUM\u00a0<\/em><\/strong>– dir. J\u0118DRZEJ MICHALAK, produced by \u00a0SILVER FRAME \u2013 DARIA MA\u015aLONA<\/p>\n

THE MOLT\u00a0<\/em><\/strong>– dir.\u00a0OLAF MALINOWSKI, produced by \u00a0FURIA FILM \u2013 MA\u0141GORZATA MA\u0141YSA<\/p>\n

TODAY, TOMORROW …\u00a0<\/em><\/strong>YESTERDAY<\/em><\/strong>\u00a0– dir. DIANA KAD\u0141UBOWSKA, KRZYSZTOF KAD\u0141UBOWSKI, produced by \u00a0PLUS TV\u00a0FILM STUDIO \u2013 KRZYSZTOF KAD\u0141UBOWSKI<\/p>\n

TRANSFER<\/em><\/strong>\u00a0– dir. JOANNA RO\u017bEN, produced by \u00a0PLESNAR & KRAUSS FILMS \u2013 MARIA KRAUSS<\/p>\n

THE WALL OF SHADOWS<\/em><\/strong>\u00a0– dir. ELIZA KUBARSKA, produced by \u00a0BRAIDMADE FILMS \u2013 MONIKA BRAID<\/p>\n

WAR WATCHERS<\/em><\/strong>\u00a0– dir.\u00a0VITA DRYGAS, produced by \u00a0DRYGAS PRODUCTION \u2013 MACIEJ DRYGAS<\/p>\n

THE WHALE FROM\u00a0LORINO<\/em><\/strong>\u00a0– dir. MACIEJ CUSKE, produced by \u00a0POKROMSKI STUDIO \u2013 MIKO\u0141AJ POKROMSKI<\/p>\n

After the pitchings, the representatives of the projects had three-hour individual meetings with potential co-production and financing partners and the representatives of television channels, among others,\u00a0 Speak Easy Project (Hungary), German Films (Germany), Saxonian Entertainment (Germany), Gebrueder Beetz (Germany), Filmkreat\u00f6rerna (Sweden), Astermedia (Great Britain), Sindicado (Canada), Corso Film (Germany), Layla Film (Germany), Kaske Film (Germany), AG DOK (Germany), Synergia Film (the Czech Republic), Elemag Pictures (Germany), Parabellum Film (Germany), Ladoc (Italy), Dream Division (Croatia), TVP 1, TVP 2, TVP Kultura, HBO (Poland).<\/p>\n

 <\/p>\n

Pitching DOCS TO GO!<\/strong>,\u00a0a joint initiative of Polish Film Institute<\/a> and Krakow Film Foundation<\/a> in co-operation with W\u0142adys\u0142aw \u015alesicki Film Foundation<\/a>, was held in Krakow for the sixth time. The aim of the pitching is to promote and present the most interesting Polish documentary films in post-production, whose premi\u00e8re will take place within the coming months. Producers and directors of the selected projects had a chance to show fragments of the assembly edits of their films and to talk about the production to the distributors, sales agents, representatives of television channels, programmers of film festivals and other experts and decision-making persons present at the meeting. The pitching was moderated by\u00a0Rada \u0160e\u0161i\u0107.<\/strong><\/p>\n

Within the frames of DOCS TO GO!: 8 projects were shown:<\/p>\n

GEORGE AND\u00a0GEORGE ON\u00a0THE LAKES<\/em><\/strong>\u00a0– dir. PIOTR MA\u0141ECKI, produced by SHORT DOCS MEDIA \u2013 PIOTR MA\u0141ECKI<\/p>\n

KRZY\u017bOKI<\/em><\/strong>\u00a0– dir. ANNA GAWLITA, produced by \u00a0KIJORA FILM \u2013 ANNA GAWLITA<\/p>\n

MR JAN AND\u00a0HIS 40\u00a0GIRLS<\/em><\/strong>\u00a0(WORKING TITLE) – dir. JACOB DAMMAS, produced by \u00a0GRANIZA \u2013 JACOB DAMMAS<\/p>\n

THE PRINCE AND\u00a0THE DYBBUK<\/em><\/strong>\u00a0– dir.\u00a0ELWIRA NIEWIERA, PIOTR ROSO\u0141OWSKI, produced by \u00a0FILM ART PRODUCTION \u2013 MA\u0141GORZATA ZACHARKO<\/p>\n

TONY<\/em><\/strong>\u00a0– dir. KLAUDIUSZ CHROSTOWSKI, produced by \u00a0MAD TREE \u2013 MACIEJ THIEM<\/p>\n

DZIWO\u00ae<\/em><\/strong>\u00a0– dir. PAWE\u0141 DYLLUS, produced by \u00a0DYLLUS FILM \u2013 PAWE\u0141 DYLLUS<\/p>\n

THE WIND. A DOCUMENTARY THRILLER<\/em><\/strong>\u00a0 – dir. MICHA\u0141 BIELAWSKI, produced by \u00a0TELEMARK \u2013 MACIEJ KUBICKI, ANNA K\u0118PI\u0143SKA<\/p>\n

I GREW UP AS YOU SLEPT<\/em><\/strong>\u00a0– dir. MARCIN SAUTER, produced by \u00a0BKF NEWSREEL \u2013 MARCIN SAUTER<\/p>\n

After the presentations, all representatives of the projects met with experts, festival selectors, distributors and sales agents. The following representatives were invited to the consultation: Open City FF (Great Britain), Tribeca Film Institute (the USA), IDFA (the Netherlands), Semaine de la Critique \u2013 Locarno FF (Switzerland), Visions du R\u00e9el (Switzerland), Mi\u0144sk IFF Listapad (Belarus), DOK Leipzig (Germany), Message to Man IFF (Russia), Festival dei Popoli (Italy), Doc Lisboa (Portugal), Cats&Docs (France), Java Films (France), Deckert Distribution (Germany), Sindicado (Canada).<\/p>\n

This year, the following projects were awarded:<\/p>\n

DOCS TO START:<\/strong><\/p>\n

THE HBO AWARD\u00a0\u2013 the project of the film\u00a0LESSON OF LOVE, dir. Ma\u0142gorzata Goliszewska, produced by \u00a0Warsaw Film Center (Anna Styli\u0144ska)<\/p>\n

THE KRAKOW FILM CLUSTER AWARD\u00a0\u2013 the project of the film\u00a0THE WHALE FROM\u00a0LORINO, dir. Maciej Cuske, produced by \u00a0Pokromski Studio (Miko\u0142aj Pokromski)<\/p>\n

DOK LEIPZIG SPECIAL MENTION\u00a0\u2013 the project of the film\u00a0THE GRADUATE, dir. Adrian Apanel, produced by \u00a0Furia Film (Ma\u0142gorzata Ma\u0142ysa)<\/p>\n

EUROPEAN DOCUMENTARY NETWORK (EDN) SPECIAL MENTION\u00a0\u2013 the project of the film\u00a0TRANSFER, dir. Joanna Ro\u017cen, produced by \u00a0Plesnar & Krauss Films (Maria Krauss)<\/p>\n

DOCS TO GO!:<\/strong><\/p>\n

KRAKOW TECHNOLOGY PARK\u00a0\u2013 the project of the film\u00a0THE WIND. A DOCUMENTARY THRILLER, dir. Micha\u0142 Bielawski, produced by Telemark (Maciej Kubicki, Anna K\u0119pi\u0144ska)<\/p>\n

INSTITUTE OF\u00a0DOCUMENTARY FILM\u00a0\u2013\u00a0 the project of the film\u00a0DZIWO\u00ae, dir. Pawe\u0142 Dyllus, produced by \u00a0Dyllus Film (Pawe\u0142 Dyllus)<\/p>\n

DOC LAB POLAND AWARD for\u00a0the greatest progress in\u00a0working on a project \u2013 Diana Kad\u0142ubowska and\u00a0Krzysztof Kad\u0142ubowski for\u00a0the project\u00a0TODAY, TOMORROW … YESTERDAY.<\/p>\n

The pitching sessions were complemented by\u00a0\u00a0DOC LAB POLAND CO-PRODUCTION MARKET<\/strong>\u00a0– individual meetings with international film industry decision makers and producers who are open to\u00a0co-operation with Poland. During the meetings, which lasted almost all day, Polish producers had the chance to talk to partners from Croatia, the Czech Republic, Israel, the United States, Switzerland, Romania, Hungary, Sweden and Lithuania. A separate section of this year’s co-production market were Polish-German meetings, in which participated the producers and experts from Poland and Germany, specially selected for this occasion.\u00a0<\/p>\n

 <\/p>\n

DOCS TO BUY<\/strong><\/p>\n

For the second time, within the frames of Krakow Film Festival, there were organised closed industry screenings for foreign distributors, showing the latest Polish documentary films, which had their world premi\u00e8res at Krakow Film Festival or were still before their premi\u00e8res.\u00a0<\/p>\n

This year’s screenings DOCS TO BUY included 7 films:<\/p>\n

VOLTE<\/em><\/strong>\u00a0– dir. Monika Kotecka, Karolina Poryza\u0142a, produced by \u00a0Munk Studio – SFP<\/p>\n

POLONAISE\u00a0<\/em><\/strong>– dir. Agnieszka Elbanowska, produced by \u00a0Munk Studio – SFP<\/p>\n

JAROCIN,\u00a0ROCK\u00a0FOR FREEDOM<\/em><\/strong>\u00a0– dir. Marek Gajczak, Leszek Gnoi\u0144ski, produced by \u00a0Cracow Film Society<\/p>\n

HONEY HUNTERS<\/em><\/strong>\u00a0– dir. Krystian Matysek, produced by \u00a0Arkana Studio<\/p>\n

FESTIVAL\u00a0<\/em><\/strong>– dir. Anna Gawlita, Tomasz Wolski, produced by \u00a0Kijora Film<\/p>\n

LAND OF THE HOMELESS<\/em><\/strong>\u00a0– dir. Marcin Janos Krawczyk, produced by \u00a0Janos Film Production<\/p>\n

MY ENEMY, MY LOVE<\/em><\/strong>\u00a0– dir. Krzysztof Lang, produced by \u00a0TFT Sp. z o. o.<\/p>\n

 <\/p>\n

THE WORKSHOPS “MY STREET FILMS”<\/strong><\/p>\n

From the 24th of May and the 2nd of June, within the frames of Krakow Film Festival, there were held the film workshops “My Street Films” – professional 10-day workshops, preparing for\u00a0making documentary film projects. Their participants completed comprehensive training, both theoretical and\u00a0practical, under the guidance of eminent documentary film-makers and\u00a0cameramen,\u00a0Marcin Kosza\u0142ka and\u00a0Bogdan Dziworski<\/strong>. The post-production workshops and the lectures were held in\u00a0Laboratorium Multilab, which is a part of Krakow Technology Park. Each group had its own\u00a0assembly room at its disposal, as well as\u00a0an opportunity of substantive consultation with the moderators for the entire production process. The best two films were shown during the closing gala of this year’s edition of Krakow Film Festival. The idea behind the workshops “My Street Films” derives from\u00a0the recently created\u00a0documentary film project, organised by the portal DAFilms.com. The first edition focused on the\u00a0streets of Prague. Its stories and\u00a0atmosphere were captured in\u00a0over 120 submitted films, which were marked on\u00a0the map of this city. The success of the first edition resulted in widening the project beyond the boundaries of Prague,\u00a0and discovering other cities in Poland, Slovakia, the Czech Republic and\u00a0Hungary (The organiser of Polish edition is Krakow Film Foundation).<\/p>\n

 <\/p>\n

THE WORKSHOPS “ARRI”<\/strong><\/p>\n

During these intensive, one-day workshops, the participants had the opportunity to learn about the elements of a cinematographer’s work, necessary in\u00a0the course of\u00a0making a documentary film. The films were shot\u00a0using\u00a0the professional camera Arri Amira<\/strong>. During film-making,\u00a0Marcin Kosza\u0142ka<\/strong>\u00a0talked about,\u00a0among others,\u00a0how\u00a0how to consciously create the depth of image\u00a0and the protagonist, without using a large number of equipment and lighting. The workshops “ARRI” were organised by the Magazine “FilmPRO” and\u00a0and Polish Society of Cinematographers PSC. The technology partners were the companies Arri and\u00a0JBD.<\/p>\n

 <\/p>\n

THE WORKSHOPS KINEDOK<\/strong><\/p>\n

KineDok is\u00a0a unique international film club, initated by the Institue of Documentary Film in\u00a0Prague, bringing together both the fans and\u00a0documentary film-makers, the main aims of which are to popularise documentary film and to reach\u00a0as wide an audience\u00a0in Europe as possible with this genre.\u00a0Patrycja Czarny<\/strong>\u00a0 from Krakow Film Foundation, who is at the same time the Polish co-ordinator of the project, and\u00a0Marta Pawlik<\/strong>\u00a0\u2013 PR manager of KineDok, talked about the rules of the project.<\/p>\n

 <\/p>\n

THE CONFERENCE: FOCUS ON GERMANY. DOC.BRIDGE<\/strong><\/p>\n

The special guest at this year’s 57th edition of Krakow Film Festival was the cinema of Germany. The programme “Focus on\u00a0Germany” included the screenings of the latest, selected German documentary films. The central industry event of the section was the conference, held in Krakow Technology Park, the main axis of which was the presentation of the model of the functioning of German documentary film. The conference was divided into\u00a0three thematic panels<\/strong>. In the first panel, concerned with financing and acquiring funds for documentary film in Poland and Germany, the following experts participated:\u00a0Oliver Rittweger<\/strong>\u00a0(MDM \u2013 Mitteldeutsche Medienf\u00f6rderung),\u00a0Zora Nessl<\/strong>\u00a0(Gebrueder Beetz Filmproduktion),\u00a0Robert Bali\u0144ski<\/strong>\u00a0(Polish Film Institute) and\u00a0Natalia Woda<\/strong>\u00a0(Krakow Film Commision\/Regional Film Fund in Krakow). The moderator of the panel was\u00a0Brigid O’Shea<\/strong>\u00a0from DOK Leipzig. Another panel was dedicated to the possibilities of co-production between Poland and Germany. The following experts were invited to the talks:\u00a0Erik Winker<\/strong>\u00a0(CORSO Film),\u00a0Thomas Frickel<\/strong>\u00a0(AG DOK),\u00a0Timo Grosspietsch<\/strong>\u00a0(NDR \u2013 Norddeutscher Rundfunk),\u00a0Anna Wydra<\/strong>\u00a0(Otter Films) and\u00a0Simone Baumann<\/strong>\u00a0(Saxonia Entertainment), who was the moderator of the discussion. The third, last discussion panel was concerned with promotion and distribution of Polish and German films all over the world. The panellists were:\u00a0Ina Rossow<\/strong>\u00a0(Deckert Distribution),\u00a0Krzysztof Gierat<\/strong>\u00a0(Krakow Film Festival),\u00a0Katarzyna Wilk<\/strong>\u00a0(KFF Sales&Promotion\/Polish Docs),\u00a0Simone Bauman<\/strong>\u00a0(in this panel, as the representative of German Films) and the moderator of the event,\u00a0Grit Lemke<\/strong>.<\/p>\n

The organizers of the conference were Krakow Film Foundation<\/a> and Krakow Technology Park<\/a>. <\/em><\/p>\n

The partners: the Foundation for Polish-German Cooperation<\/a>, Goethe Institut<\/a>, Consulate General of Germany in Krakow<\/a>, German Films<\/a>, the Nuremberg House in Krakow<\/a>, DOK Leipizg<\/a>, Krakow Film Cluster<\/a> and\u00a0 W\u0142adys\u0142aw \u015alesicki Foundation<\/a>. <\/em><\/p>\n

The Conference FOCUS ON GERMANY. DOC.BRIDGE was organised within the frames of the project “Creative Ma\u0142opolska,” financed from the Regional Operational Programme for the Ma\u0142opolska Region for 2014 \u2013 2020, 3 Priority Axis Entrepreneurial Ma\u0142opolska, Measure 3.3 The Internationalisation of Ma\u0142opolska Economy, the Submeasure 3.3.1 The Economic Promotion of Ma\u0142opolska, co-financed by the European Regional Development Fund.\u00a0<\/em><\/p>\n

 <\/p>\n

MASTERCLASS, PRESENTATIONS, SEMINARS, MEETINGS WITH EXPERTS<\/strong><\/p>\n

During the master class,\u00a0the winner of the Dragon of Dragons – Daniel Szczechura<\/strong>\u00a0talked about\u00a0his work\u00a0in the context of the 70th anniversary of Polish animated film, which falls this year. The Master’s guest was Pawe\u0142 Sitkiewicz, the author of the book “Polska szko\u0142a animacji” (Polish school of animated film) in\u00a0which he describes the times of great successes of Polish animated films in\u00a0Europe and\u00a0all over the world. The participants of the lecture had a chance to watch the film\u00a0Daniel Szczechura.<\/em>\u00a0Notacje<\/em>, in\u00a0which the artist talks about\u00a0his first amateur film, the film study \u00a0“Konflikty,”\u00a0<\/em>\u00a0his work in\u00a0Se-Ma-For and about\u00a0the role of music in\u00a0animated film. The meeting was hosted by Jerzy Armata.<\/p>\n

The masterclass of the winner\u00a0of the second Dragon of Dragons award this year \u2013 Witold Giersz\u00a0<\/strong>was held in the full house of White Hall in Kino pod Baranami.\u00a0 During the conversation with\u00a0the viewers\u00a0about his animation technique and the role of colour and\u00a0sound in\u00a0his films, Witold Giersz showed how oil painting animation looks like. Under the eye of the camera, the doyen of Polish animated film made a series of drawings presenting a galloping horse. The whole process of painting with a palette-knife and\u00a0paint was visible on\u00a0the cinema screen. The audience saw the gallop of the painted horse, which was already in \u00a0motion. During\u00a0painting, Witold Giersz was talking to the viewers all the time.<\/p>\n

 <\/p>\n

THE SEMINAR DOCS ONLINE<\/strong>, dealing with the subject matter of distributing documentary films\u00a0on-line, was divided into two parts \u2013 the international and the Polish one. Within the frames of the English-language part, the presentation\u00a0Improving the Distribution model: support for online distribution\u00a0,\u00a0<\/em>was held, prepared by\u00a0Mridu Chandra<\/strong>\u00a0\u2013 the representative of Tribeca Film Institute. Immediately after it, there was a discussion panel, to which the representatives of the international VOD platforms and local distributors were invited, such as:\u00a0\u00a0Vincent Lucassen<\/strong>\u00a0(Under the Milky Way),\u00a0Silvia Mueller<\/strong>(Pantaflix),\u00a0Maxime Lacour<\/strong>\u00a0(UniversCine). Polish guest of the panel was\u00a0Anna Kot<\/strong>\u00a0from Munk Studio, and the whole discussion was moderated by\u00a0Diana Tabakov<\/strong>\u00a0from DA Films. The Polish part was opened by the presentation of Onet.pl \u2013 O!Dokument, prepared by\u00a0Joanna Tereszczuk<\/strong>\u00a0from Onet.pl, accompanied by\u00a0Kinga Ga\u0142uszka<\/strong>from Polish Film Institute. The Legal Seminar was scheduled as the last of the events, hosted, as every year, by\u00a0Att. Marcin Lassota<\/strong>. This year’s seminar was concerned with, in relation to the whole, the legal aspects of VOD and\u00a0sharing films\u00a0on-line.<\/p>\n

One of the guests of the 57th Krakow Film Festival was\u00a0Lindsay Crouse<\/strong>\u00a0\u2013 the producer coordinating the series New York Times Op-Docs. Lindsay talked about the institution she represents, two times \u2013 during\u00a0the presentation in Krakow Technology Park and at the meeting with the representatives of film industry\u00a0<\/strong>in KFF Industry Meeting Point, in the Festival Centre. The meeting with Lindsay Crouse was organised in co-operation with Munk Studio.<\/p>\n

 <\/p>\n

During the Festival, from Monday to Friday, in the Festival Centre, there were held\u00a0KFF Industry meetings<\/strong>\u00a0–\u00a0 individual\u00a0meetings (one-on-one) with\u00a0the guests from the film industry, present at\u00a0Krakow Film Festival\u00a0\u00a0(distributors, sales agents, buyers, festival programmers, experts, consultants).\u00a0 The meetings were addressed to\u00a0producers, film-makers and\u00a0other professionals, involved in\u00a0film promotion and\u00a0had the form of max. 10-minute consultations. After the hour-long meetings, the participants\u00a0 headed downstairs, in order to continue their discussions in a less formal atmoshpere, with a glass of wine, at\u00a0KFF Industry Drink<\/strong>\u00a0\u2013 organised in co-operation with: Lim, Wajda School, Munk Studio, Pitch the Doc and FILM PRO.<\/p>\n

 <\/p>\n

This year’s\u00a0Industry Party<\/strong>\u00a0was held in the club Mashroom, on the premises of the complex Tytano (the former tobacco factory on Dolne M\u0142yny) . According to tradition, the role of professional DJ was taken by the guests of the festival, who were invited to do so – this time, our friends from Munk Studio – Micha\u0142 Chudzikowski and Anna Kot stood behind the mixing console, as HudyKot DJ Collective.<\/p>\n

 <\/p>\n

Contact:\u00a0 Katarzyna Wilk \u2013 Head of KFF Industry<\/em><\/p>\n

industry@kff.com.pl<\/em><\/strong><\/a><\/p>\n

 <\/p>\n

The Producer of KFF Industry: Krakow Film Foundation<\/a><\/em><\/p>\n

Partners:\u00a0 W\u0142adys\u0142aw \u015alesicki Film Foundation<\/a>, Munk Studio – Polish Filmmakers Association<\/a>, Krakow Festival Office<\/a>, Krakow Film Commision<\/a>, Ma\u0142opolski Ogr\u00f3d Sztuki<\/a>, AMSO<\/a>, Krakow Technology Park<\/a>, Krakow Film Cluster<\/a>, Wojew\u00f3dzka Biblioteka Publiczna in Krakow<\/a>, FilmPRO<\/a>, Lassota i Partnerzy,<\/a> Soundmind<\/a><\/em>.<\/p>\n

The project was made thanks to the financial support of: Polish Film Institute<\/a>, Polish Filmmakers Association<\/a>, Krak\u00f3w Municipality<\/a>, the Ministry of Culture and National Heritage<\/a>, Lesser Poland Voivodeship<\/a><\/em>.<\/p>\n

Media patronage: FilmPRO<\/a>, TELE PRO<\/a>, Film &TV Kamera<\/a>, Polish Docs<\/a>, Polish Shorts<\/a>, Polish Animations<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"

KFF MARKET, workshops, presentations, pitchings, discussion panels, networking meetings, special screenings. 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