{"id":8695,"date":"2018-04-18T08:37:27","date_gmt":"2018-04-18T06:37:27","guid":{"rendered":"http:\/\/www.krakowfilmfestival.pl\/?p=8695\/"},"modified":"2018-04-26T10:52:43","modified_gmt":"2018-04-26T08:52:43","slug":"polish-films-at-the-58th-krakow-film-festival-news","status":"publish","type":"post","link":"https:\/\/www.krakowfilmfestival.pl\/en\/polish-films-at-the-58th-krakow-film-festival-news\/","title":{"rendered":"Polish films at the 58th Krakow Film Festival"},"content":{"rendered":"

Among documentary, short and animated films from all over the world, Poland has its strong representation at the Festival. Polish films will take part in all four festival competitions and will be also presented in the sections outside the competition.<\/b><\/p>\n

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Polish panorama<\/b><\/p>\n

 <\/p>\n

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Hugo<\/figcaption><\/figure>\n

 <\/p>\n

One of the most important out-of-competition sections is Polish panorama. This year we will see 18 most interesting productions from the last few months, and among them some amazing portraits of women – the art curator Anda Rottenberg and the President of the Polish Humanitarian Action Janina Ochojska – and an emotional story about veterans from Afghanistan told by a cinematographer Petro Aleksowski, who was shot himself on the another film set by a former special unit solder. We will recreate the mood of the World Youth Days in 2016, and even listen to traditional Mongolian throat singing performed by… women. Short fiction and animation are also included, which proves that the range of Polish film schools is growing.<\/span><\/p>\n

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Polish films in international competitions<\/b><\/p>\n

 <\/p>\n

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Over the Limit<\/figcaption><\/figure>\n

 <\/p>\n

The 58th Krakow Film Festival will start on May 27th with the screening of <\/span>\u201c<\/b>Concerto for Two\u201d<\/b> by Tomasz Drozdowicz. This documentary feature, which is an intimate portrait of a charismatic conductor, composer and pianist Jerzy Maksymiuk and his wife Ewa, is one of two Polish films which will take part in the prestigious international competition DocFilmMusic. The other one is <\/span>“Ethiopiques – Revolt of the Soul”<\/b> by Maciej Bochniak<\/span>, a compelling and colourful story of one of the most original funk and jazz music styles – Ethiopiques, which was born in the 1970s in swinging Ethiopia.<\/span><\/p>\n

<\/span><\/p>\n

In the prestigious international documentary film competition we will see two Polish movies as well. Grzegorz Zariczny, the author of “The Whistle” which was awarded at Sundance, will present his latest movie. This time Zariczny focuses on students graduating from high school. <\/span>\u201cThe Last Lesson\u201d <\/b>is a coming-of-age story about making the first important choices. When it comes to Marta Prus, who was included in the Variety Magazine’s list “10 Europeans to Watch 2018”, she will show <\/span>\u201cOver the Limit\u201d <\/b>– a portrait of a Russian gymnast, Margarita Mamun, who on her way to Olympic gold has to face not only her rivals but also her inhibitions.<\/span><\/p>\n

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Sisters<\/figcaption><\/figure>\n

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In the international short film competition Poland will be represented in all three categories: documentary, fiction and animated film. Among short documentaries we will see <\/span>\u201cThe Sisters\u201d <\/b>by Micha\u0142 Hytro\u015b, presenting the lives of 12 nuns in the oldest enclosed women’s convent in Poland. Marta Pajek will come back to the Festival with her latest animation <\/span>\u201cIII\u201d<\/b>, which will be presented in the main short film competition at Cannes. The film is a third part of the “Impossible Figures and Other Stories” triptych. The previous part of the triptych received the Silver Hobby-Horse at the Festival in 2016.<\/span><\/p>\n

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III<\/figcaption><\/figure>\n

 <\/p>\n

When it comes to fiction, two Polish titles will be presented in the international short film competition: <\/span>\u201cUsers\u201d <\/b>by Jakub Pi\u0105tek and <\/span>\u201cMorning Has Broken\u201d<\/b> by Olga Chajdas. Both of them, even though completely different, talk about loneliness and losing yourself. The former takes us into the dangerous virtual reality, the latter exposes desperate attempts to cope with one’s inner world.<\/span><\/p>\n

 <\/p>\n

National competition at the 58th Krakow Film Festival<\/b><\/p>\n


\n <\/span>\u201c44 [sic!] titles were carefully selected by us, including as many as 23 documentaries. We’ve noticed that Polish documentary filmmakers don’t travel the world anymore to find an interesting subject and strong characters, yet still avoid the harsh political reality and everyday quarrels. Sometimes they reach into the past, but usually point their cameras at the surrounding neighbourhood and – as always – at the family. We, however, decided to step out of the comfort zone of Polish cinema and look for a breath of a fresh air among the visual artists or even amateurs” – says the Festival Director Krzysztof Gierat.<\/span><\/p>\n


\n <\/span>Dagmara Romanowska, a film critic and artistic curator of the Krakow Film Festival narrative film section, sums up the narrative films in the competition: “We selected very formally diverse narrative films: we have small dramas and genre cinema, humour, satire, and even horror, period costume and contemporary surrounding. However, all those films share a common unrest – tremors that originate from the inner unfulfillment, disappointment, disillusionment, but also inner fear. It doesn’t matter if it is the system that fails or another person, the protagonist is always alone with his or her emotions and has to choose between facing them, accepting the situation, undertaking a positive action or escaping – even into a crime. The ending doesn’t have to be always bitter, but even then the audience will be left with a question, with the unrest.”<\/span><\/p>\n

 <\/p>\n

Robert Sowa, the artistic curator of the Krakow Film Festival animated section, focuses on the diversity of themes and animation techniques: “This year’s selection of the animated films in the Polish competition is best presented with the film titles: \u201cThe Ant Gets Married\u201d, \u201cChrist of Nation\u201d, \u201cColaholic\u201d, \u201cBless You!\u201d… We will provide a lot of excitement and entertainment. In the programme we have premiers only, including Marta Pajek’s \u201cIII\u201d and an animation about Roman Polanski – \u201cMasterclass\u201d.<\/span><\/p>\n

 <\/p>\n

NATIONAL COMPETITION JURY<\/b><\/p>\n

The films in the National Competition will be judged by the jury comprising of: Tadeusz Sobolewski – head of the jury, Anna Jadowska, Dorota Kobiela, Miko\u0142aj Jazdon, Petro Aleksowski.<\/span><\/p>\n

 <\/p>\n

The festival will also host W\u0142adys\u0142aw \u015alesicki’s retrospective to celebrate the 10th anniversary of the Polish film director’s death, as well as the screening of the films from the “30 minutes” programme to celebrate the 10 year anniversary of the Munk Studio.<\/span><\/p>\n

<\/span><\/p>\n

The special event of this year’s edition will be a film evening “<\/span>Raise Your Glass to Rzeczpospolita<\/span>“, during which the following films, accompanied by unique music performances, will be presented: \u201cRze\u017abiarz z kamer\u0105\u201d (\u201cSculptor with the Camera\u201d), edited by Marcin Gi\u017cycki from the footage made in the 1920’s by the count August Zamoyski, and an incomplete copy of a 35mm film \u00a0\u201cPolonia Restituta 1928\u201d discovered in the National Film Archive. Two bands – The Beat Freaks and SALK – will be performing. The organizers of this special screening are: National Film Archive – Audiovisual Institute, Silent Film Festival and Krakow Film Festival. <\/span><\/p>\n

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The list of Polish films in the competitions at the 58th Krakow Film Festival <\/span><\/p>\n

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INTERNATIONAL COMPETITIONS<\/b><\/p>\n

International documentary film competition<\/b><\/p>\n

\u201cThe Last Lesson\u201d, dir. Grzegorz Zariczny, Poland, 53\u2019, 2018<\/span><\/p>\n

\u201cOver the Limit\u201d, dir. Marta Prus, Poland, Germany, Finland, 74\u2019, 2017<\/span><\/p>\n

 <\/p>\n

International competition DocFilmMusic<\/b><\/p>\n

\u201cEthiopiques – Revolt of the Soul\u201d, dir. Maciej Bochniak, Poland, 71, 2017<\/span><\/p>\n

\u201cConcerto for Two\u201d, dir. Tomasz Drozdowicz, Poland, 75\u2019, 2018<\/span><\/p>\n

 <\/p>\n

International short film competition<\/b><\/p>\n

\u201cIII\u201d, dir. Marta Pajek, Poland, anim., 12\u2019, 2018<\/span><\/p>\n

\u201cMorning Has Broken\u201d, dir. Olga Chajdas, Poland, fict., 15\u2019, 2017<\/span><\/p>\n

\u201cThe Sisters\u201d, dir. Micha\u0142 Hytro\u015b, Poland, doc., 19\u2019, 2017<\/span><\/p>\n

\u201cUsers\u201d, dir. Jakub Pi\u0105tek, Poland, fict., 29\u2019, 2018<\/span><\/p>\n

 <\/p>\n

NATIONAL COMPETITION<\/b><\/p>\n

Documentary films<\/b><\/p>\n

\u201cDreamland\u201d, dir. Stanis\u0142aw Berbeka, 85\u2019, Poland, 2018<\/span><\/p>\n

\u201cEthiopiques – Revolt of the Soul\u201d, dir. Maciej Bochniak, 71\u2019 Poland, 2017<\/span><\/p>\n

\u201cGuest\u201d, dir. Sebastian Weber, 30\u2019, Poland, 2018 <\/span><\/p>\n

\u201cGeorge and George on the Lake\u201d, dir. Piotr Ma\u0142ecki, 26\u2019, Poland, 2018<\/span><\/p>\n

\u201cConcerto for Two\u201d, dir. Tomasz Drozdowicz, 75\u2019, Poland, 2018<\/span><\/p>\n

\u201cKrzy\u017coki\u201d, dir. Anna Gawlita, 20\u2019, Poland, 2018<\/span><\/p>\n

\u201cA Minor Genocide\u201d,\u00a0dir. Natalia Koryncka-Gruz, 72\u2019, Poland, 2018<\/span><\/p>\n

\u201cUnconditional Love\u201d, dir. Rafa\u0142 \u0141ysak, 40\u2019, Poland, 2018<\/span><\/p>\n

\u201cLove and Empty Words\u201d, dir. Ma\u0142gorzata Imielska, 77\u2019, Poland, 2018<\/span><\/p>\n

\u201cWorld Champion\u201d, dir. Kacper Lisowski, 65\u2019, Poland, 2018<\/span><\/p>\n

\u201cNewborn\u201d, dir. Lidia Duda, 74\u2019, Poland, 2018<\/span><\/p>\n

\u201cNotes on Life. A Movie about Edward \u017bebrowski\u201d, dir. Maria Zmarz-Koczanowicz, 75\u2019, Poland, 2017<\/span><\/p>\n

\u201cUnder a Placid Sky\u201d, dir. Anna Konik, 92\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Briefing\u201d, dir. Filip Drzewiecki, 19\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Last Lesson\u201d, dir. Grzegorz Zariczny, 53\u2019, Poland, 2018<\/span><\/p>\n

\u201cOver the Limit\u201d, dir. Marta Prus, 74\u2019, Poland, Germany, Finland, 2017<\/span><\/p>\n

\u201cRadwan\u201d, dir. Teresa Czepiec, 15\u2019, Poland, 2018<\/span><\/p>\n

\u201cFamily\u201d, dir. Patrycja Wid\u0142ak, 27\u2019, Poland, 2017<\/span><\/p>\n

\u201cLeocadia’s Dream\u201d, dir. Krzysztof Nowicki, 18\u2019, Poland 2017<\/span><\/p>\n

\u201cThe Sisters\u201d, dir. Micha\u0142 Hytro\u015b, 19\u2019, Poland, 2017<\/span><\/p>\n

\u201cDam\u201d, dir. Natalia Koniarz, Stanis\u0142aw Cuske, 22\u2019, Poland, 2018<\/span><\/p>\n

\u201cUniversam Groch\u00f3w\u201d, dir. Tomasz Knittel, 39\u2019, Poland, 2018<\/span><\/p>\n

\u201cI grew up as you slept\u201d, dir. Marcin Sauter, 50\u2019, Poland, 2018<\/span><\/p>\n

 <\/p>\n

Narrative films<\/b><\/p>\n

\u201c1410\u201d, dir. Damian Kocur, 26\u2019, Poland, 2018<\/span><\/p>\n

\u201cAtlas\u201d, dir. Maciej Kawalski, 28\u2019, Poland, 2018<\/span><\/p>\n

\u201cDaughter\u201d, dir. Mara Tamkovich, 29\u2019, Poland, 2017<\/span><\/p>\n

\u201c Tremors\u201d, dir. Dawid Bodzak, 21\u2019, Poland, 2018<\/span><\/p>\n

\u201cMorning Has Broken\u201d, dir. Olga Chajdas, 15\u2019, Poland, 2017<\/span><\/p>\n

\u201cOperation\u201d, dir. Mohammed Almughanni, 19\u2019, Poland, Palestine, 2018<\/span><\/p>\n

\u201cPlay\u201d, dir. Piotr Su\u0142kowski, 13\u2019, Poland, 2018<\/span><\/p>\n

\u201cHappiness\u201d, dir. Maciej Buchwald, 24\u2019, Poland, 2018<\/span><\/p>\n

\u201cUsers\u201d, dir. Jakub Pi\u0105tek, 29\u2019, Poland, 2018<\/span><\/p>\n

\u201cIt’s Summer\u201d, dir. Filip Bojarski, 16\u2019, Poland, 2018<\/span><\/p>\n

 <\/p>\n

Animated films<\/b><\/p>\n

\u201cBernard\u201d, dir. Anna Oparkowska, 7\u2019, Poland, 2017<\/span><\/p>\n

\u201cMud\u201d, dir. Alicja B\u0142aszczy\u0144ska, 13\u2019, Poland, 2018<\/span><\/p>\n

\u201cChrist of Nation\u201d, dir. Ewa Drzewicka, 9\u2019, Poland, 2018<\/span><\/p>\n

\u201cColaholic\u201d, dir. Marcin Podolec, 11\u2019, Poland, 2018<\/span><\/p>\n

\u201cIII\u201d, dir. Marta Pajek, 12\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Other\u201d, dir. Marta Magnuska, 5\u2019, Poland, 2018<\/span><\/p>\n

\u201cMasterclass\u201d, dir. Ewa Drzewicka, Gra\u017cyna Trela, Dominika Fedko, Weronika Kuc, Ma\u0142gorzata Jachna, Ma\u0142gorzata J\u0119drzejec, Aleksandra Rylewicz, 6\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Ant Gets Married\u201d, dir. Micha\u0142 Poniedzielski, 15\u2019, Poland, 2017<\/span><\/p>\n

\u201cBless You!\u201d, dir. Paulina Zi\u00f3\u0142kowska, 5\u2019, Poland, 2017<\/span><\/p>\n

\u201cEatself\u201d, dir. Edyta Adamczak, 14\u2019, Poland, 2018<\/span><\/p>\n

\u201cConnoisseur\u201d, dir. Daria Gody\u0144, 6\u2019, Poland, 2017<\/span><\/p>\n

 <\/p>\n

POLISH PANORAMA<\/b><\/p>\n

\u201cHocus Mommy Pocus\u201d, dir. Anna Pawluczuk, fict., 17\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Days of Transformation\u201d, dir. Tomasz Jurkiewicz, doc., 51\u2019, Poland, 2018<\/span><\/p>\n

\u201cThe Beast\u201d, dir. Kamila Chojnacka, fict., 22\u2019, Poland, 2018<\/span><\/p>\n

\u201cHugo\u201d, dir. Wojciech Klimala, doc., 80\u2019, Poland, 2017<\/span><\/p>\n

\u201cJanka\u201d, dir. Adela Kaczmarek, doc., 50, Poland, 2018<\/span><\/p>\n

\u201cKichka. Life Is a Cartoon\u201d, dir. Delfina Ja\u0142owik, doc., 74\u2019, Poland, 2017<\/span><\/p>\n

\u201cLuxus. The Simple Story\u201d, dir. Agnieszka Mazanek, doc., 67\u2019, Poland, 2017<\/span><\/p>\n

\u201cI’m Writing to You, My Love\u201d, dir. Magdalena Szymk\u00f3w, doc., 26\u2019, Poland, S\u0142owacja, 2018<\/span><\/p>\n

\u201cAborted Mission\u201d, dir. Petro Aleksowski, doc., 50\u2019, Poland, 2018<\/span><\/p>\n

\u201cRoom\u201d, dir. Micha\u0142 Socha, anim., 6\u2019, Poland, 2018<\/span><\/p>\n

\u201cLoneliness\u201d, dir. Igor Kawecki, Betina Bo\u017cek, anim., 8\u2019, Poland, 2017<\/span><\/p>\n

\u201cSashka\u201d, dir. Katarzyna Lesisz, fict., 26\u2019, Poland, 2018<\/span><\/p>\n

\u201cSing\u201d, dir. Olga Korotkaya, doc., 52\u2019, Poland, Russia, 2018<\/span><\/p>\n

\u201cTechno\u201d, dir. Tadeusz \u0141ysiak, fict., 24\u2019, Poland, 2017<\/span><\/p>\n

\u201cTsantsa\u201d, dir. Robin Lipo, fict., 30\u2019, Poland, 2018<\/span><\/p>\n

\u201cAuntie Leonie\u2019s\u201d, dir. Micha\u0142 Ciechomski, fict., 25\u2019, Poland, 2018<\/span><\/p>\n

\u201cFraming Freedom\u201d, dir. R\u00f3\u017ca Fabjanowska, S\u0142awomir Malcharek, doc., 79\u2019, Poland, 2017<\/span><\/p>\n

\u201cOpen Range\u201d, dir. Rafa\u0142 Gu\u017ckowski, doc., 35\u2019, Poland, 2017<\/span><\/p>\n

 <\/p>\n

The 58th Krakow Film Festival will take place May 27th – June 3rd, 2018.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Among documentary, short and animated films from all over the world, Poland has its strong representation at the Festival. Polish films will take part in all four festival competitions and will be also presented in the sections outside the competition.   Polish panorama     One of the most important out-of-competition sections is Polish panorama. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[],"acf":[],"yoast_head":"\nPolish films at the 58th Krakow Film Festival - Krakow Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.krakowfilmfestival.pl\/en\/polish-films-at-the-58th-krakow-film-festival-news\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Polish films at the 58th Krakow Film Festival - Krakow Film Festival\" \/>\n<meta property=\"og:description\" content=\"Among documentary, short and animated films from all over the world, Poland has its strong representation at the Festival. Polish films will take part in all four festival competitions and will be also presented in the sections outside the competition.   Polish panorama     One of the most important out-of-competition sections is Polish panorama. 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